ARETHA ARRIVES
Personnel: Aretha Franklin (vocals, piano), Jimmy Johnson (acoustic & electric guitars),
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Joe South (electric guitar), Spooner Oldham (acoustic & electric piano, organ, vibraphone), Truman Thomas (organ), Ted Somers (vibraphone), Tommy Cogbill (bass), R...
Album Notes: Personnel: Aretha Franklin (vocals, piano), Jimmy Johnson (acoustic & electric guitars), Joe South (electric guitar), Spooner Oldham (acoustic & electric piano, organ, vibraphone), Truman Thomas (organ), Ted Somers (vibraphone), Tommy Cogbill (bass), Roger Hawkins (drums), Carolyn Franklin, Erma Franklin, The Sweet Inspirations (background vocals).
Album Reviews: Entertainment Weekly (9/17/93, p.88) - "...from [1967] comes this seminal, oft soul-shaking album....25-year-old Franklin is such a commanding presence on 'That's Life' and 'I Wonder,' it's obvious that an extraordinary talent has arrived on the scene..." - Rating: B
Advantages: One of the greatest soul albums of all time Disadvantages: ---
...Upon listening to a friend describe how doo-wop artists put women on a pedestal, Fannie Lou hammer replied " Your pedestal is my jail, only a bit nicer"
I think that ArethaFranklin could relate to that comment. For the past 40 years she has been hoisted on a pedestal of fanatical idolatry and suffocating demands. No performer in the history of African American art has ever had the expectations as had Aretha by her audience. Her body of work isn't a matter of critical record, but of nationalist fervor. Aretha's artistic stratosphere is a place where she can do no right and do no wrong at the same time; where she is supposed to provide uncontested life affirming inspiration every single time she steps on stage or else. The constant demand for perfection would stilt the growth of any performer; and it has for her work over the past 25...
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Advantages: Every recording is good to totally superb! Disadvantages: NONE!
...ArethaFranklin, daughter of a famous Pentecostel pastor, inevitably began singing in a church choir at a very early age and it was clear then that she had the gift of a deep, raw talent. Her vocal style, even as a young child, was capable of such immense power and volume.
She began her musical career recording secular tracks for Columbia Records, none of which really bought her much chart recognition. Signed by John Hammond at the dawn of the 1960's, he tried invain to nurture her talent effectively. By the time of 1966, all she had released on the Columbia label was a string of minor selling hits.
So in 1966 she signed a new deal with Jerry Wexler (who had enjoyed enormous success with such fantastic Soul music legends as the unforgetable Ray Charles and the divine Wilson Pickett) to Atlantic Records which finally propelled her...
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helpful 08.09.2006
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