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Postage & Packaging:Free! Availability:Temporarily out of stock. Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your credit card will not be charged until we ship the item....
Advantages: A new way to hear Beethoven Disadvantages: Surpassed by some later period cycles
INTRODUCTION
Beethoven's nine symphonies cover one of the major cornerstones of symphonic literature along with the likes of Haydn, Brahms and Sibelius. Beethoven was born in turbulent times when the common people's dissatisfaction toward the ruling monarchs in Europe was reaching new heights which finally culminated in the French Revolution in 1789. Against this came Beethoven, who was born into a family of musicians in Bonn in 1770. His father wanted to coin in on the child prodigy market created by Mozart whose father had exploited his genius in a similar way. But Beethoven was no Mozart. He wasn't born a child progidy and his performing skills were nowhere near as natural as they were with Mozart. Still he made rapid progress as a piano virtuoso and an amateur composer. He was even supposed to take some lessons with Mozart in Wien ...
On the first time, The Nineth Symphony of Beethoven is kwoning like "ChoralSymphony" because in the foursth and the last movement it is singing by a Tenor, Baritone, Soprano and Messo Soprano Voices with a Choral Voices that they are singing in another way the "joy song".
This symphony (the last one) of Beethoven was released the May 7th of 1821 when he was a deaf person, so he never could listen his composition years at 3 or 4 years after Beethoven died.
So it was his last composition, been for me the best compousers.
In the first movement of this Symphony "Allegro ma non troppo" begining with the introduction of wind instrument like oboe and the violas and violin continues the music and then continues with this music specially the wind instrument with a hard musical notes that it is characteristic of this 15 minutes music.
In ...
Advantages: Outstanding music on period instruments Disadvantages: Swaping C.D'S in music player.
fortunate to have
attended one of the original performances.
The works would have been played in a mixed programme of both vocal and instrumental works. This allowed for a rich cross pollination
of ideas from theatre. Beethoven is using what he was provided with from his predecessors and making each symphony a drama.
The London Classical Players have been in many performances both here and abroad of music in period form. They have performed works by Handel, Bach, Mozart, Haydn and Schubert. This has been well received by the public.
The Schutz Choir of London started life in 1962, and carried out 10 years research into choral works. They became professional in
1973 and broke new ground in Baroque music.
With Sir Roger they have performed works by Monteverdi, Bach, Handel, and Mozart. Haydn and Schubert. The choir has toured ...
Product Information for "Beethoven: Choral Symphony" »
Product details
Title
Beethoven: Choral Symphony
Composer
Ludwig van Beethoven (1770 - 1827)
Main Performer
Dame Elisabeth Schwarzkopf (Soprano); Elisabeth Höngen (Contralto (Female alto)); Hans Hopf (Tenor); Otto Edelmann (Bass)
Orchestra / Ensemble(s)
Bayreuth Festival Chorus; Bayreuth Festival Orchestra
Date of Release
12/1988
Label / Distributor
Références / EMI
Pieces in Set
1
Running Time
1 hour 15 minutes
Genre(s)
Orchestral
Producer
Walter Legge
Stereo
Mono
SPAR Code
ADD
Catalogue Number
769801
Work 1
Work Title
Symphony No. 9, 'Choral' in D minor, Op. 125
Excerpt(s)
1. Allegro ma non troppo, un poco maestoso 2. Molto vivace 3. Adagio e cantabile_Andante moderato 4. Presto_Allegro assai 5. Ode to Joy; Joyful Joyful (Gospel arr of main melody)
Composer
Ludwig van Beethoven (1770 - 1827)
Genre
Orchestral
Date Written
1822-4
Conductor
Wilhelm Furtwängler
Orchestra / Ensemble
Bayreuth Festival Orchestra
Orchestra / Ensemble
Bayreuth Festival Chorus
Main Performer
Dame Elisabeth Schwarzkopf (Soprano), Elisabeth Höngen (Contralto (Female alto)), Hans Hopf (Tenor), Otto Edelmann (Bass)
Opera Part(s)
Dame Elisabeth Schwarzkopf, Elisabeth Höngen, Hans Hopf, Otto Edelmann