70's Anthology, The - Supremes (The)

70's Anthology, The - Supremes (The)

2 CD(s) - Motown - Label: Motown - Distributor: Universal Music - Released: 18/11/2002 - 44006412726 more

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70's Anthology, The - Supremes (The)

Main specs

Title: 70's Anthology, The

Performer: Supremes (The)

Genre: R&B

Sub Genre: Motown

Release Date: 18/11/2002

Recomended Retail Price: 16.99 GBP

Original Release Year: 2002

Label / Distributor: Motown / Universal Music

Pieces in Set: 2

Studio / Live: Studio

Stereo: Stereo

Format: Performer

EAN: 44006412726

Catalogue Number: 641272

Additional notes

Album Notes: The Supremes: Mary Wilson, Scherrie Payne, Jean Terrell, Cindy Birdsong, Susaye Greene (vocals).

Titles on disc 1

1.: Up The Ladder To The Roof (single version)

2.: Everybody's Got The Right To Love

3.: Loving Country

4.: Life Beats

5.: Together We Can Make Such Sweet Music

6.: Stoned Love

7.: It's Time To Break Dawn

8.: River Deep Mountain High - Supremes & Four Tops

9.: Nathan Jones (single version)

10.: Touch

11.: Function At The Junction - Supremes & Four Tops

12.: Love The One You're With - Supremes & Four Tops

13.: Oh My Poor Baby

14.: Make It With You

15.: I'll Let Him Know That I Love Him

16.: Never Can Say Goodbye

17.: Walk With Me Talk With Me Darling

18.: Floy Joy

19.: Automatically Sunshine (alternate version)

20.: Your Wonderful Sweet Sweet Love

21.: When Can Brown Begin

Titles on disc 2

1.: I Keep It Hid

2.: All I Want

3.: I'll Guess I'll Miss The Man (single version)

4.: Bad Weather (single version)

5.: Love Train (unedited alternate mix)

6.: Sha La Bandit (multi lead vocal version)

7.: It's All Been Said Before

8.: He's My Man (extended version)

9.: Give Out But Don't Give Up

10.: Where Do I Go From Here

11.: Bend A Little

12.: Can We Love Again

13.: High Energy (unedited alternate mix)

14.: I'm Gonna Let My Heart Do The Walking

15.: You're What's Missing In My Life

16.: Don't Let My Teardrops Bother You

17.: There's Room At The Top

18.: You're My Driving Wheel

19.: Let Yourself Go

20.: Love I Never Knew You Could Feel So Good

21.: We Should Be Closer

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Advantages: bonus tracks not on the 7 inches and you don't have to keep flipping the vinyl.
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...An anthology CD collecting all of the Bones Brigade's out-of-print 7-inches along with five unreleased studio tracks as well. Fast as hell thrashcore/crossover/skatecore mix up early Suicidal Tendencies/DRI along with DS-13 and thrown in a bit of 70s rock and you'll be in the general ballpark (or skatepark even!), there's an excellent cover of Suicidal's Two Sided Politics on here. It's the sort of stuff that provides a great sound track to an aggressive skate session full of skint knees, faceplants and general injury. The quality is consistently high throughout, no murky recordings from a practice or anything and every song is a killer. They were also great live but have now split up, members were/are also in The Rites and Cut The Shit.... Read review

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Advantages: A new facet of rock's greatest
Disadvantages: Not for the casual fan

...the same sessions, "If You've Got Trouble", which - true to its title - they were dissatisfied with. 'Oh rock on, anybody!' cried the despairing vocalist, Ringo Starr, halfway through the recording. Like its predecessor, track 1 is a brand new track based on a John Lennon demo from the late 70s, "Real Love", to which the other three added vocals and instruments in a good 15 years or so later. Though it never rose higher than No. 4 as a single, in my view it is a far better song than the still likeable but rather odd "Free As A Bird". On balance I'd say that, because of the smaller proportion of 'exclusive' numbers, this is perhaps marginally less essential than Anthology 1, but if you're a devoted fan who bought the first, you probably won't be satisfied without its predecessor. And there was another to come...... Read review

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...Anthology 3 documents the fractious Beatles years from 1968 to the end. Apple Records was launched ironically as the quartet were splintering into different units; to put it one way, they were increasingly solo artists appearing as session musicians on each others songs, or to look at it another way, they were already peering over the horizon at the post-Beatle world. There were no reconstructed and heavily overdubbed demos from which to create 'new' singles, but plenty of alternate takes from the white album, "Abbey Road", and "Let It Be" (with John spoiling the seriousness of a run-through of the title track by cheerfully calling Paul a bounder and a cheat!) as well as early versions of "All Things Must Pass" and "Not Guilty", which George wrote and later recorded properly on two of his solo albums in the 70s; and Paul's versions... Read review

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