Complete Orchestral Suites goes right to the top of the list of recommended performances. Pearlman and his Boston Baroque play on period instruments but there is neve...
Complete Orchestral Suites goes right to the top of the list of recommended performances. Pearlman and his Boston Baroque play on period instruments but there is neve...
Complete Orchestral Suites goes right to the top of the list of recommended performances. Pearlman and his Boston Baroque play on period instruments but there is never any stridency in the strings, none of the odd pressured quality that can creep into "historically informed" readings. The third and fourth suites, the most heavily scored, are given truly rousing readings, with the trumpets and timpani making a joyful noise and the oboes and bassoon audible and very welcome in the mix---the recording is well-balanced. The first suite has prominent wind parts as well, and Pearlman weaves them in and out of the orchestral fibre effectively, as the music indicates. The tricky second suite is often presented as a type of flute concerto, but Pearlman has the solo flute backed up by multiple strings in the grander passages and reduces them to solos when the flute has its own melodic line. Most importantly, he realises that the movements of all the suites are dances, and so the music, in its own, French Baroque way, swings. The recording is as fine as the performances, which is to say, remarkable. --Robert Levine, Amazon.com
Complete Orchestral Suites goes right to the top of the list of recommended performances. Pearlman and his Boston Baroque play on period instruments but there is never any stridency in the strings, none of the odd pressured quality that can creep into "historically informed" readings. The third and fourth suites, the most heavily scored, are given truly rousing readings, with the trumpets and timpani making a joyful noise and the oboes and bassoon audible and very welcome in the mix---the recording is well-balanced. The first suite has prominent wind parts as well, and Pearlman weaves them in and out of the orchestral fibre effectively, as the music indicates. The tricky second suite is often presented as a type of flute concerto, but Pearlman has the solo flute backed up by multiple strings in the grander passages and reduces them to solos when the flute has its own melodic line. Most importantly, he realises that the movements of all the suites are dances, and so the music, in its own, French Baroque way, swings. The recording is as fine as the performances, which is to say, remarkable. --Robert Levine, Amazon.com
Complete Orchestral Suites goes right to the top of the list of recommended performances. Pearlman and his Boston Baroque play on period instruments but there is never any stridency in the strings, none of the odd pressured quality that can creep into "historically informed" readings. The third and fourth suites, the most heavily scored, are given truly rousing readings, with the trumpets and timpani making a joyful noise and the oboes and bassoon audible and very welcome in the mix---the recording is well-balanced. The first suite has prominent wind parts as well, and Pearlman weaves them in and out of the orchestral fibre effectively, as the music indicates. The tricky second suite is often presented as a type of flute concerto, but Pearlman has the solo flute backed up by multiple strings in the grander passages and reduces them to solos when the flute has its own melodic line. Most importantly, he realises that the movements of all the suites are dances, and so the music, in its own, French Baroque way, swings. The recording is as fine as the performances, which is to say, remarkable. --Robert Levine, Amazon.com
Complete Orchestral Suites goes right to the top of the list of recommended performances. Pearlman and his Boston Baroque play on period instruments but there is never any stridency in the strings, none of the odd pressured quality that can creep into "historically informed" readings. The third and fourth suites, the most heavily scored, are given truly rousing readings, with the trumpets and timpani making a joyful noise and the oboes and bassoon audible and very welcome in the mix---the recording is well-balanced. The first suite has prominent wind parts as well, and Pearlman weaves them in and out of the orchestral fibre effectively, as the music indicates. The tricky second suite is often presented as a type of flute concerto, but Pearlman has the solo flute backed up by multiple strings in the grander passages and reduces them to solos when the flute has its own melodic line. Most importantly, he realises that the movements of all the suites are dances, and so the music, in its own, French Baroque way, swings. The recording is as fine as the performances, which is to say, remarkable. --Robert Levine, Amazon.com
Advantages: Wonderful transcriptions of JS Bach's majestic music; sensitive, tender, vivacious, effortless and fluid playing. Disadvantages: Nil.
...Balsom has already had her US debut, performing just this January 2006 with the Milwaukee Symphony Orchestra (Milwaukee? Not New York City and Carnegie Hall? How did they get to be so lucky in Wisconsin! Methinks Ms Balsom needs a better agent/promoter, no?!).
FINAL VERDICT: I give this disc an unqualified, insanely enthusiastic recommendation with all thumbs and great toes up, for all lovers of Bach and/or the trumpet. Total, absolute must-have recording.
[For more complete background info on Alison Balsom, please scroll down the page to the BBC Radio 3 article.]
CD DETAILS:
BACH: WORKS FOR TRUMPET
Alison Balsom
EMI Classics
5 58047 2 (CD) / 5 58047 5
Concerto in D Major (after Vivaldi) BWV 972:
1 Allegro
2 Adagio
3 Allegro Assai
4 Sarabande (from Cello Suite No.2 BWV 1008)
5 Gigue (from Cello Suite No.2 BWV 1008)
6 Aria...
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Ciao members have rated this review on average very helpful
...I sallute to Bach.
Bach can be very romantic, calm or even agitated (sometimes agressive) in his compositions. I like most of his composition especially his piano work. In his fourty eight Preludes and Fugues, if you played them all, you can experience a mixture of emotions that he has implanted in this particular set of work. I like to play Bach's Preludes and Fugues when I feel very down, very angry even when I am very happy. I will definitely find a piece that suit my emotion and mood, and feel much more better after playing them. Some of my...
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Ciao members have rated this review on average somewhat helpful
Advantages: to add great music in to your collection Disadvantages: None
...Steven Isserlis is an outstanding cellist. When you listen his playing alive, which I did, you can see how he captures you with his playing. I am a professional viola player for twenty years. I have listened many recordings of Bach cello suites from Rostropovich to Peter Bruns. Isserlis plays the suits in a way that you can find something different in his interpretation. Specially the 6th suit. That suit is very difficult to play actually. You should listen and hear it yourself how it flows. I have to also add the price is actually not that expensive. Because you are going to have the six suits which are usually come in two cds and plus interesting piece again by Bach , Cant del Ocells, ( Song of the Birds'). I highly recommend the cd who are interested in solo cello music, Bach or classical music....
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Ciao members have rated this review on average somewhat helpful
somewhat helpful 16.04.2008
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