Beethoven: Symphony No 3, 'Eroica'

Sinfonia Eroica

Advantages: A work that changed the way we look at symphonies
Disadvantages: none whatsoever

. When he was asked in 1817 to name his favourite symphony, Beethoven responded the Eroica (however that was when the Ninth was still to be written). Out of all Beethoven's symphonies, only No.9 is longer that the Eroica, and none (except perhaps No.7) is more boisterously heroic and optimistically forceful in it's overall message. Beethoven would evolve further from the Eroica, of course, but the importance of the work cannot be underestimated. It really opened the doors for the more extended symphonies like Schubert's "Great C major" or the symphonies of the Romantics following Beethoven's death. A magnificent work that continues to amaze! The symphony is scored for: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 3 horns, 2 trumpets, timpani and strings. © berlioz ...

berlioz 09.10.2004 · Read full review
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Review of Beethoven: Symphony No. 3; Egmont Overture

Beethoven's symphonies: the rediscovered frontier

Advantages: A new way to hear Beethoven
Disadvantages: Surpassed by some later period cycles

performance that fits well with the description of a contemporary critic that the work is "like a dragon that refuses to die." The first movement has great exuberance that is further accentuated by the period instruments. The Larghetto, the only movement in all of the symphonies that can really be called at all "slow", is lyrical and very well pulled off. The Scherzo has about as much scherzo-material in it than the Menuetto of the First, but the same energetic qualities are there making it very enjoyable indeed. The Finale then brings the proceedings down in jumping good humor, a satisfying conclusion that brings further evidence of Beethoven's developing sense of drama in a finale. Overall one of the best Beethoven Seconds I have heard and a guaranteed pleasure at any time. Symphony No.3 in E flat major, Op.55 "Eroica" The Eroica comes ...

berlioz 16.04.2005 · Read full review
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Review of Beethoven Symphonies 1-9 (London Classical Players) - Sir Roger Norrington

Celebration to the memory of a great man

Advantages: Dramatic, emotional music
Disadvantages: The introductory chords will wake you up

Ludwig van Beethoven was born on 16th December 1770 in Bonn, Germany and died in Vienna on 26th March 1827. The story of Beethovens deafness is well known. By the time he composed the ?Eroica?, he was already aware of some signs of hearing difficulties. Beethoven had a distict and individual musical style that encompassed elements of the traditional classical period and was innovative in introducing elements that were to become the Romantic period with emphasis on expressing personal feelings. Beethoven ? Symphony No 3: Egmont Overture Performed by Czech Philharmonic Orchestra Composed by George Szell Released 1995 Label Salzburg Festival Servies Symphony No 3 in E flat major, Op. 55 ?Eroica? This is one of the best known classical pieces. It?s striking opening making it immediately recognisable. Luigi van ...

MAFARRIMOND 01.05.2004 · Read full review
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Review of Beethoven: Symphony No. 3; Egmont Overture