Another band who have barely been reviewed on this site....it is criminal! Anyone reading this remember Soundgarden? I certainly do, and this is where the lead singer of Soundgarden, Chris Cornell is now focusing his attention. Audioslave are a collaboration between Cornell, and the musical members of also defunct Rage Against The Machine who are Tom Morello, Brad Wilk, and Tim Commerford. The original plan was that Cornell would just replace Zac De La Rocha as RATM vocalist, but he thought that they were too political, and if they carried on with the same name, they would have to carry on with the same music, and he was not happy with that. Considering that Soundgarden were always more metal than grunge, and RATM had a harder edge to their music, it is no surprise that the debut album from the newly formed band is firmly in the metal genre, but the funk element is still there.
'Cochise'opens the album with energy and pace. Cornell's gravelly voice sounds like a more tuneful version of AC/DC's Bryan Johnson. As with the other songs on the album, it is written by Cornell. It is the kind of song which I can imagine is even more powerful when it is played live. The vocals and guitar riffs give the music a real 80's feel, and this sets it apart from the funk metal (if there is such a genre of music) that we are hearing at the moment. The politics are a welcome exclusion, as this is where RATM went wrong a lot of the time.
'Show Me How To Live' is another song in much the same vein, but if ever there was a song which could rival the Black Sabbath sound, then this is it. Here, I think Cornell's vocals are at their finest, and whilst this is all about the music, I have to say that he sounds as horny as he looks, and there are not many singers that I could say that about.
I apologise, I digress, but ladies, take a look at Chris Cornell, he is certainly a very fine specimen, and he can certainly belt out a song or two..or three!
'Gasoline' starts off with gentle drums, and then the energy rises when the guitars kick in. The song tells the story of an arsonist. The vocals are mellower than on the preceeding tracks until the chorus, and then the Sabbath vibe is evident, as is the effort Cornell is putting in to make his voice perform in this manner. On the album, this is song which reminds me most of Soundgarden material, which has pushed me to hunt out some of their old stuff which I have not listened to for a while. This would be a brilliant single.
'What You Are' is an easy song to listen to. The first third of the song allows Cornell to showcase his real vocal talent without pushing his voice too far, and then the chorus kicks in, and if I close my eyes, this could be Robert Plant singing, but then the verse returns to the sweeter, more pallatable vocal which the song started with. The contrasts work very well, and the verses allow you to catch your breath and prepare yourself for the onslaught of the edgy chorus, which really gets the adrenalin flowing.
'Like a Stone' was released as a single, and is a ballad, Audioslave style. It really works, and it is a song I connected with straight away. Lyrically, it is the best song on the album. It is a love song full of regret, and it is not too ambitious, and that is why it is such a cracking track. It is simple, but memorable, and full of emotion. It has to be said that the talent of Morello is another reason why this track is a winner, as his guitar riffs add to the feel of the song, and I find myself hanging on every word.
'Set It Off' is another Sabbath influenced track, whether the band admit it or not. The song oozes attitude right from the opening note, and the lyrics are littered with swearing, which when I came to think about it has been a real rarity on this album, but I have to say that the swearing does not detract from the song, or the rest of the lyrics. The drums are fierce on this track. I love to watch the drummer when I see a band play live, as I think that they are the pivotal member of the band, and this song is the perfect example of that.
'Shadow On The Sun' is an amazing song. It is less rock and more melody which I love. The lyrics really hit home and make you think about life and how you live it. They really are that powerful. The guitar solo gives strength and depth to this already storming track, and I am sure that if the band keep putting out songs like this then they will be around for a long time, however I feel that the rumours of creative and management differences may mean that we do not even see another album which is a great shame.
