Beethoven: Piano Trios Nos 5 & 7

Advantages: dynamic and gripping
Disadvantages: none

...Fantastic to have another additional collection of all five of Beethoven's piano concerti. Spanning his life we can really get to grips with his evolving use of the orchestra in these works. From the Third's action packed finale to the Fourth's beautiful expressions to the grandeur of the much loved Fifth. The playing is precise, dramatic and full of energy; as indeed it should be. Aimard's playing is always well crafted and beautifully shaped. This is an insightful disk and has taken the musicians an awful lot of hard work. A must-have for any lover of Beethoven's piano music. If you usually go for his chamber music or string quartets why not branch out and explore Aimard's wonderful take on these concerti? Well worth buying and indeed an inspiration for myself and other pianists alike.... Read review

Ciao members have rated this review on average somewhat helpful

Advantages: A new way to hear Beethoven
Disadvantages: Surpassed by some later period cycles

...depiction of a trio of birds, a village band and a thunderstorm. The Seventh brought a completely new emphasis on the use of rhythm, something that had never been heard of before at this scale, while the Eighth proved that little is sometimes more with its witty and humor-filled attitude completely off-setting the greater Seventh. And finally there came the Ninth Symphony that not only out-scaled the Eroica, but also introduced human voices in a symphony. The addition of a chorus and soloists in a profoundly instrumental work would be much explored by the Romantics that followed. In essence and deed, Beethoven was one of the greatest (if not THE greatest) influences in the way music evolved through the Classical era to the Romantic. And, of course, his influence also effected many other genres like piano sonatas, chamber music, concertos, etc... Read review

Ciao members have rated this review on average very helpful

Advantages: Thrilling, daredevil chamber music performances from the legendary Martha Argerich and partner-in-crime Gidon Kremer.
Disadvantages: Violinist Kremer occasionally on the mannered, spastic side; only forty-three minutes of music.

.... Then again, you might just like them more than I do! ++ For a more thorough introduction to Martha Argerich, you may want to read my other post (or you may not!): http://www.ciao.co.uk/BachKeyboardWorksReview5359921 ~~~~~~~~~~~~~~~~~ CD Notes: LUDWIG VAN BEETHOVEN (1770 - 1827) Sonata for Piano and Violin no. 4 in A minor, op. 23 1. (1) Presto 6’56 2. (2) Andante scherzoso più Allegretto 7’20 3. (3) Allegro molto 5’15 Sonata for Piano and Violin no. 5 in F major, op. 24 "Frühlings-Sonate" ["Spring"] 4. (1) Allegro 9’41 5. (2) Adagio molto espressivo 6’02 6. (3) Scherzo. Allegro molto 1’19 7. (4) Rondo. Allegro ma non troppo 6’34 MARTHA ARGERICH, Piano GIDON KREMER, Violin Deutsche Grammophon (P) 1987 43’23 417 787-2 ~~~~~~~~~~~~~~~~~ (Performances for comparison:) From: BEETHOVEN... Read review

Ciao members have rated this review on average very helpful