Advantages: A discovery unforgettable Disadvantages: Nothing
...difficult in the same time.
I try to do it:
1) He make a full immersion in historycal background of Chopin;
2) He loved to study hand-written Chopin's music;
3) Like he said, he stopped to learn a work when "sounds flow in my blood".
4) An intelligent control by means of mind and heart.
He plays Chopin's Nocturnes suspended in "time": night is not only darkness, mystery or passions; night in Chopin is without time also...
This Arturo understood and now we can hear a strange dimension of time.
Of course, there are passions, loves, cryes but these are nothing...in front of a world without time.
Often Nocturnes seem lullabyes: it is true!
But they send to sleep the death not the listeners!
Then, these musics are a victory on the death!
Other pianists have played these Chopin's works: Horowitz, Schnabel, Pollini, Richter...
Some years...
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Advantages: Thrilling, daredevil chamber music performances from the legendary Martha Argerich and partner-in-crime Gidon Kremer. Disadvantages: Violinist Kremer occasionally on the mannered, spastic side; only forty-three minutes of music.
...unenlightened hierarchy of classical music preferences. To me, the performers are having more fun than the listeners (me, specifically) when it comes to chamber music. Well, leave it to Martha to upset another bias of mine.
Here she teams up with her good friend, Latvian violinist Gidon Kremer, to play a couple of sonatas by Ludwig van Beethoven (1770-1827). (The CD represents only part of their recordings of Beethoven’ssonata cycle for piano and violin.) Once again, Argerich’s formidable talent is in full display. Violinist Kremer, a frequent chamber music partner of hers, proves an able and equal partner.
The Sonatas for Piano and Violin.
The works on review are the Sonata no. 4 in A minor, and the Sonata no. 5 in F major ("Frühlings-Sonate" ["Spring"]) for Piano and Violin. For comparison, I chose the Anne-Sophie Mutter-Lambert Orkis version...
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Advantages: Classic Brendel, good sound Disadvantages: Classic Brendel
...After having spent quite some time, both in the studio and the concert hall, concentrating exclusively on the BeethovenPianoSonatas and Piano Concertos, Brendel, whilst always being limited to some, (not inconsiderable, it seems) extent by physical problems in and around the areas of his back and arms, is now free to explore other music avenues.
This is the second disk of Brendel's Mozart with which we have been presented over the recent past; the other being his account of two of the concertos. Here we have performances of 3 of the unaccompanied sonatas.
Brendel has long been considered as being a Mozartian of zest and insight. But, for me at least, his interprtations of this Master can seem a little quirky. Its as if he doesn't, in some way, relate to the personality and musical language of Mozart with quite the same success as he...
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Ciao members have rated this review on average somewhat helpful
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