Beethoven: Violin Sonatas

Advantages: Thrilling, daredevil chamber music performances from the legendary Martha Argerich and partner-in-crime Gidon Kremer.
Disadvantages: Violinist Kremer occasionally on the mannered, spastic side; only forty-three minutes of music.

...piece, in my unenlightened hierarchy of classical music preferences. To me, the performers are having more fun than the listeners (me, specifically) when it comes to chamber music. Well, leave it to Martha to upset another bias of mine. Here she teams up with her good friend, Latvian violinist Gidon Kremer, to play a couple of sonatas by Ludwig van Beethoven (1770-1827). (The CD represents only part of their recordings of Beethoven’s sonata cycle for piano and violin.) Once again, Argerich’s formidable talent is in full display. Violinist Kremer, a frequent chamber music partner of hers, proves an able and equal partner. The Sonatas for Piano and Violin. The works on review are the Sonata no. 4 in A minor, and the Sonata no. 5 in F major ("Frühlings-Sonate" ["Spring"]) for Piano and Violin. For comparison, I chose the Anne... Read review

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Advantages: a new take on a familiar warhorse
Disadvantages: is it worth full price?

...It's unlikely that any music lover who has a good recording of Beethoven's violin concerto on CD (say: Perlman, Grumiaux or Szigeti) would ever say to him or herself: 'boy, I wonder what that sounds like on the clarinet'. In fact, the only people who might would be clarinetists, for they tend to feel (mistakenly, as it happens)that there just isn't enough original repertoire written for their instrument. So here, spanking new, is a Deutsche Grammophon CD offering us an original work in Mozart's Clarinet Concerto and an arrangement of the Beethoven prepared by Russian pianist/conductor Mikhail Pletnev. The soloist is Michael Collins, who plays the familiar Mozart on his basset horn with all the joy and panache we expect. The Beethoven is a different cup of tea. It's difficult to listen to the famous melodies without hearing the fiddle (or... Read review

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Advantages: One of Beethoven's finest symphonies.
Disadvantages: None from me, but some will say "classical music is boring".

...THE END OF AN ERA 1812 can be seen as the markerpoint where Beethoven's middle-period came to an end and his late-period was ushered in. Beethoven's middle-period saw the composer at his most creative high with one masterpiece following the other in rapid succession. The beginning of this period can roughly be timed as starting in 1803 with the appearance of the Third Symphony "Eroica" and the "Kreutzer" sonata. These two works signalled Beethoven distinctly leaving the 18th century Classicism of Haydn and Mozart behind him and taking on a completely new and individual voice. This individuality became more and more apparent in the works that followed: the "Waldstein" and "Appassionata" piano sonatas, the "Razumovski" quartets, the Violin Concerto, the three last cello sonatas, the "Archduke" piano trio, Fidelio, the Fifth and Sixth... Read review

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