Advantages: Gorgeous music, played with much passion Disadvantages: None really
symphonic aspirations.
Eugene d'Albert (1864-1932) - Cello concerto in C major Op. 20: Despite his name d'Albert was actually a Glaswegian by birth! He started his career as a pianist and was regarded by Liszt as one of his best pupils. Like Dohnányi, d'Albert was very much a Brahmsian when it came to his compositions and Brahms also greatly admired the young man's work. D'Albert only wrote one cello concerto, which he completed in 1899. Again it is a work in one movement with 3 distinct sections as in traditional concerto form. As with the Dohnányi it has an absolutely gorgeous main theme, which reappears in different guises throughout the work, culminating eventually in a wonderfully exuberant ending - much enjoyed by the orchestra in this recording.
One of the big selling points in this performance to any potential buyer is ...
Advantages: Excellent physcological study of character. Disadvantages: Grim, brutal, shocking scenes of a sexual nature.
the piano with excellence is evident, and although she trains them to this stage of perfection, she becomes jealous of their hard earned achievement when they have reached their pinnacle. Erica is highly strung and sexually charged, and she is also a bitter and vindictive individual. One day she meets a promising young male pianist at a recital, by the name of Walter (Magimel Kramer). Walter is a handsome,arrogant, and self confident young man, and there is an instantaneous strong mutual bond, a meeting of minds, and a deep physical attraction, and she sees something in him that she seems to have been searching for. They talk and discover they both share the love of the works of Schumann and Schubert. This is a further attraction for Erica, and an unhealthy obsession towards him begins to take shape in her mind. ~
Erica teaches ...
Morning_Becomes_Electra 20.01.2008 (25.01.2008)
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Ciao members have rated this review on average: very helpful Review of The Piano Teacher
Advantages: dynamic and gripping Disadvantages: none
Fantastic to have another additional collection of all five of Beethoven's piano concerti. Spanning his life we can really get to grips with his evolving use of the orchestra in these works. From the Third's action packed finale to the Fourth's beautiful expressions to the grandeur of the much loved Fifth.
The playing is precise, dramatic and full of energy; as indeed it should be.
Aimard's playing is always well crafted and beautifully shaped. This is an insightful disk and has taken the musicians an awful lot of hard work. A must-have for any lover of Beethoven's piano music. If you usually go for his chamber music or string quartets why not branch out and explore Aimard's wonderful take on these concerti? Well worth buying and indeed an inspiration for myself and other pianists alike. ...
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