Advantages: Varied movements, esp. 1st and 4th. One of Mahler's most popular works. Disadvantages: 2nd movement a little weak.
magnificently onto the 4th and final movement which has the addition of a soprano voice. It is at the beginning fast-paced before tailing off into to calm and hopefully leaving you in that state.
--- CONCLUSION ---
Like so many classical scores these days it can be found very cheaply. In fact I have recently noticed many reductions in prices of classical labels, including HMV's own (down from £4.99 to £2.99 for some very popular classics) and 5 CD's for £20 on the Naxos label. I would consider the first and last movement of Mahler's symphonyno.4 to be the most worthwhile, while the middle two utilize parts of both the others, but lack the distinctiveness remaining. Compared to the other Mahler score I have reviewed I personally would place it above that in terms of quality and originality, but there are plenty of places online and offline to ...
Advantages: A new way to hear Beethoven Disadvantages: Surpassed by some later period cycles
INTRODUCTION
Beethoven's nine symphonies cover one of the major cornerstones of symphonic literature along with the likes of Haydn, Brahms and Sibelius. Beethoven was born in turbulent times when the common people's dissatisfaction toward the ruling monarchs in Europe was reaching new heights which finally culminated in the French Revolution in 1789. Against this came Beethoven, who was born into a family of musicians in Bonn in 1770. His father wanted to coin in on the child prodigy market created by Mozart whose father had exploited his genius in a similar way. But Beethoven was no Mozart. He wasn't born a child progidy and his performing skills were nowhere near as natural as they were with Mozart. Still he made rapid progress as a piano virtuoso and an amateur composer. He was even supposed to take some lessons with Mozart in Wien ...
Advantages: One of Beethoven's finest symphonies. Disadvantages: None from me, but some will say "classical music is boring".
THE END OF AN ERA
1812 can be seen as the markerpoint where Beethoven's middle-period came to an end and his late-period was ushered in. Beethoven's middle-period saw the composer at his most creative high with one masterpiece following the other in rapid succession. The beginning of this period can roughly be timed as starting in 1803 with the appearance of the Third Symphony "Eroica" and the "Kreutzer" sonata. These two works signalled Beethoven distinctly leaving the 18th century Classicism of Haydn and Mozart behind him and taking on a completely new and individual voice. This individuality became more and more apparent in the works that followed: the "Waldstein" and "Appassionata" piano sonatas, the "Razumovski" quartets, the Violin Concerto, the three last cello sonatas, the "Archduke" piano trio, Fidelio, the Fifth and Sixth ...
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