Advantages: One of the finest casts ever Disadvantages: Mono Sound, that's all
...Artists
15. Muoio D'affano!...Di Scrivermi Ogni Giorno - VariousArtists
16. Oh, Di, come Veloce Se Ne Va Quella Barca! - Elisabeth Schwarzkopf
17. Soave Sia Il Vento - Elisabeth Schwarzkopf
18. Quante Smorfie...Quante Buffonerie! - Sesto Bruscantini
19. Che Vita Maledetta - Elisabeth Schwarzkopf
20. Ah, Scostati!...Smanie Implacabili Che M'agitate - Nan Merriman
21. Signora Dorabella, Signora Fiordiligi - Elisabeth Schwarzkopf
22. In Uomini, In Soldati Sperare Fedelta? - Lisa Otto
23. Despinetta!...Chi Batte? - Lisa Otto
24. Alla Bella Despinetta - VariousArtists
25. Oh, Ciel! Mirate: Uomini In Cosa Nostra - VariousArtists
26. Come Scoglio Immoto Resta - Elisabeth Schwarzkopf
27. Ah, Non Partite! - VariousArtists
28. Non Siate Ritrosi - Rolando Panerai
29. E Voi Ridete? - Rolando Panerai
30. E...
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Ciao members have rated this review on average helpful
...This score by Vangelis is far superior to his 1981 oscar winning score for Chariots of Fire because it compliments the exquisite looking images and futuristically grungy atmosphere that pervade Ridley Scotts seminal film. In fact I've never seen a film where the music fits so perfectly all the way through. From the gorgeously mystical opening synth chords accompanying those initial stunning images of 21st century LA, to the pounding, unforgettable end title. And I think the erotic and dreamy love theme played by a smoother than a baby's bum saxophone is totally spellbinding, but like the rest of the music, never intrudes on the action(like all the best scores). The soundtrack is the finishing touch to a masterpiece....
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Ciao members have rated this review on average somewhat helpful
somewhat helpful 23.07.2000
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