Bach: Canatas Nos. 106-8
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Bach: Canatas Nos. 106-8

1CD(s) - Label:Hänssler - Distributor:Metronome - Run Time:1 hour 55 minutes - Released:11/1999

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Bach: Canatas Nos. 106-8

Main specs

Title: Bach: Canatas Nos. 106-8

Date of Release: 11/1999

Label / Distributor: Hänssler / Metronome

Pieces in Set: 1

Running Time: 1 hour 55 minutes

Genre(s): Other

Catalogue Number: 92

Ciao

Listed on Ciao since : 04/06/2005


Reviews which might be of interest for Bach: Canatas Nos. 106-8    
3 Similar Reviews of Bach: Goldberg Variations (1981)
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Review of Bach: Goldberg Variations (1981) by johndoc

Advantages: Great piano playing of a great Bach composition.
Disadvantages: None

...One of Gould's final recordings, this is probably the definitive piano version of Bach's keyboard masterpiece. Gould runs the theme & thirty variations as a unified whole. His playing is characterised by clear fast passages, crisp ornaments and controlled, intense playing of the slow variations (nos.15 & 26). Even his humming along to the music does not detract from a joyous performance. The final section from variation 27 to the slow return to the theme is pianism at its most uplifting. The piano sound is clear without being dry & compares favourably with most up to date piano recordings. This is a disc to convert anyone to Bach & indeed to Gould's pianistic genius.... Read review

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25.09.2000
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Review of Bach: Brandenburg Concertos by MAFARRIMOND

Advantages: Beautiful relaxing music. Rich instrumentation. Played with passion.
Disadvantages: Not all instruments are from the period.

...If I was ever asked to select my "desert island discs", top of my list would be Bach's Brandenburg Concertos. (I wonder if there's a category in the ciao café?. . . ) The six Brandenburg concertos, each with their distinct quality and sound requiring a different combination of instruments, are not only a delight to listen to but exemplify the intellectual musical genius of their composer, Johann Sebastian Bach. All six are composed in major keys creating and maintaining a cheerful, vivacious collection. The modulations of key demanded by the baroque conventions are skilfully completed and Bach's predilection for numbers and ornate touches are evident. I could say more but this isn't a musical analysis . . . I am not alone in my high estimation, The Brandenburg concertos are now probably the best loved and most frequently performed works... Read review

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Disadvantages: (For US residents) Import CD from British Hyperion label costs more than the average.

...control and discipline. I wonder if these two pianists' differing approaches may reflect their respective backgrounds: Argerich hails from the (stereotypically) temperamental country of Argentina, while Hewitt comes from the frozen white north. Hmmm.... (At any rate, I love both pianists' renderings of Bach, which, in the end, are not all that different in that both move me beyond words.) In what seems like a paradox, Hewitt actually uses a larger palette of colors despite her more restrained and deliberate tempo. She weaves some kind of subtle magic that brings a greater excitement and depth to the work. To wit: she gives the bass lines more prominence than Perahia does. Her Variation 8 might not bear the commanding authority heard on Perahia's, but hers has an emotional momentum that climaxes at the end. Hewitt keeps me interested all... Read review

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