Advantages: Hilarious comedy, good viewing Disadvantages: only 3 episodes, expensive to buy whole set individually
Another installement to my DVD collection - the epic and classic comedy hero - Mr Bean. I love Rowan Atkinson, especially in Black Adder and also in the classic Mr Bean episodes. Despite my mood before hand, after watching Mr Bean I always feel much better, he always manages to intrigue my imagination with his biazarre mannerisms and abilty to turn the most straight forward of tasks into complete disaters!
Having not being able to buy the whollebox set I have had to purchase and review each DVD volume one by one.
This DVD contains 3 episodes, each with 3 or 4 sketches in them. All of whihc are brilliant and this DVD includes one of my favourites - the one where he goes to the swimming pool and clings to the diving board. The three episodes are entitled: Episode 1. 'The Curse Of Mr Bean', Episode 2. 'Mr Bean Goes To Town ...
Advantages: Good composition in lyrics Disadvantages: Shakira's voice
and the Time).
On this album has the featuring of Carlos Santana and Gustavo Cerati ( a principal guitarist of Eighties Argentinian Rock Group Soda Stereo).
This album aren't sounded so much in Lima's radios than "Fijacion Oral Vol II" on my own, perhaps the foreign language and the same music style as Fijacion Oral.
This album contains this song:
1-How do you do
2-Don't Bother
3-Illrgal
4-The day and the time
5-Animal City
6-Dreams for plans
7-Hey you
8- Your embarace
9- Costume makes the crown
10 Something (It is not the Beatles' song)
11-Timor
----------
This album has another reedit where she add another song " Hips don't like" that was recorded in English and Spanish that probably are the best song of this redit album with diffrent version in Latin America, anther for Europe, another to Spain an UK and another to Japan ...
Advantages: Looks nice, final chapter is impressive. Disadvantages: Lack of originality, entirely dull for most of running time.
Does Quentin Tarantino actually serve any kind of purpose? This question has been bothering me for a while, largely after the first Kill Bill, a film that annoyed me in a big way. I went into it expecting to enjoy it, and came out bored stupid after seeing two hours and what felt like badly assembled clips from other films. Looking back on his career, his trend is hardly a new one for him. Jackie Brown resembles a ton of 70s crime films. Reservoir Dogs is just a remake of Long hu feng yun, a 1987 Hong Kong film. Pulp Fiction appears to be his only original works, and deserves all of the praise that it gets. It's a stunning film. This aside though, there seems to be little point in what he does. Kill Bill Vol2 is no exception to this rule.
This is the point where I'd usually write a paragraph detailing the plot ...
Product Information for "Bach: Cantatas, Vol. 2" »
Product details
Title
Bach: Cantatas, Vol. 2
Composer
Johann Sebastian Bach (1685 - 1750)
Main Performer
Kurt Equiluz (Tenor); Max van Egmond (Baritone); Paul Esswood (Alto); Anonymous Treble (Treble/boy soprano); Walker Wyatt (Bass)
Orchestra / Ensemble(s)
Chorus Viennensis Choir; Vienna Boys' Choir; Vienna Concentus Musicus Orchestra
Date of Release
11/1994
Label / Distributor
Das Alte Werk Reference / TEN
Pieces in Set
6
Running Time
6 hours 25 minutes
