Excerpt(s): 1. No. 5 in D, Op. 70/1, 'Ghost' 2. No. 6 in E flat, Op. 70/2 3. No. 7 in B flat, Op. 97, 'Archduke' 4. No. 10 in E flat, Op. 44 (Variations on an original theme) 5. No. 11 in G, Op. 121a (Kakadu Variations)
Advantages: A new way to hear Beethoven Disadvantages: Surpassed by some later period cycles
...depiction of a trio of birds, a village band and a thunderstorm.
The Seventh brought a completely new emphasis on the use of rhythm, something that had never been heard of before at this scale, while the Eighth proved that little is sometimes more with its witty and humor-filled attitude completely off-setting the greater Seventh. And finally there came the Ninth Symphony that not only out-scaled the Eroica, but also introduced human voices in a symphony. The addition of a chorus and soloists in a profoundly instrumental work would be much explored by the Romantics that followed. In essence and deed, Beethoven was one of the greatest (if not THE greatest) influences in the way music evolved through the Classical era to the Romantic. And, of course, his influence also effected many other genres like piano sonatas, chamber music, concertos, etc...
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Ciao members have rated this review on average very helpful
Advantages: dynamic and gripping Disadvantages: none
...Fantastic to have another additional collection of all five of Beethoven's piano concerti. Spanning his life we can really get to grips with his evolving use of the orchestra in these works. From the Third's action packed finale to the Fourth's beautiful expressions to the grandeur of the much loved Fifth.
The playing is precise, dramatic and full of energy; as indeed it should be.
Aimard's playing is always well crafted and beautifully shaped. This is an insightful disk and has taken the musicians an awful lot of hard work. A must-have for any lover of Beethoven's piano music. If you usually go for his chamber music or string quartets why not branch out and explore Aimard's wonderful take on these concerti? Well worth buying and indeed an inspiration for myself and other pianists alike....
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Ciao members have rated this review on average somewhat helpful
Advantages: Two outstanding peices of chamber music for an unusual combination of instruments Disadvantages: On the surface quite contrasting works, listener must be openminded
...The work of Ligeti has been at the forefront of Western avant-garde since his escape from the oppressive communist regime of Hungary in 1956, and he is widely appreciated as one of the most outstanding contemporary composers. The Trio for Violin, Horn and Piano because it was born out of a three-year period of illness and writer's block after the completion of Le Grand Macabre in which time he laboured over a piano concerto but completed only two short harpsichord pieces (Continuum and Hungarian Rock), yet the result in 1982 was the Trio, one of the finest and most complex pieces written so far. His career up to this point had included such sucesses as his Requiem, Atmosphères and the soundtrack for Stanley Kubrick's film 2001. Tiring of his own cluster-textural techniques and the avant-garde, Ligeti refreshed his compositional...
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Ciao members have rated this review on average helpful
helpful 29.08.2007
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