Advantages: A new way to hear Beethoven Disadvantages: Surpassed by some later period cycles
others with its depiction of a trio of birds, a village band and a thunderstorm.
The Seventh brought a completely new emphasis on the use of rhythm, something that had never been heard of before at this scale, while the Eighth proved that little is sometimes more with its witty and humor-filled attitude completely off-setting the greater Seventh. And finally there came the Ninth Symphony that not only out-scaled the Eroica, but also introduced human voices in a symphony. The addition of a chorus and soloists in a profoundly instrumental work would be much explored by the Romantics that followed. In essence and deed, Beethoven was one of the greatest (if not THE greatest) influences in the way music evolved through the Classical era to the Romantic. And, of course, his influence also effected many other genres like piano sonatas, chamber ...
Advantages: The best and most famous symphonies ever Disadvantages: None
Beethoven's nine symphonies are a complete musical universe of their own. Some of them have naturally impinged on public consciousness more than others. The opening bars of the 5th vied for years with the finale to Tchaikovsky's "1812 Overture" as probably the most famous classical piece ever until the recent vogue for Vivaldi's "Four Seasons", while the 6th ("Pastoral") is so full of light and shade, so many little twists of unforgettable melody, that it has rightly never gone out of fashion; and part of the 9th ("Choral") has lived on in various reincarnations. Just listen to the Seekers' "Emerald City" (1967) and Rainbow's "Difficult To Cure" (1981), to take but two examples.
As a personal opinion, I find the 6th the most enjoyable to listen to right through; I was partly brought up on it as a child, and for me it has never lost ...
Advantages: Outstanding music on period instruments Disadvantages: Swaping C.D'S in music player.
The 9 symphonies by Ludwig Van Beethoven. (1770 - 1827)
Performed by The London Classical Players.
Conducted by Sir Roger Norrington.
With the Schutz choir of London.
Not everybody likes classical music. Even those who do, do not all like the same things.
This boxed set of CD's if different from previous recordings.
Firstly, it is played on period instruments. This is not to everybody?s taste.
These instruments are not like today?s instruments. For instance, the violin has a cleaner but more plaintive tone. The woodwinds
each has a colour and clarity of tone that blends to a harmonious whole. The timpani, those smaller drums, are hit with hard sticks more reminiscent of military drum sounds. The horn section has a different feel to it.
Considering the lapse of some 184 years, it would be strange if the sounds ...
London Symphony Orchestra; London Symphony Chorus (amateur) Choir
Date of Release
05/03/2007
Label / Distributor
LSO Live / Harmonia Mundi
Pieces in Set
6
Genre(s)
Orchestral, Stage works
Stereo
Stereo
SPAR Code
DDD
EAN
822231159827
Work 1
Work Title
Symphony No. 1 in C, Op. 21
Excerpt(s)
1. Adagio molto_Allegro con brio 2. Andante cantabile con moto 3. Menuetto 4. Adagio_Allegro molto e vivace
Composer
Ludwig van Beethoven (1770 - 1827)
Genre
Orchestral
Date Written
1800
Conductor
Bernard Haitink
Orchestra / Ensemble
London Symphony Orchestra
Work 2
Work Title
Symphony No. 2 in D, Op. 36
Excerpt(s)
1. Adagio molto_Allegro con brio 2. Larghetto 3. Scherzo (allegro) 4. Allegro molto
Composer
Ludwig van Beethoven (1770 - 1827)
Genre
Orchestral
Date Written
1801-2
Conductor
Bernard Haitink
Orchestra / Ensemble
London Symphony Orchestra
Work 3
Work Title
Symphony No. 3, 'Eroica' in E flat, Op. 55
Excerpt(s)
1. Allegro con brio 2. Marcia funebre 3. Scherzo 4. Allegro molto
Composer
Ludwig van Beethoven (1770 - 1827)
Genre
Orchestral
Date Written
1803
Conductor
Bernard Haitink
Orchestra / Ensemble
London Symphony Orchestra
Work 4
Work Title
Symphony No. 4 in B flat, Op. 60
Excerpt(s)
1. Adagio_Allegro vivace 2. Adagio 3. Allegro vivace 4. Allegro ma non troppo
Composer
Ludwig van Beethoven (1770 - 1827)
Genre
Orchestral
Date Written
1806
Conductor
Bernard Haitink
Orchestra / Ensemble
London Symphony Orchestra
Work 5
Work Title
Symphony No. 5 in C minor, Op. 67
Excerpt(s)
1. Allegro con brio 2. Andante con moto 4. Allegro
Composer
Ludwig van Beethoven (1770 - 1827)
Genre
Orchestral
Date Written
1807
Conductor
Bernard Haitink
Orchestra / Ensemble
London Symphony Orchestra
Work 6
Work Title
Symphony No. 6, 'Pastoral' in F, Op. 68
Excerpt(s)
1. Allegro ma non troppo (Awakening of cheerful feelings...in the country) 2. Andante molto mosso (By the brook) 3. Allegro (Merry gathering of country folk) 4. Allegro (Thunderstorm) 5. Allegretto (Shepherds' Song. Happy & thankful feelings after the Storm)
Composer
Ludwig van Beethoven (1770 - 1827)
Genre
Orchestral
Date Written
1808
Conductor
Bernard Haitink
Orchestra / Ensemble
London Symphony Orchestra
Work 7
Work Title
Symphony No. 7 in A, Op. 92
Excerpt(s)
1. Poco sostenuto_Vivace 2. Allegretto 3. Presto 4. Allegro con brio
Composer
Ludwig van Beethoven (1770 - 1827)
Genre
Orchestral
Date Written
1812
Conductor
Bernard Haitink
Orchestra / Ensemble
London Symphony Orchestra
Work 8
Work Title
Symphony No. 8 in F, Op. 93
Excerpt(s)
1. Allegro vivace e con brio 2. Allegretto scherzando 3. Tempo di menuetto 4. Allegro vivace
Composer
Ludwig van Beethoven (1770 - 1827)
Genre
Orchestral
Date Written
1812
Conductor
Bernard Haitink
Orchestra / Ensemble
London Symphony Orchestra
Work 9
Work Title
Symphony No. 9, 'Choral' in D minor, Op. 125
Excerpt(s)
1. Allegro ma non troppo, un poco maestoso 2. Molto vivace 3. Adagio e cantabile_Andante moderato 4. Presto_Allegro assai 5. Ode to Joy; Joyful Joyful (Gospel arr of main melody)