Bach: Cantatas BWV 62 - 64

Bach: Cantatas BWV 62 - 64

1CD(s) - Label:Hänssler - Distributor:Metronome - Run Time:1 hour 9 minutes - ADD - Released:09/1999 - 4010276015208 more

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Bach: Cantatas, BWV 62-64 (Edition Bachakademie Vol 20) /Rilling - Hildegard Laurich Bach: Cantatas, BWV 62-64 (Edition Bachakademie Vol 20) /Rilling - Hildegard Laurich
Release Date: 1999-10-04, Audio CD, Hänssler
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5 out of 5 similar offers for Bach: Cantatas BWV 62 - 64  
Bach: Cantatas, BWV36, 61 & 62 - Bach: Cantatas, BWV36, 61 & 62 -
Release Date: 2000-10-16, Audio CD, Archiv Produktion
£ 5.34

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Bach: Advent Cantatas (BWV 36, 61, 62) /Herreweghe - Bach: Advent Cantatas (BWV 36, 61, 62) /Herreweghe -
Bach based all three of these cantatas on Martin Luther's chorale tune "Nun komm der ... more
Heiden Heiland" ("Come thou redeemer of the
Earth"). Two of them, BWV 61 and 62, use the
melody in their opening choruses--and its name for
their titles. BWV 61 comes from Bach's early
period in Weimar: it includes a solemn opening
chorus with forceful string playing; an exuberant
tenor aria (in jig time) welcoming Jesus; a
virginal soprano aria; and a near-miraculous final
chorus that creates a feeling of joyous wonder in
a mere 45 seconds. BWV 62 begins with a similarly
grave but more densely written chorus and proceeds
to several festive solo numbers. BWV 36,Schwingt
freudig euch empor("Soar joyfully aloft"), is the
longest and richest of the three cantatas. While
its sparkling opening chorus doesn't use theNun
kommmelody, three subsequent movements (which are
dispersed among freely composed arias) do so--in
ways very similar to those in the famous Easter
cantataChrist lag in Todesbanden: of those, the
soprano/alto duet and the gorgeous trio for tenor
(singing the chorale) and two oboes are
particularly remarkable. The performances on this
disc are breathtaking, even by Philippe
Herreweghe's standards. Since this recording was
made in 1996, soprano Sibylla Rubens and mezzo
Sarah Connolly have gone on to find success in
European opera houses; happily, here they sound as
comfortable with--and appropriate
for--period-instrument Bach as their specialist
colleagues, the top-notch Christoph Prégardien
and Peter Kooy. The warmth, precision and tonal
beauty of Collegium Vocale (both choir and
orchestra) are, as usual, wondrous. --Matthew
Westphal
£ 13.99

Postage & Packaging£1.46
AvailabilityUsually dispatched within 24 hours...
Bach: Advent Cantatas (BWV 36, 61, 62) /Herreweghe - Bach: Advent Cantatas (BWV 36, 61, 62) /Herreweghe -
Bach based all three of these cantatas on Martin Luther's chorale tune "Nun komm der ... more
Heiden Heiland" ("Come thou redeemer of the
Earth"). Two of them, BWV 61 and 62, use the
melody in their opening choruses--and its name for
their titles. BWV 61 comes from Bach's early
period in Weimar: it includes a solemn opening
chorus with forceful string playing; an exuberant
tenor aria (in jig time) welcoming Jesus; a
virginal soprano aria; and a near-miraculous final
chorus that creates a feeling of joyous wonder in
a mere 45 seconds. BWV 62 begins with a similarly
grave but more densely written chorus and proceeds
to several festive solo numbers. BWV 36, Schwingt
freudig euch empor ("Soar joyfully aloft"), is the
longest and richest of the three cantatas. While
its sparkling opening chorus doesn't use the Nun
komm melody, three subsequent movements (which are
dispersed among freely composed arias) do so--in
ways very similar to those in the famous Easter
cantata Christ lag in Todesbanden: of those, the
soprano/alto duet and the gorgeous trio for tenor
(singing the chorale) and two oboes are
particularly remarkable. The performances on this
disc are breathtaking, even by Philippe
Herreweghe's standards. Since this recording was
made in 1996, soprano Sibylla Rubens and mezzo
Sarah Connolly have gone on to find success in
European opera houses; happily, here they sound as
comfortable with--and appropriate
for--period-instrument Bach as their specialist
colleagues, the top-notch Christoph Prégardien
and Peter Kooy. The warmth, precision and tonal
beauty of Collegium Vocale (both choir and
orchestra) are, as usual, wondrous. --Matthew
Westphal
£ 9.02

Postage & PackagingCheck Site.
AvailabilityUsually dispatched within 2 working days...
Bach: Cantatas, Vol 28 (BWV 26, 62, 116, 139) /Bach Collegium Japan · Suzuki - Bach: Cantatas, Vol 28 (BWV 26, 62, 116, 139) /Bach Collegium Japan · Suzuki -
Release Date: 2005-08-29, Audio CD, Bis
£ 12.99

Postage & Packaging£1.46
AvailabilityUsually dispatched within 24 hours...
Bach: Cantatas, Vol 28 (BWV 26, 62, 116, 139) /Bach Collegium Japan · Suzuki - Robin Blaze Bach: Cantatas, Vol 28 (BWV 26, 62, 116, 139) /Bach Collegium Japan · Suzuki - Robin Blaze
Release Date: 2005-08-29, Audio CD, Bis
£ 11.01

Postage & PackagingCheck Site.
AvailabilityUsually dispatched within 2 working days...