'I Am The Highway' lets you sit back and relax for five and a half minutes. I know I should stop comparing vocals, but I think it helps to give you a feel for the song. Here Cornell has moments when he sounds like the brilliant Eddie Veder from Pearl Jam, but for the most part he sounds unique, and his vocals are powerful and moving. I love the chorus to this song. 'I am not your rolling wheels, I am the highway. I am not your carpet ride, I am the sky'. The songs soothes you and the mood sweeps over you, and everytime I hear this song I am filled with a great sense of wellbeing. Without doubt, the standout track on the album.
'Exploder' is back to the up tempo rock that has been the overiding theme of the album. The lyrics are ok, but is the ex RATM musicians that take centre stage with this song, especially Tom Morello's astounding guitar playing. All that said, in comparison to the rest of the tracks on the album, this is decidingly average overall. There just is not enough to make it stand out amongst the competition, and as it is heading towards the end of the album, I am sure very few people will have this as a favourite.
The first thing that strikes me about 'Hypnotize' is that Cornell's vocals sound very strange, as if he is trying to put on a false voice, and I do not like it at all. Musically, it is brilliant. It is really upbeat, and has a real funky overtone, and the vocals take a back seat, which adds to the strength of the song, and it is not often that I would say a song benefits from the lack of vocal prowess we have become accustomed to when listening to Chris Cornell, but it does not hurt to let others shine once in a while.
'Bring Em Back Alive' is about disease from what I can gather, and I suspect it may be about the AIDS virus. The lyrics are very dark, as is the general feel of the song. The build up from verse to chorus is filled with tension and you can feel Cornell letting out his emotions through every word he sings. He sounds in pain at times when he is screaming the chorus, but I think this is his way of expressing the feeling behind the words, and it is certainly a powerful medium which makes the listener take notice.
'Light My Way' does not let up the mood of the album. The guitar riffs are bold and in your face for the most part, but there are sections of the song which are mellower, so the appeal is wide ranging, and that I think will be the key to the success of the band. They will take along many of their original fans, and collect many more along the way, but I think the key to the success will be playing live, as these songs were made to be played to big crowds who can really appreciate the brilliance of this collection of musicians.
The album really starts to wind down with 'Getaway Car'. It is a song that I think is perfect to waste time to, just to have playing and do nothing but absorb the lyrics, and feel the music sweep over you. For the most part, I would not say I am a rock fan, and this is probably why the mellower, slower tempo songs like this appeal to me, but I have to say that I could be tempted to explore more band in this genre. Any ideas? Please leave them in the comments field. My husband is pointing at the latest Alkaline Trio release, but I remain to be convinced where they are concerned!
'The Last Remaining Light' brings the album to a chilled out end. It is a pretty dark track, but it is perfect to bring a curtain down on the music of Audioslave's debut release. The guitars again are brilliant, and add to the magic of the atmosphere created by the music as a whole. The difference in styles from the two bands have made for a brilliant fusion of rock/funk/metal, and I urge you to experience it at least once. You never know, it may be right up your street, and there is still enough Soundgarden and RATM there to satisfy the original fans.
This is a really impressive debut album, but then considering the musical experience that is behind it, I really should not have expected anything less. It will not reach the masses in the same way their previous material has, but give them time, I am sure they will impact the music scene in a massive way. Cornell has proven that he can br brilliant, but he needs a band to front, as his solo material sank without a trace as it just was not powerful or attractive enough, and with the added force of producer Rick Rubin, Audioslave have created a sound which will last.
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The debut of thundering supergroup Audioslave--featuring members of Rage Against the ... more
Machine post-Zack de la Rocha with ex-Soundgarden singer Chris Cornell--is as much curio as fascinating blend of visions. Cornell might be outnumbered, but his unmista...
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Advantages: A decent alternative to the now demised Soundgarden and Rage Against The Machine. Cornell's vocals Disadvantages: If your looking for a direct replacement for RATM or Soundgarden this isn't it
Andy.mack 28.11.2006 (28.11.2006)
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Ciao members have rated this review on average: very helpful
Review of Audioslave - Audioslave