Bellini: I Capuleti ed i Montecchi - Highlights

Advantages: Kasarova's personal touch. Virtuosic without showing off
Disadvantages: She doesn't keep singing forever

...any legato line to achieve it. Like her idol, WA Mozart, this gal can operate within the boundary while generating a singing experience that transcends it. The tracks included are: 1. HANDEL: Rinaldo: Or la tromba in suon festante 2. GLUCK: Orfeo ed Euridice: Che faro senza Euridice 3. MOZART: Le nozze di Figaro: Voi che sapete che cosa e amor 4. MOZART: Don Giovanni: Batti, batti, o bel Masetto 5. ROSSINI: La Cenerentola: Nacqui all'affanno/ Non piu mesta 6. ROSSINI: Il barbiere di Siviglia: Una voce poco fa 7. ROSSINI: L'Italiana in Algeri: Amici in ogni evento/ Pensa alla patra 8. DONIZETTI: Anna Bolena: Spossa a Percy/ Per questa fiamma indomita 9. DONIZETTI: La Favorita: Fia dunque vero/ O mio Fernando 10. BELLINI: I Capuleti e i Montecchi: Se Romeo t'uccise un figlio Her repertoire had grown even wider since this CD came out... Read review

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Advantages: about equal!
Disadvantages: high price of the Sutherland set

...Keen opera fans may sometimes be puzzled by the choice available on the shelves of the larger record shops, especially when trying to compare two stellar casts. Bellini's last (and arguably greatest) opera, I Puritani, is a case in point, with recordings by Callas and Sutherland heading the list. Personally I bought both, to avoid having to choose, but each has it's merits. Callas, as always, brings greater warmth and fire to the usually pallid role of Elvira, but Sutherland's effortless roulades and trills are a joy to hear, and a young Pavarotti has a flawless technique in the infamous tenor role which defeated Caruso, complete with a hair-raising top F in his final aria. The Sutherland set also avoids the cuts made in the earlier recording, but is handicapped by Decca's greedy pricing - still at full-price after 30 years? Come on... Read review

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Advantages: everything
Disadvantages: nothing

...sostenuto (Piano Concerto No. 2 in C minor, Op.18) Max Bruch Adagio (Violin Concerto No. 1 in G minor, Op. 26) John Williams Schindler's List Theme Erik Satie Gymnopedie No. 1 Antonio Vivaldi Largo (Le Quattro Stagioni L'inverno) Allegro (La primavera (Le Quattro Stagioni)) (Le Quattro Stagioni) Thomas Newman Any Other Name (from the film "American Beauty") James Horner My Heart Will Go On Georg Friedrich Handel Hallelujah Chorus (Messiah) Zadok the Priest (Coronation Anthem No. 1, HWV 258) Gregorio Allegri Miserere mei, Deus John Jenkins Agnus Dei Christoph Willibald Gluck J'ai perdu mon Eurydice (Orfeo ed Euridice) Charles Gounod, Johann Sebastian Bach Ave Maria Leo Delibes Dome epais (Lakme (1883)) Georges Bizet Au fond du temple saint (Les Pêcheurs de perles) Vincenzo Bellini Casta diva (Norma (1831)) Gioacchino... Read review

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