Main Performer: Dietrich Fischer-Dieskau (Baritone); Edith Mathis (Soprano); Peter Schreier (Tenor); Ernst Haefliger (Tenor); Hertha Töpper (Mezzo soprano)
Work Title: Cantata No. 140, 'Wachet auf, ruft uns die Stimme', BWV140
Excerpt(s): 1. Chorus: Wachet auf! wachet auf! ruft uns die Stimme 2. Recit: Er kommt, er koomt, der Bräut'gam kommt! (T) 3. Aria (Duet): Wann kommst du, mein Heil? (S,B) 4. Choral: Zion hört die Wächter singen (T) 5. Recit: So geh'herein zu mir (B) 6. Aria (Duet): Mein Freund ist mein! (S,B) 7. Choral: Gloria sei dir gesungen (chor)
Composer: Johann Sebastian Bach (1685 - 1750)
Genre: Vocal & Choral
Date Written: 1731
Conductor: Karl Richter
Orchestra / Ensemble: Munich Bach Orchestra
Orchestra / Ensemble: Munich Bach Choir
Main Performer: Dietrich Fischer-Dieskau (Baritone), Edith Mathis (Soprano), Peter Schreier (Tenor)
Opera Part(s): Dietrich Fischer-Dieskau, Edith Mathis, Peter Schreier
Work 2
Work Title: Magnificat in D, BWV243
Excerpt(s): 1. Magnificat 2. Et exultavit spiritus meus 3. Quia respexit humilitatem 4. Omnes generationes 5. Quia fecit mihi magna 6. Et misericordia 7. Fecit potentiam 8. Deposuit potentes 9. Esurientes implevit bonis 10. Suscepit Israel 11. Sicut locutus est 12. Gloria Patri
Composer: Johann Sebastian Bach (1685 - 1750)
Genre: Vocal & Choral
Date Written: c1728-31
Conductor: Karl Richter
Orchestra / Ensemble: Munich Bach Orchestra
Orchestra / Ensemble: Munich Bach Choir
Main Performer: Dietrich Fischer-Dieskau (Baritone), Ernst Haefliger (Tenor), Hertha Töpper (Mezzo soprano), Maria Stader (Soprano)
Opera Part(s): Dietrich Fischer-Dieskau, Ernst Haefliger, Hertha Töpper, Maria Stader
Advantages: Everything you could ever want from a classical CD Disadvantages: none
.... The Nutcracker - Suite
Composed by Pyotr Il'yich Tchaikovsky
17. Concerto for Violin and Orchestra in E minor
Composed by Felix Mendelssohn
18. Cavalleria rusticana
Composed by Pietro Mascagni
19. Gloria in D
Composed by Antonio Vivaldi
20. Coronation Anthems
Composed by George Frideric Handel
21. Cantata No. 147, 'Herz und Mund und Tat und Leben'
Composed by Johann Sebastian Bach
22. Requiem in D minor
Composed by Wolfgang Amadeus Mozart
23. Ave Maria
Composed by Charles Gounod
24. Miserere mei
Composed by Gregorio Allegri
25. Requiem
Composed by Gabriel Fauré
26. Lakmé
Composed by Léo Delibes
27. Les contes d'Hoffmann
Composed by Jacques Offenbach
28. Pavane
Composed by Gabriel Fauré
29. Gianni Schicchi
Composed by Giacomo Puccini
30. Madama Butterfly
Composed by Giacomo Puccini
31. Nabucco
Composed...
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Ciao members have rated this review on average somewhat helpful
Advantages: A fine mixture of gothic, medieval and modern music and words. You will know some of the themes - it will repay study. This is a superb rendition. Disadvantages: None
...with peasant fare and mugs overflowing with wine. For many years its words were not translated from the original language because of their lewd nature. It has acquired shadows from the most sinister forces of the last century. It is now a prized part of the orchestral repertoire. There is also a stage performance (part theatre, part ballet) – which is being revived in the UK later this year.
Give this one a try. Be patient. I think you will come to like it.
WHO WAS CARL ORFF?
Born in Munich in 1895, Carl Orff was late in developing his own musical style. Although he had composed many minor pieces – even before he had any formal training – it was not until he was thirty that he started to attract any attention. He was appointed as conductor to the Munich Bach Society in 1931.
There are many rumours that Orff was a Nazi or at least a Nazi...
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Ciao members have rated this review on average helpful
helpful 16.05.2003
A Bonney wee lassy! Review of(The) Radiant Voice of Barbara Bonneyby
bubblegum_princess
Advantages: Bonney's gorgeous voice; intelligent singing; great selection of songs Disadvantages: No translations included
..., to the full symphony orchestra used in the operatic arias.
The album begins with a selection of early music, including ‘Come again’ by Dowland, ‘Dido’s Lament’ from Purcell’s Dido and Aeneas and ‘Heute noch, lieber vater’ from Bach’s Coffee Cantata. Bonney demonstrates superbly that early music doesn’t have to be lacking in emotion- her Dido is subtly drawn but full of pain and tragedy.
The Alleluia from Mozart’s Exsultate Jubilate shows an impressive technical flexibility and skill, with Bonney making the scalic coloratura runs sound ridiculously easy (and having sung the piece I can assure you that they are not!). But for me it is in the Mozart operatic arias that Bonney really shines. She has the perfect voice for Mozart opera- light but warm and full of personality. Her ‘...
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Ciao members have rated this review on average helpful
helpful 22.11.2003
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