Berceuse - Lullaby - Wiegenlied

Berceuse - Lullaby - Wiegenlied

1CD(s) - Label:Arts Music - Distributor:New Note - Run Time:1 hour 9 minutes - DDD - Released:07/1997 - 600554728223 more

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Berceuse - Lullaby - Wiegenlied

Main specs

Title: Berceuse - Lullaby - Wiegenlied

Composer: Fryderyk Franciszek Chopin (1810 - 1849); Johannes Brahms (1833 - 1897); Robert (Alexander) Schumann (1810 - 1856); Franz (Peter) Schubert (1797 - 1828); Gabriel (Urbain) Fauré (1845 - 1924); (Jakob Ludwig) Felix Mendelssohn (-Bartholdy) (1809 - 1847); Hugo (Filipp Jakob) Wolf (1860 - 1903); (Joseph) Maurice Ravel (1875 - 1937); Richard (Georg) Strauss (1864 - 1949); Edvard (Hagerup) Grieg (1843 - 1907)

Main Performer: Massimiliano Damerini (Piano); Jeanne Marie Bima (Soprano); Georg Mönch (Violin)

Date of Release: 07/1997

Label / Distributor: Arts Music / New Note

Pieces in Set: 1

Running Time: 1 hour 9 minutes

Genre(s): Instrumental, Vocal and choral, Chamber

Producer: Mario Seracini

SPAR Code: DDD

EAN: 600554728223

Catalogue Number: 47282

Work 1

Work Title: Berceuse in D flat, Op. 57

Excerpt(s): 1. Berceuse in D flat, Op. 57

Composer: Fryderyk Franciszek Chopin (1810 - 1849)

Genre: Instrumental

Date Written: 1843-44

Date Recorded: 1987

Main Performer: Massimiliano Damerini (Piano)

Opera Part(s): Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 2

Work Title: (5) Lieder, Op. 49

Excerpt(s): 1. No. 4, Wiegenlied (wds. Scherer)

Composer: Johannes Brahms (1833 - 1897)

Genre: Vocal & Choral

Date Written: Published 1868

Date Recorded: 1987

Main Performer: Jeanne Marie Bima (Soprano), Massimiliano Damerini (Piano)

Opera Part(s): Jeanne Marie Bima, Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 3

Work Title: Albumblätter, Op. 124

Excerpt(s): 1. Wiegenliedchen (1843)
2. Schlummerlied (1841)

Composer: Robert (Alexander) Schumann (1810 - 1856)

Genre: Instrumental

Date Written: 1832-45

Date Recorded: 1987

Main Performer: Massimiliano Damerini (Piano)

Opera Part(s): Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 4

Work Title: Wiegenlied, D498

Excerpt(s): 1. Wiegenlied, D498

Composer: Franz (Peter) Schubert (1797 - 1828)

Genre: Vocal & Choral

Date Written: 1816

Date Recorded: 1987

Main Performer: Jeanne Marie Bima (Soprano), Massimiliano Damerini (Piano)

Opera Part(s): Jeanne Marie Bima, Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 5

Work Title: Berceuse, Op. 16

Excerpt(s): 1. Berceuse, Op. 16

Composer: Gabriel (Urbain) Fauré (1845 - 1924)

Genre: Chamber

Date Written: 1878

Date Recorded: 1987

Main Performer: Georg Mönch (Violin), Massimiliano Damerini (Piano)

Opera Part(s): Georg Mönch, Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 6

Work Title: (48) Songs without Words

Excerpt(s): 1. No. 6, Allegro non troppo in E

Composer: (Jakob Ludwig) Felix Mendelssohn (-Bartholdy) (1809 - 1847)

Genre: Instrumental

Date Written: 1825-45

Date Recorded: 1987

Main Performer: Massimiliano Damerini (Piano)

Opera Part(s): Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 7

Work Title: Wiegenlied, D498

Excerpt(s): 1. Wiegenlied, D498

Composer: Franz (Peter) Schubert (1797 - 1828)

