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Advantages: A new way to hear Beethoven Disadvantages: Surpassed by some later period cycles
INTRODUCTION
Beethoven's nine symphonies cover one of the major cornerstones of symphonic literature along with the likes of Haydn, Brahms and Sibelius. Beethoven was born in turbulent times when the common people's dissatisfaction toward the ruling monarchs in Europe was reaching new heights which finally culminated in the French Revolution in 1789. Against this came Beethoven, who was born into a family of musicians in Bonn in 1770. His father wanted to coin in on the child prodigy market created by Mozart whose father had exploited his genius in a similar way. But Beethoven was no Mozart. He wasn't born a child progidy and his performing skills were nowhere near as natural as they were with Mozart. Still he made rapid progress as a piano virtuoso and an amateur composer. He was even supposed to take some lessons with Mozart in Wien ...
Advantages: Outstanding music on period instruments Disadvantages: Swaping C.D'S in music player.
The 9 symphonies by Ludwig Van Beethoven. (1770 - 1827)
Performed by The London Classical Players.
Conducted by Sir Roger Norrington.
With the Schutz choir of London.
Not everybody likes classical music. Even those who do, do not all like the same things.
This boxed set of CD's if different from previous recordings.
Firstly, it is played on period instruments. This is not to everybody?s taste.
These instruments are not like today?s instruments. For instance, the violin has a cleaner but more plaintive tone. The woodwinds
each has a colour and clarity of tone that blends to a harmonious whole. The timpani, those smaller drums, are hit with hard sticks more reminiscent of military drum sounds. The horn section has a different feel to it.
Considering the lapse of some 184 years, it would be strange if the sounds ...
Advantages: dynamic and gripping Disadvantages: none
Fantastic to have another additional collection of all five of Beethoven's piano concerti. Spanning his life we can really get to grips with his evolving use of the orchestra in these works. From the Third's action packed finale to the Fourth's beautiful expressions to the grandeur of the much loved Fifth.
The playing is precise, dramatic and full of energy; as indeed it should be.
Aimard's playing is always well crafted and beautifully shaped. This is an insightful disk and has taken the musicians an awful lot of hard work. A must-have for any lover of Beethoven's piano music. If you usually go for his chamber music or string quartets why not branch out and explore Aimard's wonderful take on these concerti? Well worth buying and indeed an inspiration for myself and other pianists alike. ...
Eberhard Büchner (Tenor), Edda Moser (Soprano), Helen Donath (Soprano), Hermann Christian Polster (Bass), Karl Ridderbusch (Bass), Reiner Goldberg (Tenor), Richard Cassilly (Tenor), Siegfried Lorenz (Baritone), Theo Adam (Bass-baritone)
Opera Part(s)
Eberhard Büchner (Jaquino), Edda Moser (Leonore), Helen Donath (Marzelline), Hermann Christian Polster (Don Fernando), Karl Ridderbusch (Rocco), Reiner Goldberg (First Prisoner), Richard Cassilly (Florestan), Siegfried Lorenz (Second Prisoner), Theo Adam (Pizarro)
Location of Work Recording
Lukaskirche, Dresden
Ciao
Listed on Ciao since
11/05/2005
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