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Auctions and Classifieds for Bach: Cantatas BWV 62 - 64

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Bach: Cantatas BWV 62 - 64

Main specs

Title: Bach: Cantatas BWV 62 - 64

Composer: Johann Sebastian Bach (1685 - 1750)

Main Performer: Aldo Baldin (Tenor); Helen Watts (Contralto (Female alto)); Inga Nielsen (Soprano); Philippe Huttenlocher (Bass); Adalbert Kraus (Tenor)

Orchestra / Ensemble(s): Gächinger Kantorei, Stuttgart Choir; Stuttgart Bach Collegium Orchestra

Date of Release: 09/1999

Label / Distributor: Hänssler / Metronome

Pieces in Set: 1

Running Time: 1 hour 9 minutes

Genre(s): Vocal and choral

Producer: Richard Hauck

SPAR Code: ADD

EAN: 4010276015208

Catalogue Number: 92

Work 1

Work Title: Cantata No. 62, 'Nun komm, der Heiden Heiland', BWV62

Excerpt(s): 1. Chorus: Nun komm, der Heiden Heiland
2. Aria: Bewundert, o Menschen (T)
3. Recit: So geht aus Gottes Herrlichkeit (B)
4. Aria: Streite (B)
5. Recit: Wir ehren diese Herrlichkeit (S,A)
6. Choral: Lob sei Gott, dem Vater (chor)

Composer: Johann Sebastian Bach (1685 - 1750)

Genre: Vocal & Choral

Date Written: 1723

Date Recorded: 1979-80

Conductor: Helmuth Rilling

Orchestra / Ensemble: Stuttgart Bach Collegium Orchestra

Orchestra / Ensemble: Gächinger Kantorei, Stuttgart Choir

Main Performer: Aldo Baldin (Tenor), Helen Watts (Contralto (Female alto)), Inga Nielsen (Soprano), Philippe Huttenlocher (Bass)

Opera Part(s): Aldo Baldin, Helen Watts, Inga Nielsen, Philippe Huttenlocher

Work 2

Work Title: Cantata No. 63, 'Christen, ätzet diesen Tag', BWV63

Excerpt(s): 1. Chorus: Christen, ätzet diesen Tag
2. Recit: O sel'ger Tag! (A)
3. Duet: Du hast es wohl gefüget (S,B)
4. Recit: So kehret sich nun heut' das bange Leid (T)
5. Duet: Ruft und fleht den Himmel an (A,T)
6. Recit: Verdoppelt euch dem nach (B)
7. Chorus: Höchster, schau' in Gnaden an

Composer: Johann Sebastian Bach (1685 - 1750)

Genre: Vocal & Choral

Date Written: Before 1716

Date Recorded: 1971/81

Conductor: Helmuth Rilling

Orchestra / Ensemble: Stuttgart Bach Collegium Orchestra

Orchestra / Ensemble: Gächinger Kantorei, Stuttgart Choir

Main Performer: Adalbert Kraus (Tenor), Arleen Augér (Soprano), Hildegard Laurich (Contralto (Female alto)), Júlia Hamari (Mezzo soprano), Walter Heldwein (Bass), Wolfgang Schöne (Bass)

Opera Part(s): Adalbert Kraus, Arleen Augér, Hildegard Laurich, Júlia Hamari, Walter Heldwein, Wolfgang Schöne

Work 3

Work Title: Cantata No. 64, 'Sehet, welch eine Liebe', BWV64

Excerpt(s): 1. Chorus: Sehet, welch eine Liebe hat uns der Vater erzeiget
2. Choral: Das hat er Alles uns getan (chor)
3. Recit: Geh', Welt! (A)
4. Choral: Was frag ich nach der Welt (chor)
5. Aria: Was die Welt in sich hält (S)
6. Recit: Der Himmel bleibet mir gewiss (B)
7. Aria: Von der Welt verlang ich nichts (A)
8. Choral: Gute Nacht, o Wensen (chor)

Composer: Johann Sebastian Bach (1685 - 1750)

Genre: Vocal & Choral

Date Written: 1723

Date Recorded: 1977/81

Conductor: Helmuth Rilling

Orchestra / Ensemble: Stuttgart Bach Collegium Orchestra

Orchestra / Ensemble: Gächinger Kantorei, Stuttgart Choir

Main Performer: Ann Murray (Mezzo soprano), Arleen Augér (Soprano), Philippe Huttenlocher (Bass)

Opera Part(s): Ann Murray, Arleen Augér, Philippe Huttenlocher

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Listed on Ciao since : 06/05/2005


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