Disc 1 Chorus: Kommt Ihr Tochter Helft Mir Klagen/ Choral:O Lamm Gottes Unschuldig ... more
(Evangelista Jesus) Da Jesus Diese Rede Vollendet Hatte Choral: Herzliebster Jesu Was Hast Du Verbrochen Da Versammelten Sich Die Hohenpriester - Ja Nicht Auf Das F...
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This recording of Bach's St Matthew Passion is up against tough competition: practically ... more
every early music group on the planet has given this work a go. Almost simultaneously with the release of this version, for example, Harmonia Mundi brought out its Philippe Herreweghe recording with the incomparable Andreas Scholl as the countertenor soloist and a sublime Ian Bostridge as the Evangelist. But the HM recording is not as great as the sum of its parts--which is true of most interpretations of this mammoth work--and, though the soloists are less remarkable, the BIS recording betters it in some ways. The crisp, clear choral singing has a little more drama, such as when the choir bays for Barabbas' freedom, the sparks really fly. And the sound of the Kobe Shoin Women's University Chapel (which was acoustically engineered to be a concert venue) is absolutely beautiful, and manages to be kind without being muddy. The stereo effect--so necessary for the double-choir writing--is also handled with real panache. Gerd Türk is a very fine Evangelist, and under Masaaki Suzuki's sensitive direction holds the enterprise together with an engaging sense of wonder.--Warwick Thompson
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Advantages: It is a real and sincere film Disadvantages: Some silent moments, something in the soundtrack, and the devil
on them. The most important miracle remains to be walking on water; this is one of the most beautiful and touching scenes in the film.
►►► "and having scourged Jesus, [they] delivered him to be crucified." ◄◄◄
Just as a footnote: "His blood be upon us, and upon our children!" the sentence that was cut in The Passion of the Christ, is there in this film. Whew, a very controversial issue, isn't it? Of course, I don't intend to discuss it here, but it was certainly one of the sentences that attracted my attention, probably because of the controversy that surrounded it. The fact cannot be denied that the sentence is there in the gospel of St. Matthew and adding it was probably part of Pasolini's representation of a faithful version of the text, yet the interpretation varies from person to person and I ...
Advantages: Amazing story, paints a great picture, believable characters! Disadvantages: None!!!!!!
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Product Information for "Bach: St Matthew Passion" »
Product details
Title
Bach: St Matthew Passion
Composer
Johann Sebastian Bach (1685 - 1750)
Main Performer
Andreas Schmidt (Baritone); Ann Monoyios (Soprano); Anne Sofie von Otter (Mezzo soprano); Anthony Rolfe Johnson (Tenor); Barbara Bonney (Soprano)
Orchestra / Ensemble(s)
London Oratory Junior Choir; Monteverdi Choir; English Baroque Soloists Orchestra
Date of Release
10/1989
Recomended Retail Price
23.99 GBP
Label / Distributor
Archiv Produktion / Universal Manufacturing and Logistics
Pieces in Set
3
Running Time
3 hours 47 minutes
Genre(s)
Vocal and choral
SPAR Code
DDD
EAN
28942764828
Catalogue Number
427
Work 1
Work Title
St Matthew Passion, BWV244
Excerpt(s)
1. PART 1 - Kommt, ihr Töchter 2. Da Jesus diese Rede vollendet 3. Herzliebster Jesu 4. Da versammleten sich die Hohenpriester 5. Ja nicht auf das Fest 6. Da nun Jesus war zu Bethanien 7. Wozu dienet dieser Unrat? 8. Da das Jesus merkete 9. Du lieber Heiland du 10. Buss' und Reu' 11. Da ging hin der Zwölfen einer 12. Blute nur 13. Aber am ersten Tage 14. Wo willst du? 15. Er sprach; Gehet hin in die Stadt 16. Ich bin's ich sollte büssen 17. Er antwortete und sprach 18. Wiewohl mein Herz 19. Ich will dir mein Herze schenken 20. Und da sie den Lobgesang gesprochen hatten 21. Erkenne mich 22. Petrus aber 23. Ich will hier bei dir stehen 24. Da kam Jesus mit ihnen 25. O Schmerz! 26. Ich will bei meinem Jesu wachen 27. Und ging hin ein wenig 28. Der Heiland fällt vor seinem Vater nieder 29. Gerne will ich 30. Und er kam zu seinen Jüngern 31. Was mein Gott will 32. Und er kam und fand 33. So ist mein Jesus 34. Und siehe, einer aus denen 35. O Mensch, bewein' dein' Sünde gross 36. PART 2 - Ach, nun ist mein Jesus hin! 37. Die aber Jesum gegriffen hatten 38. Mir hat die Welt 39. Und wiewohl viel falsche Zeugen 40. Mein Jesus schweigt 41. Geduld, Geduld 42. Und der Hohepriester antwortete 43. Da speieten sie aus in sein Angesicht 44. Wer hat dich so geschlagen 45. Petrus aber sass draussen 46. Wahrlich, du bist auch einer von denen 47. Erbarme dich 48. Bin ich gleich von dir gewichen 49. Des Morgens aber hielten alle Hohenpriester 50. Und er warf die Silberlinge in den Tempel 51. Gebt mir meinen Jesum wieder! 52. Sie hielten aber einen Rat 53. Befiehl du deine Wege 54. Auf das Fest aber hatte der Landpfleger 55. Wie wunderbarlich 56. Der Landpfleger sagte 57. Er hat uns allen wohlgetan 58. Aus Liebe will mein Heiland sterben 59. Sie schrieen aber noch 60. Erbarm' es Gott! 61. Können Tränen meiner Wangen 62. Da nahmen die Kriegsknechte 63. O Haupt voll Blut 64. Und da sie ihn verspottet hatten 65. Ja! freilich will 66. Komm, süsses Kreuz 67. Und da sie an die Stätte 68. Desgleichen schmäheten 69. Ach, Golgotha 70. Sehet, Jesus hat die Hand 71. Und von der sechsten Stunde 72. Wenn ich einmal soll scheiden 73. Und siehe da 74. Am Abend, da es kühle war 75. Mache dich, mein Herze 76. Und Joseph nahm den Leib 77. Nun ist der Herr 78. Wir setzen uns mit Tränen nieder 79. Part 1 additional - Ach, wollt ihr nun schlafen und ruhen?
Composer
Johann Sebastian Bach (1685 - 1750)
Genre
Vocal & Choral
Date Written
1727
Conductor
Sir John Eliot Gardiner
Orchestra / Ensemble
English Baroque Soloists Orchestra
Orchestra / Ensemble
Monteverdi Choir
Orchestra / Ensemble
London Oratory Junior Choir
Main Performer
Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Anne Sofie von Otter (Mezzo soprano), Anthony Rolfe Johnson (Tenor), Barbara Bonney (Soprano), Cornelius Hauptmann (Bass), Howard Crook (Tenor), Michael Chance (Alto), Olaf Bär (Baritone)
Opera Part(s)
Andreas Schmidt, Ann Monoyios, Anne Sofie von Otter, Anthony Rolfe Johnson, Barbara Bonney, Cornelius Hauptmann, Howard Crook, Michael Chance, Olaf Bär
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05/06/2005
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