Advantages: superb sound, superb performances Disadvantages: a couple of songs drag a bit
LouReed himself originally wanted to call this album LouReed Talk And Talk And Talks.
It's certainly an odd album, pitched midway between a straight live album and stand up comedy. There's over 100 minutes of music but only ten tracks which gives you an idea straight away that these are not simple live renditions of Lou's songs.
By 1978 Lou had pretty much come out of his mid 1970s drug period. He was still not entirely clean, but was in better shape than he had been for at least five years. He had a superb band behind him, led by keyboard player Michael Fonfara, and most of them had been touring with Lou for a few years. The musicians were capable of playing the most tender ballad before suddenly and shockingly roaring off like a locomotive at full speed. Lou had a habit of extending or shortening songs on a whim, but the band ...
Tracklisting
1. Berlin
2. Lady Day
3. Men Of Good Fortune
4. Caroline Says I
5. How Do You Think It Feels
6. Oh, Jim
7. Caroline Says II
8. Kids, The
9. Bed, The
10. Sad Song
I wouldn't recommend this album to anyone who has just bought Transformer because they like Perfect day or Walk on the Wild Side or anyone with just a passing interest in the man.
This is not an easy listen - its LouReeds concept album about the breakdown of a marriage between Jim & Caroline and the mental collapse that follows.
It was produced by Bob Ezrin - a legendary producer who has worked with everyone from Lou to Pink Floyd to Janes Addiction - and the album sounds like it was recorded in Reeds head.
Opening song Berlin sets the tone with its creepy opening bars and its sparse lyrics about how they met by the Berlin Wall ...
Advantages: a couple of decent songs Disadvantages: too much avearge material and average production
Arguably the least regarded LouReed album, Mistrial just seems to receive indifference from most people. It doesn't upset anyone, like Metal Machine Music did, nor does it excite audiences in the way that Transformer did.
Mistrial consists of ten average songs, played competently, sung ok, and produced ok. And that's about it. There's nothing that really stands out, the resolutely 1986 production utilises very basic drum machines for the first and last time in Lou's history, and everything sounds rather boomy and upfront, but hollow and lacking in substance.
The ttle track at least features a cracking melody, but Mama's Got A Lover, whilst not a bad song, sounds like a bad Lloyd Cole copy. A rather bizarre achievment sounds like a bad copy of someone who sounds like a bad copy of LouReed.
"Video Violence" has a sparky sound but ...
Product Information for "Berlin (Live At St Ann's Warehouse) [Digipak] - Lou Reed" »
Product details
Title
Berlin (Live At St Ann's Warehouse) [Digipak]
Performer
Lou Reed
Genre
Rock & Pop
Sub Genre
Singer/Songwriter
Release Date
27/10/2008
Original Release Year
2008
Label / Distributor
Matador / PIAS UK/Sony DADC
Engineer
Lou Reed; Frank Golchert; Hal Willn
Producer
Hal Willner; Bob Ezrin
Pieces in Set
1
Studio / Live
Live
Stereo
Stereo
Format
Performer
EAN
744861084921
Catalogue Number
OLE 8492
Additional notes
Album Notes
Though it was dismissed as morbid and self-indulgent upon its initial 1973 release, critics and audiences alike have come to view Lou Reed's unquestionably grandiose concept album, BERLIN, as one of the high points of his solo career. The album's narrative arc traces the trajectory of a doomed, defiantly self-destructive romance in the modern German city, and pits dark,cabaret influenced orchestration against Reed's deadpan vocals to remarkably chilling effect. The album's bleak, incisive lyrics and unapologetically melodramatic atmosphere would prove influential in the years to come. Matador's BERLIN: LIVE AT ST. ANN'S documents an exceptional 2006 performance of BERLIN that saw Reed accompanied by a seven-piece orchestra, a sterling rhythm section, and the Brooklyn Youth Chorus. Standouts include a jaw-dropping rendition of "The Kids" and an encore performance of the Velvet Underground standard "Candy Says," which is itself suffused with a subdued, world-weary atmosphere that complements BERLIN'S dark emotional palette.
Album Reviews
Rolling Stone (p.75) - 4 stars out of 5 -- "'Men of Good Fortune' gains severity: Guitarist Steve Hunter embodies privilege with flashy heroics, and Reed represents unskilled labor via blunt six-string bursts."
Titles on disc 1
1.
Intro
2.
Berlin
3.
Lady Day
4.
Men Of Good Fortune
5.
Caroline Says (part 1)
6.
How Do You Think It Feels
7.
Oh Jim
8.
Caroline Says (part 2)
9.
Kids
10.
Bed
11.
Sad Song
12.
Candy Says
13.
Rock Minuet
14.
Sweet Jane
Ciao
Listed on Ciao since
17/09/2008
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