Genre: Vocal & Choral

Date Written: 1816

Date Recorded: 1987

Main Performer: Jeanne Marie Bima (Soprano), Massimiliano Damerini (Piano)

Opera Part(s): Jeanne Marie Bima, Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 8

Work Title: (6) Lieder für eine Frauenstimme

Excerpt(s): 1. Wiegenlied im Sommer (wds. Reinick)
2. Wiegenlied in Winter (wds. Reinick)

Composer: Hugo (Filipp Jakob) Wolf (1860 - 1903)

Genre: Vocal & Choral

Date Written: 1877-82

Date Recorded: 1987

Main Performer: Jeanne Marie Bima (Soprano), Massimiliano Damerini (Piano)

Opera Part(s): Jeanne Marie Bima, Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 9

Work Title: Berceuse sur le nom de Gabriel Fauré

Excerpt(s): 1. Berceuse sur le nom de Gabriel Fauré

Composer: (Joseph) Maurice Ravel (1875 - 1937)

Genre: Chamber

Date Written: 1922

Date Recorded: 1987

Main Performer: Georg Mönch (Violin), Massimiliano Damerini (Piano)

Opera Part(s): Georg Mönch, Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 10

Work Title: (5) Lieder, Op. 41

Excerpt(s): 1. No. 1, Wiegenlied (wds. Dehmel: orch 1916)

Composer: Richard (Georg) Strauss (1864 - 1949)

Genre: Vocal & Choral

Date Written: 1899

Date Recorded: 1987

Main Performer: Jeanne Marie Bima (Soprano), Massimiliano Damerini (Piano)

Opera Part(s): Jeanne Marie Bima, Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 11

Work Title: Lyric Pieces, Book 2, Op. 38

Excerpt(s): 1. No. 1, Berceuse

Composer: Edvard (Hagerup) Grieg (1843 - 1907)

Genre: Instrumental

Date Written: 1883

Date Recorded: 1987

Main Performer: Massimiliano Damerini (Piano)

Opera Part(s): Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 12

Work Title: (5) Canciones negras

Excerpt(s): 1. Canción de cuna para dormir a un negrito (wds. Valdés)

Composer: Xavier Montsalvatge (1912 - 2002)

Genre: Vocal & Choral

Date Written: 1945

Date Recorded: 1987

Main Performer: Jeanne Marie Bima (Soprano), Massimiliano Damerini (Piano)

Opera Part(s): Jeanne Marie Bima, Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 13

Work Title: Berceuse

Excerpt(s): 1. Berceuse

Composer: Igor (Fyodorovich) Stravinsky (1882 - 1971)

Genre: Chamber

Date Written: 1929

Date Recorded: 1987

Main Performer: Georg Mönch (Violin), Massimiliano Damerini (Piano)

Opera Part(s): Georg Mönch, Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 14

Work Title: (7) Canciones populares espanolas

Excerpt(s): 1. Nana

Composer: Manuel de Falla (y Matheu) (1876 - 1946)

Genre: Vocal & Choral

Date Written: 1914-15

Date Recorded: 1987

Main Performer: Jeanne Marie Bima (Soprano), Massimiliano Damerini (Piano)

Opera Part(s): Jeanne Marie Bima, Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 15

Work Title: Children's Corner

Excerpt(s): 1. Jimbo's lullaby

Composer: (Achille-)Claude Debussy (1862 - 1918)

Genre: Instrumental

Date Written: 1906-8

Date Recorded: 1987

Main Performer: Massimiliano Damerini (Piano)

Opera Part(s): Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 16

Work Title: (4) Songs, Op. 2

Excerpt(s): 1. Schlafen, schlafen (wds. Hebbel)

Composer: Alban (Maria Johannes) Berg (1885 - 1935)

Genre: Vocal & Choral

Date Written: ?1909-10

Date Recorded: 1987

Main Performer: Jeanne Marie Bima (Soprano), Massimiliano Damerini (Piano)

