1965 as Coleman returned from three years of isolation and taking stock after he had revolutionised jazz in large and in detail on his legendary quartet recording...
1965 as Coleman returned from three years of isolation and taking stock after he had revolutionised jazz in large and in detail on his legendary quartet recording...
three years of isolation and taking stock after he had revolutionized jazz in large and in detail on his legendary quartet recordings on Atlantic. Habituated to cries of execration, he now had taken to playing trumpet and violin in a manner as idiosyncratic as--and more roughly schooled than--his already out-there alto saxophone approach. His Stockholm accompanists are in complete synch with the refracted logic of Coleman's serpentine, yelping-spirit style. David Izenson's singing, independently-minded bass playing prompts Coleman along his peripatetic way. Charles Moffett relishes any opportunity to break out into drum-corps rataplan, but overall he provides a sheet of ride cymbaland snare that grounds his wandering partners.--Peter Monaghan
At The Golden Circle Vol.2 [Remastered] - Ornette Coleman
Main specs
Title: At The Golden Circle Vol.2 [Remastered]
Performer: Ornette Coleman
Genre: Jazz Instrument
Sub Genre: Alto Sax
Release Date: 07/01/2002
Recomended Retail Price: 8.99 GBP
Original Release Year: 1965
Label / Distributor: Blue Note / EMI
Guest Artist(s): Coleman, Ornette Trio
Engineer: Rune Andreasson
Pieces in Set: 1
Studio / Live: Live
Stereo: Stereo
Format: Performer
EAN: 724353551926
Catalogue Number: 5355192
Additional notes
Album Notes: Full title: At The Golden Circle, Stockholm, Vol. 2.
Album Reviews: Down Beat (May 2002, p.60) - 4.5 out of 5 stars - "...Coleman, in some of his finest moments on record, plays like a man swept up in exaltation..."
Advantages: Great jazz tunes from the Golden Age Disadvantages: None
...This is real jazz, from the real Golden Age of Jazz. It's got the pace, the rhythm, the fluid trumpet playing, the relentlessly enthusiastic, rolling piano playing and the clear diction of some excellent singing of vocalists who could not only hold a tune, but who could capture your heart and soul, too…
There's musicians with such great names as Muggsy Spanier, Meade Lux Lewis, King Oliver and Sidney Bechet. You do not get musicians called Muggsy nowadays. I wonder why?
As well as straight out jazz such as the Dippermouth blues, there's also the dreamy and melodic April in Paris from Charlie Parker. Some jazz aficionados reckon that Charlie Parker eventually sold out. Well, perhaps he did. But some of his earlier work still stands the test of time.
Jack Teagarden is on this CD, with So Many Times, a rather nice, well...
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Advantages: impossible, delicious, juicy, choatic, hellish, revolting. Disadvantages: it doesn't go on forever.
...For some reason the picture Ciao have provided for this album is of some sort of radioactive ice cream rather than the Jackson Pollock painting that actually graces the album's cover. This isn't inappropriate though: like the best ice cream, "Free Jazz" is cool, delicious and of dubious origin.
The subtitle, if you care about this sort of thing (and you should) is, "A collective improvisation by the OrnetteColeman double quartet". This matters enormously, because "double" is a word that doesn't occur nearly often enough in musical contexts, even now, 50 years into the stereo age. "Free Jazz" is a double album - but not two discs, to be played consecutively; rather one disc with two pieces of music to be played simultaneously. As with Lou Reed's own jazz album "Metal Machine Music", headphones are fundamental to the music...
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