Beethoven: Violin Sonatas 5 & 9

Advantages: Thrilling, daredevil chamber music performances from the legendary Martha Argerich and partner-in-crime Gidon Kremer.
Disadvantages: Violinist Kremer occasionally on the mannered, spastic side; only forty-three minutes of music.

.... Then again, you might just like them more than I do! ++ For a more thorough introduction to Martha Argerich, you may want to read my other post (or you may not!): http://www.ciao.co.uk/BachKeyboardWorksReview5359921 ~~~~~~~~~~~~~~~~~ CD Notes: LUDWIG VAN BEETHOVEN (1770 - 1827) Sonata for Piano and Violin no. 4 in A minor, op. 23 1. (1) Presto 6’56 2. (2) Andante scherzoso più Allegretto 7’20 3. (3) Allegro molto 5’15 Sonata for Piano and Violin no. 5 in F major, op. 24 "Frühlings-Sonate" ["Spring"] 4. (1) Allegro 9’41 5. (2) Adagio molto espressivo 6’02 6. (3) Scherzo. Allegro molto 1’19 7. (4) Rondo. Allegro ma non troppo 6’34 MARTHA ARGERICH, Piano GIDON KREMER, Violin Deutsche Grammophon (P) 1987 43’23 417 787-2 ~~~~~~~~~~~~~~~~~ (Performances for comparison:) From: BEETHOVEN... Read review

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Advantages: a new take on a familiar warhorse
Disadvantages: is it worth full price?

...It's unlikely that any music lover who has a good recording of Beethoven's violin concerto on CD (say: Perlman, Grumiaux or Szigeti) would ever say to him or herself: 'boy, I wonder what that sounds like on the clarinet'. In fact, the only people who might would be clarinetists, for they tend to feel (mistakenly, as it happens)that there just isn't enough original repertoire written for their instrument. So here, spanking new, is a Deutsche Grammophon CD offering us an original work in Mozart's Clarinet Concerto and an arrangement of the Beethoven prepared by Russian pianist/conductor Mikhail Pletnev. The soloist is Michael Collins, who plays the familiar Mozart on his basset horn with all the joy and panache we expect. The Beethoven is a different cup of tea. It's difficult to listen to the famous melodies without hearing the fiddle (or... Read review

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Advantages: A new way to hear Beethoven
Disadvantages: Surpassed by some later period cycles

...depiction of a trio of birds, a village band and a thunderstorm. The Seventh brought a completely new emphasis on the use of rhythm, something that had never been heard of before at this scale, while the Eighth proved that little is sometimes more with its witty and humor-filled attitude completely off-setting the greater Seventh. And finally there came the Ninth Symphony that not only out-scaled the Eroica, but also introduced human voices in a symphony. The addition of a chorus and soloists in a profoundly instrumental work would be much explored by the Romantics that followed. In essence and deed, Beethoven was one of the greatest (if not THE greatest) influences in the way music evolved through the Classical era to the Romantic. And, of course, his influence also effected many other genres like piano sonatas, chamber music, concertos, etc... Read review

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