Advantages: Wonderful transcriptions of JS Bach's majestic music; sensitive, tender, vivacious, effortless and fluid playing. Disadvantages: Nil.
...was nothing like the valved species familiar to us today. The antique version must have been hell to play, since it depended solely on lip control to create any melodic variation, especially in the upper register. All of which is totally irrelevant to Alison Balsom, who uses the modern valved trumpet (piccolo and C types) to play these works of Baroque magnificence. (Do I hear lamentation from the period instrument purists? Oh, pshaw.)
The pieces on this album were arranged and transcribed, or co-arranged and co-transcribed by Ms Balsom herself from works for the keyboard, cello, oboe, flute, voice, etc. Transcription seems to come easily to her: so natural do the works of Bach sound on the trumpet, youd think they were written especially for it. The trumpet repertoire is rather thin on the classical side of things, and surely, Bach...
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Advantages: Beautiful relaxing music. Rich instrumentation. Played with passion. Disadvantages: Not all instruments are from the period.
...are best heard (in my opinion) on the period instruments for which they were originally intended. Whilst Menuhin and his Bath Festival orchestra do not entirely use period instruments, the continuo is performed on the harpsichord and Menuhin uses a piccolo violin in the first.
Before I go on to say a little about the individual concertos, I think maybe I should just describe what a concerto actually involves. A concerto is a form of music in which a solo instrument or instruments are contrasted with a larger body of instruments.
The main body of instruments of the baroque period is the string section and a continuo instrument usually a harpsichord or organ plays the underlying harmony. The usual format for a concerto is three movements (a fast tempo movement followed firstly by a slow movement and then by another fast movement).
Bach...
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Advantages: Relaxing, serene, dreamy Disadvantages: The first track is not actual Albinoni
...to the rest of the music – actual Albinoni.
Many of the tracks are concertos for solo violins against the typical larger string orchestra of violin, viola, cello and continuo (tracks 2, 3, 5, 6, 8, 9, 11, 12, 14, 15, 16, 17, 18, 19, 20). The continuo instrument, usually being a harpsichord or organ. The baroque era is dominated by the use of strings and here they can be appreciated for their outstanding qualities. The adagios are slow, smooth and serene decorated with trills and turns.
Albinoni was also credited for being the first Italian composer of Oboe concertos. A number of the tracks on the album feature solo oboes against the larger string orchestra (tracks 4, 7, 10, 13). Albinoni's uses the oboe almost like a singer creating a lyrical and pleasant melody to the accompanying strings.
Also on the album are three sonatas (tracks 21, 22...
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very helpful 07.06.2004
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