... By contrast, The Beatific Visions features a range of styles, from alt-country Americana, to West Coast balladry, to downright mad careening rock. The left-field sense of humour, however, remains firmly in place.
It all begins in a slightly disappointing fashion with an unremarkable song ... Read review
This is the second album from Brighton-based alt. country punks Brakes. Lead singer Eamon ... more
Hamilton, who also plays guitar in British Sea Power, is joined here by members of Electric Soft Parade. The band certainly deserve to be judged on merit - rather than as a mere side project - as they display an irresistible blend of shimmering guitar pop, country twangs and thrashy punk. The single 'On Your Side' is included.
Advantages: On a superficial level, can sound formulaic Disadvantages: Listen closer and thou shalt be rewarded
...Disco Party. By contrast, The Beatific Visions features a range of styles, from alt-country Americana, to West Coast balladry, to downright mad careening rock. The left-field sense of humour, however, remains firmly in place.
It all begins in a slightly disappointing fashion with an unremarkable song characterised by simple riffs but fairly catchy, eccentric vocals. Fundamentally, there is nothing wrong with Hold Me In The River, ... ...sample of the eponymous track, Beatific Visions, which with its Weezer crossed with I’m From Barcelona vibe, is musically one of the album’s more successful songs. The flipside of this theme, the ‘separation’ part, is represented by the aforementioned If I Should Die Tonight; a song which warns “you’re gonna need somebody on your side”; a sweet acoustic ballad promising never to forget Isabel; an amusingly classic country and western style song about ... more
Brakes’ second album is a huge departure from the disco punk of their best known single, All Night Disco Party. By contrast, The Beatific Visions features a range of styles, from alt-country Americana, to West Coast balladry, to downright mad careening rock. The left-field sense of humour, however, remains firmly in place.
It all begins in a slightly disappointing fashion with an unremarkable song characterised by simple riffs but fairly catchy, eccentric vocals. Fundamentally, there is nothing wrong with Hold Me In The River, but compared with previous material, it falls well below expectations. It is followed by Margherita, which illicits a sigh as it sounds so much like its predecessor. However, upon listening to the lyrics, such as “It’s clear it’s the fear that keeps us under control”, one notices that it is in fact a collection of thoughts on an Orwellian vision of the world. So strange then, that the music itself sounds like such dumb college rock. The thought occurs that this could be the desired effect.
Listening to the rest of the album only confirms this suspicion that serious thoughts on the world’s issues have been deliberately hidden among an album of red herrings. On one hand, you might find mawkish country-style ramblings about some girl (e.g. If I Should Die Tonight) while on the other, there are deceptive tracks like the minute-and-a-half long Porcupine Or Pineapple?, which sounds like a no-brainer nonsense song in a silly voice (words include, “Porcupine or pineapple……… spiky SPIKY!”) but actually asks a fairly valid question - “Who won the war, what the fuck was that for?”
The other main aspect of the album appears to be a permeating theme of separation versus togetherness. The ‘togetherness’ part consists mainly of the ballads, and an ode to some mystery girl who “makes your heart beat faster” – this latter being a sample of the eponymous track, Beatific Visions, which with its Weezer crossed with I’m From Barcelona vibe, is musically one of the album’s more successful songs. The flipside of this theme, the ‘separation’ part, is represented by the aforementioned If I Should Die Tonight; a song which warns “you’re gonna need somebody on your side”; a sweet acoustic ballad promising never to forget Isabel; an amusingly classic country and western style song about technology problems (the first of its kind, I’d wager), Mobile Communication; and the painfully atmospheric, organ-based finale No Return.
Upon a first hearing, this may not sound like the best album of the year, but it is full of well-hidden surprises and certainly warrants a listen for curiosity value alone.
Product Information for "Beatific Visions, The - Brakes" »
Product details
Title
Beatific Visions, The
Performer
Brakes
Genre
Rock & Pop
Sub Genre
Alternative
Release Date
06/11/2006
Recomended Retail Price
13.99 GBP
Label / Distributor
Rough Trade / PIAS UK/Sony DADC
Producer
Stuart Sikes; Brakesbrakesbrakes
Pieces in Set
1
Studio / Live
Studio
Stereo
Stereo
Format
Performer
EAN
5050159842827
Additional notes
Album Notes
Composer: Brakesbrakesbrakes. Brakes: Eamon Hamilton (acoustic guitar); Marc Beatty, Alex White (background vocals); Thomas White. Personnel: Kevin Teel (lap steel guitar); Anna McInnery (violin); Abi Fry (viola); Rob Lewis (cello); Phil Sumner (cornet); David Briggs (piano). On their second full-length album, THE BEATIFIC VISIONS, the Brighton, England-based ensemble Brakes (not too be confused with the similarly named American band) follow up their punchy debut, GIVE BLOOD, with more fierce, restless rock tunes. Fronted by former British Sea Power member Eamon Hamilton and featuring Electric Soft Parade's White brothers, the group excels at ragged, punk-influenced numbers, as best exemplified by the spiky "Cease and Desist."
Album Reviews
Q (p.133) - 3 stars out of 5 -- "[A] positively unhinged record....It effectively communicates a sense of bedlam."
Titles on disc 1
1.
Hold Me In The River
2.
Margarita
3.
If I Should Die Tonight
4.
Mobile Communication
5.
Spring Chicken
6.
Isabel
7.
Beatific Visions
8.
Porcupine Or Pineapple
9.
Cease And Desist
10.
On Your Side
11.
No Return
Ciao
Listed on Ciao since
12/11/2006
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