Advantages: Great piano playing of a great Bach composition. Disadvantages: None
...One of Gould's final recordings, this is probably the definitive piano version of Bach's keyboard masterpiece. Gould runs the theme & thirty variations as a unified whole. His playing is characterised by clear fast passages, crisp ornaments and controlled, intense playing of the slow variations (nos.15 & 26). Even his humming along to the music does not detract from a joyous performance. The final section from variation 27 to the slow return to the theme is pianism at its most uplifting.
The piano sound is clear without being dry & compares favourably with most up to date piano recordings. This is a disc to convert anyone to Bach & indeed to Gould's pianistic genius....
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Advantages: Beautiful relaxing music. Rich instrumentation. Played with passion. Disadvantages: Not all instruments are from the period.
...If I was ever asked to select my "desert island discs", top of my list would be Bach's Brandenburg Concertos. (I wonder if there's a category in the ciao café?. . . ) The six Brandenburg concertos, each with their distinct quality and sound requiring a different combination of instruments, are not only a delight to listen to but exemplify the intellectual musical genius of their composer, Johann Sebastian Bach. All six are composed in major keys creating and maintaining a cheerful, vivacious collection. The modulations of key demanded by the baroque conventions are skilfully completed and Bach's predilection for numbers and ornate touches are evident. I could say more but this isn't a musical analysis . . .
I am not alone in my high estimation, The Brandenburg concertos are now probably the best loved and most frequently performed works...
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Advantages: Elegant, refreshingly stimulating, articulate Goldberg Variations. Disadvantages: (For US residents) Import CD from British Hyperion label costs more than the average.
...control and discipline. I wonder if these two pianists' differing approaches may reflect their respective backgrounds: Argerich hails from the (stereotypically) temperamental country of Argentina, while Hewitt comes from the frozen white north. Hmmm.... (At any rate, I love both pianists' renderings of Bach, which, in the end, are not all that different in that both move me beyond words.)
In what seems like a paradox, Hewitt actually uses a larger palette of colors despite her more restrained and deliberate tempo. She weaves some kind of subtle magic that brings a greater excitement and depth to the work.
To wit: she gives the bass lines more prominence than Perahia does. Her Variation 8 might not bear the commanding authority heard on Perahia's, but hers has an emotional momentum that climaxes at the end. Hewitt keeps me interested all...
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