Albinoni: Oboe and Violin Concertos

Advantages: Mutter's eloquence and sensitivity in older recording are enhanced here.
Disadvantages: None at all!

...As a fantastically talented eighteen-year-old, Anne-Sophie Mutter already awed me with her sensitive and thoughtful eloquence in her 1981 recording of the Brahms violin concerto (with Herbert von Karajan directing the Berlin Philharmonic). However, there’s an even deeper understanding in Mutter’s reading of the Brahms piece on this newer disc. This performance was taped live at the Lincoln Center’s Alice Tully Hall, New York City, in 1997. Kurt Masur conducts the New York Philharmonic in particularly inspired fashion. A difference of fifteen years separates the two recordings. In the time between, she married, had children, and then was widowed at a very young age. When Mutter returned to her instrument, she would bring a greater strength, emotional depth and insight to her playing, lending a maturity and assuredness to her... Read review

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Advantages: Relaxing, serene, dreamy
Disadvantages: The first track is not actual Albinoni

...an appropriate introduction to the rest of the music – actual Albinoni. Many of the tracks are concertos for solo violins against the typical larger string orchestra of violin, viola, cello and continuo (tracks 2, 3, 5, 6, 8, 9, 11, 12, 14, 15, 16, 17, 18, 19, 20). The continuo instrument, usually being a harpsichord or organ. The baroque era is dominated by the use of strings and here they can be appreciated for their outstanding qualities. The adagios are slow, smooth and serene decorated with trills and turns. Albinoni was also credited for being the first Italian composer of Oboe concertos. A number of the tracks on the album feature solo oboes against the larger string orchestra (tracks 4, 7, 10, 13). Albinoni's uses the oboe almost like a singer creating a lyrical and pleasant melody to the accompanying strings. Also on the album... Read review

Ciao members have rated this review on average very helpful

Advantages: Beautiful relaxing music. Rich instrumentation. Played with passion.
Disadvantages: Not all instruments are from the period.

...!! The second concerto is completely different with an unexpected but delectable quartet of trumpet, recorder, oboe, and violin soloists set against the main body of strings and continuo. The third concerto is more conventional and straightforward using just three violins, three violas and three cellos with harpsichord and bass continuo. Each of the three instruments are given equal dominance and the music flows almost conversationally between rising to a boisterous bursts of energy. In the fourth concerto, recorders are heard in the distance over the stringed accompaniment. The recorders, played by brothers Christopher and Richard Taylor (famous for playing flutes with the Beatles on Fool on the Hill and Magical Mystery Tour) with clarity and precision, exude an irresistible charm and sweetness. This is often considered to be the lightest... Read review

Ciao members have rated this review on average very helpful