Genre(s)
Vocal and choral
SPAR Code
ADD
EAN
745099175627
Catalogue Number
4509
Work 1
Work Title
Cantata No. 20, 'O Ewigkeit, du Donnerwort', BWV20
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1724
Conductor
Nikolaus Harnoncourt
Orchestra / Ensemble
Vienna Concentus Musicus Orchestra
Orchestra / Ensemble
Chorus Viennensis Choir
Orchestra / Ensemble
Vienna Boys' Choir
Main Performer
Kurt Equiluz (Tenor), Max van Egmond (Baritone), Paul Esswood (Alto)
Opera Part(s)
Kurt Equiluz, Max van Egmond, Paul Esswood
Work 2
Work Title
Cantata No. 21, 'Ich hatte viel Bekümmernis', BWV21
Excerpt(s)
1. PART 1 - Sinfonia 2. Chorus: Ich hatte viel Bekümmernis 3. Aria: Seufzer, Tränen, Kummer, Not (S) 4. Recit: Wie hast du dich, mein Gott (T) 5. Aria: Bäche von gesalz'nen Zähren (T) 6. Chorus: Was betrübst du dich, meine Seele 7. PART 2 - Recit: Ach Jesu, meine Ruh', mein Licht, wo bleibest du? (S,B) 8. Duet: Komm, mein Jesu, und erquikke (S,B) 9. Chorus: Sei nun wieder zufrieden, meine Seele 10. Aria: Erfreue dich, Seele erfreue dich, Herze (T) 11. Chorus: Das Lamm, das erwürget ist
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
c1714
Conductor
Nikolaus Harnoncourt
Orchestra / Ensemble
Vienna Concentus Musicus Orchestra
Orchestra / Ensemble
Chorus Viennensis Choir
Orchestra / Ensemble
Vienna Boys' Choir
Main Performer
Anonymous Treble (Treble/boy soprano), Kurt Equiluz (Tenor), Paul Esswood (Alto), Walker Wyatt (Bass)
Opera Part(s)
Anonymous Treble, Kurt Equiluz, Paul Esswood, Walker Wyatt
Work 3
Work Title
Cantata No. 22, 'Jesus nahm zu sich die Zwölfe', BWV22
Excerpt(s)
1. Arioso & Chorus: Jesus nahm zu sich die Zwölfe 2. Aria: Mein Jesu, ziehe mich nach dir (A) 3. Recit: Mein Jesu, ziehe mich so werd'ich laufen (B) 4. Aria: Mein Alles in Allein, mein ewiges Gut (T) 5. Choral: Ertöt' uns durch dein' Güte (chor)
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1723
Conductor
Gustav Leonhardt
Orchestra / Ensemble
Leonhardt Consort Orchestra
Orchestra / Ensemble
King's College Choir, Cambridge
Orchestra / Ensemble
Tölz Boys' Choir
Main Performer
Kurt Equiluz (Tenor), Max van Egmond (Baritone), Paul Esswood (Alto)
Opera Part(s)
Kurt Equiluz, Max van Egmond, Paul Esswood
Work 4
Work Title
Cantata No. 23, 'Du wahrer Gott und Davids Sohn', BWV23
Excerpt(s)
1. Duet: Du wahrer Gott und Davids Sohn (S,A) 2. Recit: Ach, gehe nicht vorüber, ach gehe nicht (T) 3. Chorus: Aller Augen warten, Herr, du allmächt'ger 4. Choral: Christe, du Lamm Gottes (chor)
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1723
Conductor
Gustav Leonhardt
Orchestra / Ensemble
Leonhardt Consort Orchestra
Orchestra / Ensemble
King's College Choir, Cambridge
Orchestra / Ensemble
Tölz Boys' Choir
Main Performer
Marius van Altena (Tenor), Paul Esswood (Alto), Walter Gampert (Treble/boy soprano)
Opera Part(s)
Marius van Altena, Paul Esswood, Walter Gampert
Work 5
Work Title
Cantata No. 24, 'Ein ungefärbt Gemüte', BWV24
Excerpt(s)
1. Aria: Ein ungefärbt Gemüte (A) 2. Recit: Die Redlichkeit ist eine von den Gottesgaben (T) 3. Chorus: Alles nun, das ihr wollet 4. Recit: Die Heuchelei ist eine Brut (B) 5. Aria: Treu und Wahrheit sei der Grund (T) 6. Choral: O Gott, du frommer Gott (chor)
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1723
Conductor
Nikolaus Harnoncourt
Orchestra / Ensemble