Opera Part(s): Jeanne Marie Bima, Massimiliano Damerini

Location of Work Recording: Rome, Italy

Work 17

Work Title: Lullaby, '(La) berceuse d'Aïtacho Enia', Op. 52

Excerpt(s): 1. Lullaby, '(La) berceuse d'Aïtacho Enia', Op. 52

Composer: Karol (Maciej) Szymanowski (1882 - 1937)

Genre: Chamber

Date Written: 1925

Date Recorded: 1987

Main Performer: Georg Mönch (Violin), Massimiliano Damerini (Piano)

Opera Part(s): Georg Mönch, Massimiliano Damerini

Location of Work Recording: Rome, Italy

Ciao

Listed on Ciao since : 30/04/2005

Reviews which might be of interest for Berceuse - Lullaby - Wiegenlied    
Lullabies In Paralysis
Review of Lullabies To Paralyze (Parental Advisory/+DVD) [Digipak] [PA] - Queens Of The Stone Age by  crutchley_am

Advantages: Fantastic fourth album, no loss in strength
Disadvantages: Takes a while to get into

...The fourth album. If you're a band, it's always going to be dangerous territory. You've had three albums before and chances are your sound is well established and successful. Thing is, by the fourth album it's going to need a makeover otherwise people will get bored. However, this in turn causes more problems - if you create new sound, people might not like it, whether it just doesn't appeal to them outright or because it wasn't what they were expecting. Equally, you won't gain new fans who like similar things to your new sound, because you'll be remembered for your old one and they won't give you a try. So as you can imagine, I approached Lullabies to Paralyze with a degree of caution. There's been a slight change in line-up from the QOTSA of old. We say goodbye to Nick Oliveri (previous bassist), which I think is sad, because I... Read review

Ciao members have rated this review on average helpful

helpful
05.10.2005
These are my kind of lullabies.
Review of Lullabies To Paralyze (Parental Advisory) [PA] - Queens Of The Stone Age by  Cubert

Advantages: Catchy in places, yet far more experimental than Songs For The Deaf
Disadvantages: Those who only like Songs For The Deaf may find this too adventurous

...Joshe Homme is a druggie. Everyone knows this, but its never been so musically clear that he was high until now. He definately took an extra puff for this one, which can only be a good thing.... Queens Of The Stone Age have built up a huge following in recent years mostly due to their smash hit album Songs For The Deaf. It was a rockers dream. Heavy distortion and rock and roll riffs all laced together with catchy, radio friendly song structuring. And, truth be told, it deserved all the credit it recieved. It definately was the all in one 'rock record'. But thats exactly what Queens Of The Stone Age do, they make a record that has an overall sound, and overall feel, and an overall theme. Songs For The Deaf was the rock record, so what is their fourth full-length album Lullabies To Paralize? Well, this time round its not quite... Read review

Ciao members have rated this review on average helpful

helpful
03.04.2005
Lullabies and songs to burn witches to.
Review of Lullabies To Paralyze (Parental Advisory) [PA] - Queens Of The Stone Age by  unclebenson

Advantages: Lots of good songs
Disadvantages: It has a weak ending

...They brought you the amaizing "no one knows." Of course your expecting some good, musically sophisticated, pleasing to the ear, straight to the point rock music and here it is. The opening track, "slow lullaby," is an eery introduction to the album. Personally I would say that it is not strictly a song in itself, more just to set the scene. Its chilling lyrics and piano are followed by "medication," the opening bars pure guitar, it just feels like rock. The song itself is not a particular hit, neither is the following one, but they are both palitable. Next comes the first track of particular merit, 'tangled up in Plaid.' It is musically pleasing and emotional. Track 5, 'Burn the witch', is my favourite song of the album and is the sort of song that sticks in your head for a number of days. It is simple but affective, speaking... Read review

Ciao members have rated this review on average somewhat helpful

somewhat helpful
07.09.2006

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