8 Days Of Christmas - Destiny's Child

Their second album of 2001, “8 Days of Christmas” followed “Survivor” as the fourth album from the R&B trio Destiny's Child. Using the line-up that the group worked with from the point when they reached mainstream popularity (with Beyonce Knowles, Kelly Rowland and Michelle Williams) it finds them bringing a Christmas-themed album containing mainly well-known festive tunes, as well as a couple of reworked ones and completely original songs.
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...we have them kicking off the album with the titular track to this release and the biggest single from the original version of the album (with a latter edition going on to include “Rudolph the Red-Nose Reindeer” a fresh re-make of “The 12 Days of Christmas” and fill it out with the types of things that they would actually want to have. It is a banger of a tune and the perfect way to start things off.

**Five Stars**

2.“Winter ... more

Their second album of 2001, “8 Days of Christmas” followed “Survivor” as the fourth album from the R&B trio Destiny's Child. Using the line-up that the group worked with from the point when they reached mainstream popularity (with Beyonce Knowles, Kelly Rowland and Michelle Williams) it finds them bringing a Christmas-themed album containing mainly well-known festive tunes, as well as a couple of reworked ones and completely original songs.

1.“8 Days of Christmas”

Here we have them kicking off the album with the titular track to this release and the biggest single from the original version of the album (with a latter edition going on to include “Rudolph the Red-Nose Reindeer” a fresh re-make of “The 12 Days of Christmas” and fill it out with the types of things that they would actually want to have. It is a banger of a tune and the perfect way to start things off.

**Five Stars**

2.“Winter Paradise”

We find that the act are backed up by some deep, grungy synth at the start of the thing to give it a Hip Hop-twist before they break into something that sounds a bit more conventional when it comes to Christmas songs. From here we see that they bring a nice and mellow song where they list off a variety of things that make Christmas what it is to force you to be taken into a feel-good mood that you won't be able to escape.

**Four Stars**

3.“A 'DC' Christmas Medley”
Here we find that the trio are somehow able to compact six classic Christmas songs into just four minutes. They do it all over one continuous piece of production and although it may be a bit of a squeeze to make it fit on the odd one, I felt that they freaky Hip Hop-based beats were perfect to make these songs sound like they owned them. It is a nice way to bridge things as we go from the original ones into more of the typical works in this style.

**Five Stars**

4.“Silent Night”

We find that here they strip everything down into ballad form as they work with a song that you knew was going to come at some point during this album. Here we have Beyonce choosing to go things alone and leave the other two back on additional backing vocals (even though you can clearly hear that she has a role on that side of things too). Although I can see some being put off by the fact that she may have gone a little over the top with it, she simply kills off the song and leaves you expecting much bigger things for later on the record.

**Five Stars**

5.“Little Drummer Boy”

Keeping things rolling with cover, we see that here we get them re-introducing the Hip Hop beats back into it and giving it an interesting edge that needs a little time to really connect with it. We find a nice little addition here as Beyonce's younger daughter (Solange, who would have been 15 at the time) coming to join them and doing her thing as they go off on a fly tune that they seem to have completely transformed.

**Five Stars**

6.“Do You Hear What I Hear?”

This is another solo work, and in this case we find that it's Kelly's turn to take control of things as she goes off attempting another popular Christmas cut. I felt that she really did a good job with it all as we find that as she is backed with lots of flowery production she is able to take you into this festive mood again in the same way that was felt with the opening song to the record (as if it began again).

**Five Stars**

7.“White Christmas”

Lasting under two minutes, this is only a short one (one of two consecutive ones that have them doing just a snippet of another tune that you really can't know about around this kind of time. I felt that it was a nice brief blast of energy as you find that we get some Dirty South Hip Hop beats added to the thing for a short while to make it connect with their Houston hometown and the region which they represent as a whole.

**Five Stars**

8.“Platinum Bells”

Here we get the trio comign out with a song that takes on the same sort of characteristics as the opening track on the thing whereby they turn to a tune that all know, and give its lyrics more modern contents, and so “Silver Bells” is brought into 2001 and they come out with another brief, yet highly-impactful burst that you just have to take notice of as they grab your attention through familiarity and then twist this with their own unique take on it.

**Five Stars**

9.“O' Holy Night”

Here we find that Michelle Williams gets her time do to her thing, and in expected fashion (considering the direction her solo career took) she opts for something that gives her the chance to connect much more to the Gospel side of the music that the act do, and she ensures that she stands out for the crowd in all that she offers. It's a strong one, but I woudln't say it competed with either of the others' solo efforts on this album.

**Four Stars**

10.“Spread A Little Love On Christmas Day”

Here we get a track that has them finding a way to bring forward a song that gets them singing about lots of Christmas-y things, but managing to do so on top of your typical contemporary R&B beats from the 1997-2001 period in this genre. It is a fly one and another that sounds as though it would have done as a single and so deserves to get attention for what it gives them the chance to do here.

**Five Stars**

11.“This Christmas”

Here we see that the artists get the chance to work with some material that is known primarily for its association with the R&B genre, and so it seems to connect with them much more. Here we find that they go about things in a completely unexpected manner by throwing down their very full vocals over some Breakbeats. It reflects this experimental time in R&B and doesn't have the timeless feel of the others here, but as this was one of my favourite periods in the genre, I can't say that I had any issues with it.

**Five Stars**

12.“Opera of the Bells”

“Ring, Christmas Bells” (“Carol of the Bells”) gets a Destiny's Child makeover here and we see that they find a way to end things just as they were known to with other releases as they rid themselves of beats and do it all a capella to show just how effectively their voices come together in order to make music that I really can't see how anyone could say they don't enjoy. It tops off a very strong album well.

**Five Stars**

This is a strong a relatively consistent album from Destiny's Child (more so than any they had brought out up to that point). We find that they do a good job at re-making classics and bringing in their own original material. There aren't any clear weak points and it comes across as one of the best examples of an R&B Christmas album.  

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