Berlioz: Beatrice & Benedict
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Berlioz: Beatrice & Benedict

2CD(s) - Label:Philips - Distributor:Universal Manufacturing and Logistics - Run Time:2 hours 38 minutes - Released:11/1993 - 28941695222

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Berlioz: Beatrice & Benedict

Main specs

Title: Berlioz: Beatrice & Benedict

Composer: (Louis-)Hector Berlioz (1803 - 1869)

Main Performer: Christiane Eda-Pierre (Soprano); Helen Watts (Contralto (Female alto)); Janet Baker (Mezzo soprano); Jules Bastin (Bass); Richard Van Allan (Narrator)

Orchestra / Ensemble(s): (John) Alldis Choir; London Symphony Orchestra

Date of Release: 11/1993

Label / Distributor: Philips / Universal Manufacturing and Logistics

Pieces in Set: 2

Running Time: 2 hours 38 minutes

Genre(s): Stage works

EAN: 28941695222

Catalogue Number: 416

Work 1

Work Title: Béatrice et Bénédict

Excerpt(s): 1. Overture
2. ACT 1 - La More est en fuite
3. Je vais le voir
4. Comment le dédain pourrait-il mourir?
5. Me marier? Dieu me pardonne!
6. Mourez, tendres époux (épithalame)
7. Ah! je vais l'aimer
8. Vous soupirez, madame? (nocturne)
9. Entr'acte
10. ACT 2 - Le vin de Syracuse
11. Dieu! Que viens-je d'entendre?
12. Non! que viens-je d'entendre?; Il m'en souvient
13. Je vais d'un coeur aimant (trio)
14. Viens, de l'hyménée
15. Dieu qui guidas nos bras
16. Ici l'on voit Bénédict
17. L'amour est un flambeau

Composer: (Louis-)Hector Berlioz (1803 - 1869)

Genre: Stage works

Date Written: 1862

Date Recorded: 1977

Conductor: Colin Davis

Orchestra / Ensemble: London Symphony Orchestra

Orchestra / Ensemble: (John) Alldis Choir

Main Performer: Christiane Eda-Pierre (Soprano), Helen Watts (Contralto (Female alto)), Janet Baker (Mezzo soprano), Jules Bastin (Bass), Richard Van Allan (Narrator), Robert Lloyd (Bass), Robert Tear (Tenor), Thomas Allen (Baritone)

Opera Part(s): Christiane Eda-Pierre (Héro), Helen Watts (Ursule), Janet Baker (Béatrice), Jules Bastin (Somarone), Richard Van Allan (Léonato), Robert Lloyd (Don Pedro), Robert Tear (Bénédict), Thomas Allen (Claudio)

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Listed on Ciao since : 09/05/2005


Reviews which might be of interest for Berlioz: Beatrice & Benedict    
3 Similar Reviews of Berlioz: LeCarnaval Romain & Symphonie Fantastique
Opium anyone?
Review of Berlioz: LeCarnaval Romain & Symphonie Fantastique by berlioz

Advantages: Colourful and always exciting
Disadvantages: absolutely none

...works for the state, the Requiem or "Grande messe des morts" and "Te Deum" feature enormous orchestras and choruses (the Requiem's Dies Irae alone featuring batteries of trumpets in all four corners of the church blasting away at each other and are then succeeded by the simultaneous drumming of eight pairs of timpani, creating an unforgettable wave of sound). As an opera composer he had less of a success. His first opera, "Les Francs-Juges" only exists in fragments; Benvenuto Cellini was a total failure; the four hour "Les Troyens" after Virgil's Aeneas, was so huge that it was forced to be separated into two parts, and was even then performed only in part at the wholly unsuitable Opéra Comique, only receiving its first complete performance in the 1950's, a hundred years later; and the Shakespeare-based "Béatrice et Benedict" came so late... Read review

Ciao members have rated this review on average very helpful

very helpful
07.08.2004
The Golden Age of Mezzo Soprani Continues
Review of Susan Graham by EpinionSmorg

Advantages: Susan Graham sings nearly everything
Disadvantages: She doesn't live next door to me...

...Rorem is a rather under-rated composer. These are his tone-poems that describe very specific pictures. Here Ms Graham sings it as if not only is she seeing the snowed up woods or the sidewalk cafes on the streets of Paris in the early morning, but as she is in those pictures herself. BERLIOZ: Beatrice et Benedict: 12. Comment le dedain pourrait-il mourir? 13. Dieu! Que viens-je entendre? From a witty opera based on Shakespeare's 'Much Ado About Nothing,' Ms Graham sings Beatrice's arias with flare and effectively accenting just the right phrases to highlight conflicting emotions. Her pianissimo is beautifully smooth and her French diction is faultless. HEGGIE: Dead Man Walking: 14. This journey to Christ 15. Who will walk with me? 16. Dead Man Walking! 17. He will gather us around Susan Graham created the role of Sister Helene... Read review

Ciao members have rated this review on average helpful

helpful
16.04.2007
Harold's excitement in Italy
Review of Berlioz: Harold in Italy by BlueImpromtu

Advantages: Good sound quality, strong and compelling interpretation
Disadvantages: really not applicable

...Now, we all hear of Berlioz for his wonderful and original Symphonie fantastique of 1830 and yet how many classical music fans can say they know this work as well as that? However, I would encourage you to get to know it. Berlioz originally wrote it as a viola concerto for the great virtuoso Paganini, who claimed it was not virtuosic enough. What a great joy to hear more from the viola! At times taking a solo, at others, shimmering in the background of the scenes. Pictorial and romantic, exciting and dynamic are just some words I would use to describe this CD. The LSO must be praised for their sensitive playing. Davis takes the reins to create a most compelling and vivid interpretation of Harold's journey. The balance of the solo viola line especially in the third movement here is well judged. The tempi are flexible and the pace... Read review

Ciao members have rated this review on average somewhat helpful

somewhat helpful
09.08.2006

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