Beethoven: Fidelio

Beethoven: Fidelio

2CD(s) - Label:Deutsche Grammophon - Distributor:Universal Manufacturing and Logistics - Released:07/04/2008 - 28947773641 more

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Beethoven: Fidelio

Main specs

Title: Beethoven: Fidelio

Composer: Ludwig van Beethoven (1770 - 1827)

Main Performer: Christa Ludwig (Mezzo soprano); Gundula Janowitz (Soprano); Jon Vickers (Tenor); Walter Berry (Bass-baritone)

Orchestra / Ensemble(s): Vienna State Opera Chorus; Vienna State Opera Orchestra

Date of Release: 07/04/2008

Label / Distributor: Deutsche Grammophon / Universal Manufacturing and Logistics

Pieces in Set: 2

Genre(s): Stage works

Stereo: Stereo

EAN: 28947773641

Catalogue Number: 4777364

Work 1

Work Title: Fidelio, Op. 72

Excerpt(s): 1. Overture
2. ACT 1 - Jetzt, Schätzchen, jetzt
3. Oh, wär' ich schon
4. Mir ist so wunderbar
5. Hat man nicht auch Gold
6. Gut, Söhnchen, gut
7. March
8. Ha! Welch ein Augenblick
9. Jetzt, Alter
10. Abscheulicher! Wo eilst du hin?; Komm, Hoffnung
11. O, welche Lust!
12. Nun sprecht, wie ging's?; Ach! Vater, eilt!
13. ACT 2 - Gott! Welch Dunkel hier!; In des Lebens
14. Melodrama; Nur hurtig fort
15. Euch werde Lohn
16. Er sterbe!
17. O, namen, namenlose Freude!
18. Heil sei dem Tag
19. Des besten Königs Wink und Wille
20. Wer ein holdes Weib errungen.

Composer: Ludwig van Beethoven (1770 - 1827)

Genre: Stage works

Date Written: 1814

Conductor: Herbert von Karajan

Orchestra / Ensemble: Vienna State Opera Chorus

Orchestra / Ensemble: Vienna State Opera Orchestra

Main Performer: Christa Ludwig (Mezzo soprano), Gundula Janowitz (Soprano), Jon Vickers (Tenor), Walter Berry (Bass-baritone)

Opera Part(s): Christa Ludwig (Leonore), Gundula Janowitz (Marzelline), Jon Vickers (Florestan), Walter Berry (Don Pizarro)

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Listed on Ciao since : 29/03/2008


Reviews which might be of interest for Beethoven: Fidelio    
May I have this dance?
Review of Beethoven: Symphony No 7 by  berlioz

Advantages: One of Beethoven's finest symphonies.
Disadvantages: None from me, but some will say "classical music is boring".

...THE END OF AN ERA 1812 can be seen as the markerpoint where Beethoven's middle-period came to an end and his late-period was ushered in. Beethoven's middle-period saw the composer at his most creative high with one masterpiece following the other in rapid succession. The beginning of this period can roughly be timed as starting in 1803 with the appearance of the Third Symphony "Eroica" and the "Kreutzer" sonata. These two works signalled Beethoven distinctly leaving the 18th century Classicism of Haydn and Mozart behind him and taking on a completely new and individual voice. This individuality became more and more apparent in the works that followed: the "Waldstein" and "Appassionata" piano sonatas, the "Razumovski" quartets, the Violin Concerto, the three last cello sonatas, the "Archduke" piano trio, Fidelio, the Fifth and Sixth... Read review

Ciao members have rated this review on average very helpful

very helpful
13.08.2005
Beethoven's symphonies: the rediscovered frontier
Review of Beethoven Symphonies 1-9 (London Classical Players) - Sir Roger Norrington by  berlioz

Advantages: A new way to hear Beethoven
Disadvantages: Surpassed by some later period cycles

...INTRODUCTION Beethoven's nine symphonies cover one of the major cornerstones of symphonic literature along with the likes of Haydn, Brahms and Sibelius. Beethoven was born in turbulent times when the common people's dissatisfaction toward the ruling monarchs in Europe was reaching new heights which finally culminated in the French Revolution in 1789. Against this came Beethoven, who was born into a family of musicians in Bonn in 1770. His father wanted to coin in on the child prodigy market created by Mozart whose father had exploited his genius in a similar way. But Beethoven was no Mozart. He wasn't born a child progidy and his performing skills were nowhere near as natural as they were with Mozart. Still he made rapid progress as a piano virtuoso and an amateur composer. He was even supposed to take some lessons with Mozart in Wien... Read review

Ciao members have rated this review on average very helpful

very helpful
16.04.2005
Beethoven's music as he should have heard it.
Review of Beethoven Symphonies 1-9 (London Classical Players) - Sir Roger Norrington by  Coloneljohn

Advantages: Outstanding music on period instruments
Disadvantages: Swaping C.D'S in music player.

...The 9 symphonies by Ludwig Van Beethoven. (1770 - 1827) Performed by The London Classical Players. Conducted by Sir Roger Norrington. With the Schutz choir of London. Not everybody likes classical music. Even those who do, do not all like the same things. This boxed set of CD's if different from previous recordings. Firstly, it is played on period instruments. This is not to everybody’s taste. These instruments are not like today’s instruments. For instance, the violin has a cleaner but more plaintive tone. The woodwinds each has a colour and clarity of tone that blends to a harmonious whole. The timpani, those smaller drums, are hit with hard sticks more reminiscent of military drum sounds. The horn section has a different feel to it. Considering the lapse of some 184 years, it would be strange if the sounds... Read review

Ciao members have rated this review on average helpful

helpful
04.12.2004

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