Chorus Viennensis Choir
Orchestra / Ensemble
Vienna Concentus Musicus Orchestra
Orchestra / Ensemble
Vienna Boys' Choir
Main Performer
Anonymous Treble (Treble/boy soprano), Kurt Equiluz (Tenor), Max van Egmond (Baritone), Paul Esswood (Alto)
Opera Part(s)
Anonymous Treble, Kurt Equiluz, Max van Egmond, Paul Esswood
Work 6
Work Title
Cantata No. 25, 'Es ist nicht Gesundes an meinem Leibe', BWV25
Excerpt(s)
1. Chorus: Es ist nichts Gesundes an meinem Leibe 2. Recit: Die ganze Welt ist nur ein Hospital (T) 3. Aria: Ach, wo hol'ich Armer Rat? (B) 4. Recit: O Jesu, lieber Meister (S) 5. Aria: Öffne meinen schlechten Liedern (S) 6. Choral: Ich will alle meine Tage (chor)
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1723
Conductor
Nikolaus Harnoncourt
Orchestra / Ensemble
Vienna Concentus Musicus Orchestra
Orchestra / Ensemble
Vienna Boys' Choir
Orchestra / Ensemble
Chorus Viennensis Choir
Main Performer
Anonymous Treble (Treble/boy soprano), Kurt Equiluz (Tenor), Max van Egmond (Baritone)
Opera Part(s)
Anonymous Treble, Kurt Equiluz, Max van Egmond
Work 7
Work Title
Cantata No. 26, 'Ach wie flüchtig, ach wie nichtig, BWV26
Excerpt(s)
1. Chorus: Ach wie flüchtig, ach wie nichtig 2. Aria: So schnell ein rauschend Wasser schiesst (T) 3. Recit: Die Freude wird zur Traurigkeit (A) 4. Aria: An iridische Schätze das herze zu hängen (B) 5. Recit: Die höchste Herrlichkeit und Pracht (S) 6. Choral: Ach wie flüchtig, ach wie nichtig (chor)
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1724
Conductor
Nikolaus Harnoncourt
Orchestra / Ensemble
Vienna Concentus Musicus Orchestra
Orchestra / Ensemble
Vienna Boys' Choir
Orchestra / Ensemble
Chorus Viennensis Choir
Main Performer
Anonymous Treble (Treble/boy soprano), Kurt Equiluz (Tenor), Paul Esswood (Alto), Siegmund Nimsgern (Bass-baritone)
Opera Part(s)
Anonymous Treble, Kurt Equiluz, Paul Esswood, Siegmund Nimsgern
Work 8
Work Title
Cantata No. 27, 'Wer weiss, wie nahe mir mein Ende!', BWV27
Excerpt(s)
1. Chorus: Wer weiss, wie nahe mir mein Ende 2. Recit: Mein Leben hat kein ander Ziel (T) 3. Aria: Willkommen! will ich sagen (A) 4. Recit; Ach wer doch schon im Himmel wär! (S) 5. Aria: Gute Nacht, du Weltgetümmel! (B) 6. Choral: Welt ade! ich bin dein müde (chor)
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1726
Conductor
Nikolaus Harnoncourt
Orchestra / Ensemble
Vienna Concentus Musicus Orchestra
Orchestra / Ensemble
Chorus Viennensis Choir
Orchestra / Ensemble
Vienna Boys' Choir
Main Performer
Anonymous Boy Alto (Boy alto), Anonymous Treble (Treble/boy soprano), Kurt Equiluz (Tenor), Paul Esswood (Alto), Siegmund Nimsgern (Bass-baritone)
Opera Part(s)
Anonymous Boy Alto, Anonymous Treble, Kurt Equiluz, Paul Esswood, Siegmund Nimsgern
Work 9
Work Title
Cantata No. 28, 'Gottlob! nun geht das Jahr zu Ende', BWV28
Excerpt(s)
1. Aria: Gottlob! nun geht das Jahr zu Ende (S) 2. Chorus: Nun lob, mein Seel, den Herren 3. Recit & Arioso: So spricht der Herr (B) 4. Recit: Gott ist ein Quell (T) 5. Duet: Gott hat uns im heurigen Jahre gesegnet (A,T) 6. Choral: All solch dein Güt wir preisen (chor)
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1725
Conductor
Nikolaus Harnoncourt
Orchestra / Ensemble
Vienna Concentus Musicus Orchestra
Orchestra / Ensemble
Vienna Boys' Choir
Orchestra / Ensemble
