Friendly guy who runs a small theatre and arts company, serious interest in art textiles, opera, gar...
Friendly guy who runs a small theatre and arts company, serious interest in art textiles, opera, gardening and meeting interesting people. Happy to chatter in French or English.
Member since:14.08.2000
Reviews:1
Keen opera fans may sometimes be puzzled by the choice available on the shelves of the larger record shops, especially when trying to compare two stellar casts. Bellini's last (and arguably greatest) opera, I Puritani, is a case in point, with recordings by Callas and Sutherland heading the list. Personally I bought both, to avoid having to choose, but each has it's merits. Callas, as always, brings greater warmth and fire to the usually pallid role of Elvira, but Sutherland's effortless roulades and trills are a joy to hear, and a young Pavarotti has a flawless technique in the infamous tenor role which defeated Caruso, complete with a hair-raising top F in his final aria. The Sutherland set also avoids the cuts made in the earlier recording, but is handicapped by Decca's greedy pricing - still at full-price after 30 years? Come on! The Callas set is of course slightly inferior in sound quality, but the impeccable credentials of Tullio Serafin may be preferred to Bonynge's sometimes routine time-beating. If you are really a Bellini fan, you may well have to save up and buy both!
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