Advantages: Great piano playing of a great Bach composition. Disadvantages: None
...One of Gould's final recordings, this is probably the definitive piano version of Bach's keyboard masterpiece. Gould runs the theme & thirty variations as a unified whole. His playing is characterised by clear fast passages, crisp ornaments and controlled, intense playing of the slow variations (nos.15 & 26). Even his humming along to the music does not detract from a joyous performance. The final section from variation 27 to the slow return to the theme is pianism at its most uplifting.
The piano sound is clear without being dry & compares favourably with most up to date piano recordings. This is a disc to convert anyone to Bach & indeed to Gould's pianistic genius....
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...I sallute to Bach.
Bach can be very romantic, calm or even agitated (sometimes agressive) in his compositions. I like most of his composition especially his piano work. In his fourty eight Preludes and Fugues, if you played them all, you can experience a mixture of emotions that he has implanted in this particular set of work. I like to play Bach's Preludes and Fugues when I feel very down, very angry even when I am very happy. I will definitely find a piece that suit my emotion and mood, and feel much more better after playing them. Some of my...
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Ciao members have rated this review on average somewhat helpful
somewhat helpful 07.08.2000
Bach in the USA Review ofBach: Concertos for 2 Harpsichordsby
Rogerbyname
Advantages: Light, clear, could be played over and again Disadvantages: Perhaps lacks a bit of magic or sparkle
...If I was to think of performers I would choose to play my favourite pieces of music, then I would not readily think of the Oregon Bach Festival Chamber Orchestra. But a friend of mine who played in the orchestra tipped me off that this was a good one. So I got hold of the CD, opened a bottle of red and sat back with an open mind.
Surprise surprise, it's good. Enthusiastic playing for sure, with plenty of joie de vivre. The typical American attention to detail slightly grates with my British sense of spontaneity, but the flawless phrasing, breathing (and no doubt bowing too) and dynamics work in the overall performances because of the lack of indulgence in the tempi. Bach can all too easily sound like a mathematical exercise written out in notes, but there is a lightness and deftness of touch here in the conducting that lifts this out...
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Ciao members have rated this review on average somewhat helpful