Chorus Viennensis Choir
Main Performer
Anonymous Treble (Treble/boy soprano), Kurt Equiluz (Tenor), Paul Esswood (Alto), Siegmund Nimsgern (Bass-baritone)
Opera Part(s)
Anonymous Treble, Kurt Equiluz, Paul Esswood, Siegmund Nimsgern
1. Sinfonia 2. Chorus: Wir danken dir, Gott 3. Aria: Halleluja, Stärk und Macht (T) 4. Recit: Gottlob! Es geht uns wohl! (B) 5. Aria: Gedenk an uns mit deiner Liebe (S) 6. Recit: Vergiss es ferner nicht (A, chor) 7. Aria: Halleluja, Stärk und Macht (A) 8. Choral: Sei Lob und Preis mit Ehren (chor)
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1731
Conductor
Nikolaus Harnoncourt
Orchestra / Ensemble
Vienna Concentus Musicus Orchestra
Orchestra / Ensemble
Vienna Boys' Choir
Orchestra / Ensemble
Chorus Viennensis Choir
Main Performer
Anonymous Treble (Treble/boy soprano), Kurt Equiluz (Tenor), Max van Egmond (Baritone), Paul Esswood (Alto)
Opera Part(s)
Anonymous Treble, Kurt Equiluz, Max van Egmond, Paul Esswood
1. PART 1 - Chorus: Freue dich erlöste Schar 2. Recit: Wir haben Rast (B) 3. Aria: Gelobet sei Gott, gelobet sein Name (B) 4. Recit: Der Herold kömmt (A) 5. Aria: Kommt, ihr angefochtnen Sünder (A) 6. Choral: Eine Stimme lässt sich hören (chor) 7. PART 2 - Recit: So bist du denn, mein Heill, bedacht (B) 8. Aria: Ich will nun hassen (B) 9. Recit: Und ob wohl sonst der Unbestand (S) 10. Aria: Eilt, ihr Stunden, kommt herbei (S) 11. Recit: Geduld, der angenehme Tag (T) 12. Chorus: Freue dich, geheilgte Schar
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1738 or later
Conductor
Nikolaus Harnoncourt
Orchestra / Ensemble
Vienna Concentus Musicus Orchestra
Orchestra / Ensemble
Chorus Viennensis Choir
Orchestra / Ensemble
Vienna Boys' Choir
Main Performer
Anonymous Treble (Treble/boy soprano), Kurt Equiluz (Tenor), Max van Egmond (Baritone), Paul Esswood (Alto)
Opera Part(s)
Anonymous Treble, Kurt Equiluz, Max van Egmond, Paul Esswood
Work 12
Work Title
Cantata No. 31, '(Der) Himmel lacht! die Erde jubilieret', BWV31
Excerpt(s)
1. Sonata 2. Chorus: Der Himmel lacht, die Erde jubilieret 3. Recit: Erwünschter Tag! Sei, Seele, wieder froh (B) 4. Aria: Fürst des Lebens, starker Streiter (B) 5. Recit: So stehe denn, du gottergebne Seele (T) 6. Aria: Adam muss in uns verwesen (T) 7. Recit: Weill denn das Haupt sein Glied (S) 8. Aria: Letze Stunde, brich herein (S) 9. Choral: So fahr ich hin zu Jesu Christ (chor)
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1715
Conductor
Nikolaus Harnoncourt
Orchestra / Ensemble
Vienna Concentus Musicus Orchestra
Orchestra / Ensemble
Chorus Viennensis Choir
Orchestra / Ensemble
Vienna Boys' Choir
Main Performer
Anonymous Boy Alto (Boy alto), Anonymous Treble (Treble/boy soprano), Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass-baritone)
Opera Part(s)
Anonymous Boy Alto, Anonymous Treble, Kurt Equiluz, Siegmund Nimsgern
1. Aria: Liebster Jesu, mein Verlangen (S) 2. Recit: Was ist's, dass du mich gesuchet? (B) 3. Aria: Hier, in meines Vaters Stätte (B) 4. Recit: Ach! heiliger und grosser Gott (S,B) 5. Duet: Nun verschwinden alle Plagen (S,B) 6. Choral: Mein Gott, öffne mir die Pforten (chor)
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1726
Conductor
Gustav Leonhardt
Orchestra / Ensemble
Leonhardt Consort Orchestra
Orchestra / Ensemble
Hanover Boys' Choir
Main Performer
