At The Opera House (Live In Chicago & Los Angeles 1957) - Stan Getz/J.J. Johnson
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At The Opera House (Live In Chicago & Los Angeles 1957) - Stan Getz/J.J. Johnson

1 CD(s) - Tenor Sax - Label: Verve - Distributor: Universal Music - Released: 01/1993 - 42283127227

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Stan Getz And J.J. Johnson At The Opera House
By the time this music was played in 1957, the jazz Roman circus known as Jazz At The ... more
Philharmonic (JATP) had been going strong for 14
years. The form has survived and burgeoned to this
day and, as can be heard here, it drew in some of
the most elegant...
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3 out of 3 similar offers for At The Opera House (Live In Chicago & Los Angeles 1957) - Stan Getz/J.J. Johnson  
At the Opera House -  Stan Getz At the Opera House - Stan Getz
By the time this music was played in 1957, the jazz Roman circus known as Jazz At The ... more
Philharmonic (JATP) had been going strong for 14
years. The form has survived and burgeoned to this
day and, as can be heard here, it drew in some of
the most elegant and tasteful soloists. The two
leaders meshed well together and were obviously
happy in their work, as both are at their best
throughout the 73 minutes on the disc. Johnson had
played on the first JATP recordings at a time when
he had radically changed the approach to jazz
trombone playing. He had sacrificed the full tone
possible on the instrument to substitute an
agility and speed that matched the saxophone
players. Well, almost. For no one could come near
to the eloquence of Stan Getz in full flight. The
outstanding track has to be his solo feature on
"It Never Entered My Mind", one of the classic
jazz improvisations. The rhythm section is the
Oscar Peterson Trio augmented by drummer Connie
Kay.  The original LP issue has been augmented by
six extra tracks from a second concert. Your
collection needs this album. --Steve Voce
£ 17.49 Postage & PackagingFree!
AvailabilityUsually dispatched within 24 hours...
Amazon.co.uk
Stan Getz And J.J. Johnson At The Opera House Stan Getz And J.J. Johnson At The Opera House
By the time this music was played in 1957, the jazz Roman circus known as Jazz At The ... more
Philharmonic (JATP) had been going strong for 14
years. The form has survived and burgeoned to this
day and, as can be heard here, it drew in some of
the most elegant and tasteful soloists. The two
leaders meshed well together and were obviously
happy in their work, as both are at their best
throughout the 73 minutes on the disc. Johnson had
played on the first JATP recordings at a time when
he had radically changed the approach to jazz
trombone playing. He had sacrificed the full tone
possible on the instrument to substitute an
agility and speed that matched the saxophone
players. Well, almost. For no one could come near
to the eloquence of Stan Getz in full flight. The
outstanding track has to be his solo feature on
"It Never Entered My Mind", one of the classic
jazz improvisations. The rhythm section is the
Oscar Peterson Trio augmented by drummer Connie
Kay.  The original LP issue has been augmented by
six extra tracks from a second concert. Your
collection needs this album. --Steve Voce
£ 4.28 Postage & Packaging£1.24
AvailabilityUsually dispatched within 2 working days...
Amazon Marketplace
Stan Getz And J.J. Johnson At The Opera House -  Stan Getz J.J. Johnson Stan Getz And J.J. Johnson At The Opera House - Stan Getz J.J. Johnson
By the time this music was played in 1957, the jazz Roman circus known as Jazz At The ... more
Philharmonic (JATP) had been going strong for 14
years. The form has survived and burgeoned to this
day and, as can be heard here, it drew in some of
the most elegant and tasteful soloists. The two
leaders meshed well together and were obviously
happy in their work, as both are at their best
throughout the 73 minutes on the disc. Johnson had
played on the first JATP recordings at a time when
he had radically changed the approach to jazz
trombone playing. He had sacrificed the full tone
possible on the instrument to substitute an
agility and speed that matched the saxophone
players. Well, almost. For no one could come near
to the eloquence of Stan Getz in full flight. The
outstanding track has to be his solo feature on
"It Never Entered My Mind", one of the classic
jazz improvisations. The rhythm section is the
Oscar Peterson Trio augmented by drummer Connie
Kay.  The original LP issue has been augmented by
six extra tracks from a second concert. Your
collection needs this album. --Steve Voce
£ 7.47 Postage & Packaging£1.46
AvailabilityUsually dispatched within 24 hours...
Amazon.co.uk

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At The Opera House (Live In Chicago & Los Angeles 1957) - Stan Getz/J.J. Johnson

Main specs

Title: At The Opera House (Live In Chicago & Los Angeles 1957)

Performer: Stan Getz/J.J. Johnson

Genre: Jazz Instrument

Sub Genre: Tenor Sax

Release Date: 01/1993

Original Release Year: 1957

Label / Distributor: Verve / Universal Music

Guest Artist(s): Getz, Stan & J.J. Johnson

Producer: Norman Granz

Pieces in Set: 1

Studio / Live: Live

Stereo: Mixed

Format: Performer

EAN: 42283127227

Catalogue Number: 8312722

SPAR code: AAD

Additional notes

Album Notes: Personnel: Stan Getz (tenor saxophone); J.J. Johnson (trombone); Oscar Peterson (piano); Herb Ellis (guitar); Ray Brown (bass); Connie Kay (drums).

Titles on disc 1

1.: Billie's Bounce

2.: My Funny Valentine

3.: Crazy Rhythm

4.: Blues In The Closet

5.: Billie's Bounce

6.: My Funny Valentine

7.: Crazy Rhythm

8.: Yesterdays

9.: It Never Entered My Mind

10.: Blues In The Closet

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Listed on Ciao since : 19/11/2005


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Advantages: A great jazz collection
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...I don't know if this album received that much attention when it came out but I've been listening to it lately a lot. I'm a saxophone player, and Getz is not even usually one of my favorites. I always thought his sound was too lightweight or something. The only albums I liked were the early Bossa Nova ones, but not any more. He plays so soulfully on this album, it's like he's literally crying, wailing, and his sound is so beautiful and big and perfect intonation--all the more amazing since he had terminal cancer at the time of the recording. You would never know it. This is a very arranged album with lots of horns and synthesized instruments and percussion and lots of different styles and grooves, but don't let that discourage you because it's very intimate and Stan is the only soloist, blowing all the way through. Occasionally... Read review

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