Advantages: dynamic and gripping Disadvantages: none
...Fantastic to have another additional collection of all five of Beethoven's piano concerti. Spanning his life we can really get to grips with his evolving use of the orchestra in these works. From the Third's action packed finale to the Fourth's beautiful expressions to the grandeur of the much loved Fifth.
The playing is precise, dramatic and full of energy; as indeed it should be.
Aimard's playing is always well crafted and beautifully shaped. This is an insightful disk and has taken the musicians an awful lot of hard work. A must-have for any lover of Beethoven's piano music. If you usually go for his chamber music or string quartets why not branch out and explore Aimard's wonderful take on these concerti? Well worth buying and indeed an inspiration for myself and other pianists alike....
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Ciao members have rated this review on average somewhat helpful
Advantages: A work that changed the way we look at symphonies Disadvantages: none whatsoever
...There have been (and still are) moments in every art form that have somehow broken the accepted norms and created something revolutionary, pointing a clear path towards the future and serving as an influence to a number of other people that follow. In music one of the greatest innovators of all time must be Ludwig van Beethoven. Emerging in the late 18th century as a brilliant piano virtuoso and composer who was first seen as an heir to Mozart, but who soon showed his individual and highly original character, writing music that was more openly emotional, turbulent and less decorous than people were used to. However, Beethoven's promising career seemed almost to terminate before it had even begun as he started to loose his hearing, beginning in the early 1800s. This lead to a tremendous crisis in the composer's life and he seriously...
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Ciao members have rated this review on average very helpful
Advantages: a new take on a familiar warhorse Disadvantages: is it worth full price?
...even the piano, Beethoven was, after all, a pianist himself and hated to see a good tune go unplayed by himself) but after a while, when the first shock wears off, the thing actually works quite well. Pletnev did have to make concessions, of course, a little transposition here, a minor rewrite there, but on the whole Beethoven's Clarinet Concerto (as the booklet cheerfully bills it)is a totally credible addition to the repertoire. It comes too late, unfortunately, for the great Gervase de Peyer, but it will be snapped up quite happily by the likes of Sabine Meyer and other relative youngsters.
That said, I suspect the names Pletnev and Collins made it imperative for this recording to be issued on a full-price luxury label like DG. As a curiosity (which it will always be, in spite of its quality) it might have more logically appeared...
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Ciao members have rated this review on average helpful
helpful 23.08.2000
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