Max van Egmond (Baritone), Walter Gampert (Treble/boy soprano)
Opera Part(s)
Max van Egmond, Walter Gampert
Work 14
Work Title
Cantata No. 33, 'Allein zu dir, Herr Jesu Christ', BWV33
Excerpt(s)
1. Chorus: Allein zu dir, Herr Jesu Christ 2. Recit: Mein Gott und Richter (B) 3. Aria: Wie furchtsam wankten meine Schritte (A) 4. Recit: Mein Gott, verwirf mich nicht (T) 5. Duet: Gott, der du die Liebe heisst (T,B) 6. Choral: Ehr sei Gott in dem höchsten Thron (chor)
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1724
Conductor
Gustav Leonhardt
Orchestra / Ensemble
Hanover Boys' Choir
Orchestra / Ensemble
Leonhardt Consort Orchestra
Main Performer
Marius van Altena (Tenor), Max van Egmond (Baritone), René Jacobs (Alto)
Opera Part(s)
Marius van Altena, Max van Egmond, René Jacobs
Work 15
Work Title
Cantata No. 34, 'O ewiges Feuer, O Ursprung der Liebe', BWV34
Excerpt(s)
1. Chorus: O ewiges Feuer, o Ursprung der Liebe 2. Recit: Herr! unsre Herzen halten dir (T) 3. Aria: Wohl euch, ihr auserwählten Seelen (A) 4. Recit: Erwählt sich Gott die heil'gen Hütten (B) 5. Chorus: Friede über Israel! Dankt den höchsten Wunderhänden
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
c1740
Conductor
Nikolaus Harnoncourt
Orchestra / Ensemble
Vienna Concentus Musicus Orchestra
Orchestra / Ensemble
Chorus Viennensis Choir
Orchestra / Ensemble
Vienna Boys' Choir
Main Performer
Kurt Equiluz (Tenor), Paul Esswood (Alto), Siegmund Nimsgern (Bass-baritone)
Opera Part(s)
Kurt Equiluz, Paul Esswood, Siegmund Nimsgern
Work 16
Work Title
Cantata No. 35, 'Geist und Seele wird verwirret', BWV35
Excerpt(s)
1. PART 1 - Sinfonia 2. Aria: Geist und Seele wird verwirret (A) 3. Recit: Ich wundre mich, denn alles was man sieht (A) 4. Gott hat alles wohlgemacht (A) 5. PART 2 - Sinfonia 6. Recit: Ach, starker Gott, lass mich doch dieses (A) 7. Aria: Ich wünsche mir, bei Gott zu leben (A)
1. PART 1 - Chorus: Schwingt freudig euch empor 2. Choral: Nun komm, der heiden Heiland (S,A) 3. Aria: Die Liebe zieht mit sanften Schritten 4. Choral: Zwingt die Saiten in Cythara (chor) 5. PART 2 - Aria: Willkommen, werter Schatz (B) 6. Choral: Der du bist dem Vater gleich (T) 7. Aria: Auch mit gedämpften, schwachten Stimmen (S) 8. Choral: Lob sei Gott dem Vater g'ton (chor)
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1731
Conductor
Nikolaus Harnoncourt
Orchestra / Ensemble
Vienna Concentus Musicus Orchestra
Orchestra / Ensemble
Chorus Viennensis Choir
Orchestra / Ensemble
Vienna Boys' Choir
Main Performer
Anonymous Treble (Treble/boy soprano), Kurt Equiluz (Tenor), Paul Esswood (Alto), Ruud van der Meer (Bass)
Opera Part(s)
Anonymous Treble, Kurt Equiluz, Paul Esswood, Ruud van der Meer
Ciao
Listed on Ciao since
01/05/2005
Work 1
Excerpt(s)
1. PART 1 - Chorus: O Ewigkeit, du Donnerwort 2. Recit: Kein Unglück ist in aller Welt zu finden (T) 3. Aria: Ewigkeit, du machst mir bange (T) 4. Recit: Gesetzt, es dau'rte der Verdammten Qual (B) 5. Aria: Gott ist gerecht (B) 6. Aria: O Mensch, errette deine Seele (A) 7. Choral: Solang ein Gott im Himmel lebt (chor) 8. PART 2 - Aria: Wacht auf, verlornen Schafe (B) 9. Recit: Verlass, o Mensch, die Wollust dieser Welt (A) 10. Duet: O Menschenkind, hör auf geschwind (A,T) 11. Choral: O Ewigkeit, du Donnerwort (chor)
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