Beethoven: Piano Sonatas, Op. 31

Beethoven: Piano Sonatas, Op. 31

1CD(s) - Label:Philips - Distributor:Universal Manufacturing and Logistics - Run Time:1 hour 12 minutes - DDD - Released:06/1993 - 28943813426 more

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Beethoven: Piano Sonatas, Op. 31

Main specs

Title: Beethoven: Piano Sonatas, Op. 31

Composer: Ludwig van Beethoven (1770 - 1827)

Main Performer: Alfred Brendel (Piano)

Date of Release: 06/1993

Label / Distributor: Philips / Universal Manufacturing and Logistics

Pieces in Set: 1

Running Time: 1 hour 12 minutes

Genre(s): Instrumental

Producer: Martha de Francisco

SPAR Code: DDD

EAN: 28943813426

Catalogue Number: 438

Work 1

Work Title: Sonata for Piano No. 16 in G, Op. 31/1

Excerpt(s): 1. Allegro vivace
2. Adagio grazioso
3. Rondo (allegretto)

Composer: Ludwig van Beethoven (1770 - 1827)

Genre: Instrumental

Date Written: 1802

Date Recorded: 1992

Main Performer: Alfred Brendel (Piano)

Opera Part(s): Alfred Brendel

Location of Work Recording: The Maltings, Snape

Work 2

Work Title: Sonata for Piano No. 17, 'Tempest' in D minor, Op. 31/2

Excerpt(s): 1. Allegretto

Composer: Ludwig van Beethoven (1770 - 1827)

Genre: Instrumental

Date Written: 1802

Date Recorded: 1992

Main Performer: Alfred Brendel (Piano)

Opera Part(s): Alfred Brendel

Location of Work Recording: The Maltings, Snape

Work 3

Work Title: Sonata for Piano No. 18, 'Hunt' in E flat, Op. 31/3

Excerpt(s): 1. Allegro
2. Scherzo (allegretto vivace)
3. Menuetto
4. Presto con fuoco

Composer: Ludwig van Beethoven (1770 - 1827)

Genre: Instrumental

Date Written: 1802

Date Recorded: 1992

Main Performer: Alfred Brendel (Piano)

Opera Part(s): Alfred Brendel

Location of Work Recording: The Maltings, Snape

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Listed on Ciao since : 17/05/2005


Reviews which might be of interest for Beethoven: Piano Sonatas, Op. 31    
Beethoven's symphonies: the rediscovered frontier
Review of Beethoven Symphonies 1-9 (London Classical Players) - Sir Roger Norrington by  berlioz

Advantages: A new way to hear Beethoven
Disadvantages: Surpassed by some later period cycles

...depiction of a trio of birds, a village band and a thunderstorm. The Seventh brought a completely new emphasis on the use of rhythm, something that had never been heard of before at this scale, while the Eighth proved that little is sometimes more with its witty and humor-filled attitude completely off-setting the greater Seventh. And finally there came the Ninth Symphony that not only out-scaled the Eroica, but also introduced human voices in a symphony. The addition of a chorus and soloists in a profoundly instrumental work would be much explored by the Romantics that followed. In essence and deed, Beethoven was one of the greatest (if not THE greatest) influences in the way music evolved through the Classical era to the Romantic. And, of course, his influence also effected many other genres like piano sonatas, chamber music, concertos, etc... Read review

Ciao members have rated this review on average very helpful

very helpful
16.04.2005
Who Wins this Match?
Review of Violin Sonatas Nos 4 & 5 - Kremer Argerich by  zerbine28

Advantages: Thrilling, daredevil chamber music performances from the legendary Martha Argerich and partner-in-crime Gidon Kremer.
Disadvantages: Violinist Kremer occasionally on the mannered, spastic side; only forty-three minutes of music.

.... Then again, you might just like them more than I do! ++ For a more thorough introduction to Martha Argerich, you may want to read my other post (or you may not!): http://www.ciao.co.uk/BachKeyboardWorksReview5359921 ~~~~~~~~~~~~~~~~~ CD Notes: LUDWIG VAN BEETHOVEN (1770 - 1827) Sonata for Piano and Violin no. 4 in A minor, op. 23 1. (1) Presto 6’56 2. (2) Andante scherzoso più Allegretto 7’20 3. (3) Allegro molto 5’15 Sonata for Piano and Violin no. 5 in F major, op. 24 "Frühlings-Sonate" ["Spring"] 4. (1) Allegro 9’41 5. (2) Adagio molto espressivo 6’02 6. (3) Scherzo. Allegro molto 1’19 7. (4) Rondo. Allegro ma non troppo 6’34 MARTHA ARGERICH, Piano GIDON KREMER, Violin Deutsche Grammophon (P) 1987 43’23 417 787-2 ~~~~~~~~~~~~~~~~~ (Performances for comparison:) From: BEETHOVEN... Read review

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05.03.2004
Sinfonia Eroica
Review of Beethoven: Symphony No. 3; Egmont Overture by  berlioz

Advantages: A work that changed the way we look at symphonies
Disadvantages: none whatsoever

...There have been (and still are) moments in every art form that have somehow broken the accepted norms and created something revolutionary, pointing a clear path towards the future and serving as an influence to a number of other people that follow. In music one of the greatest innovators of all time must be Ludwig van Beethoven. Emerging in the late 18th century as a brilliant piano virtuoso and composer who was first seen as an heir to Mozart, but who soon showed his individual and highly original character, writing music that was more openly emotional, turbulent and less decorous than people were used to. However, Beethoven's promising career seemed almost to terminate before it had even begun as he started to loose his hearing, beginning in the early 1800s. This lead to a tremendous crisis in the composer's life and he seriously... Read review

Ciao members have rated this review on average very helpful

very helpful
09.10.2004

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