Orchestra / Ensemble(s): Royal Opera House Orchestra, Covent Garden; Royal Opera House Chorus, Covent Garden Choir
Date of Release: 14/06/2004
Label / Distributor: Gala / Coda Distribution Ltd
Pieces in Set: 3
Genre(s): Stage works
Stereo: Stereo
EAN: 8712177045655
Work 1
Work Title: Benvenuto Cellini
Excerpt(s): 1. Overture 2. ACT 1 SCENE 1 - Teresa...mais où peut-elle être? 3. Tra la la la, De profundis! 4. Les belles fleurs!; Entre l'amour et le devoir 5. O Teresa, vous que j'aime 6. Ah! mourir, chère belle 7. Ah! maître drôle, ah! libertin! 8. ACT 1 SCENE 2 - Une heure encore; La gloire était ma seule idole 9. A boire, à boire; Si la terre aux beaux jours se couronne 10. Que voulez-vous? 11. Cette somme t'est due 12. Ah! qui pourrait me résister? 13. Vous voyer, j'espère 14. Venez, venez, peuple de Rome 15. ACT 2 SCENE 1 - Ah, qu'est il devenu? 16. Rosa purpurea 17. Ma dague en main 18. Ah! le ciel, cher époux 19. Quand des sommets de la montagne 20. Ah! je te trouve enfin 21. A tous péchés pleine indulgence 22. Justice à nous 23. Ah! ça, démon! 24. Ah! maintainant de sa folle impudence 25. ACT 2 SCENE 2 - Tra la la...Mais qu'ai-je donc? 26. Seul pour lutter; Sur les monts 27. Bienheureux les matelots 28. Peuple ouvrier 29. Du métal! du métal!
Composer: (Louis-)Hector Berlioz (1803 - 1869)
Genre: Stage works
Date Written: 1838
Conductor: Sir John Pritchard
Orchestra / Ensemble: Royal Opera House Orchestra, Covent Garden
Orchestra / Ensemble: Royal Opera House Chorus, Covent Garden Choir
Advantages: Colourful and always exciting Disadvantages: absolutely none
...and somewhat of a curiosity. His two great sacred works for the state, the Requiem or "Grande messe des morts" and "Te Deum" feature enormous orchestras and choruses (the Requiem's Dies Irae alone featuring batteries of trumpets in all four corners of the church blasting away at each other and are then succeeded by the simultaneous drumming of eight pairs of timpani, creating an unforgettable wave of sound).
As an opera composer he had less of a success. His first opera, "Les Francs-Juges" only exists in fragments; BenvenutoCellini was a total failure; the four hour "Les Troyens" after Virgil's Aeneas, was so huge that it was forced to be separated into two parts, and was even then performed only in part at the wholly unsuitable Opéra Comique, only receiving its first complete performance in the 1950's, a hundred years later; and the Shakespeare...
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Ciao members have rated this review on average very helpful
Advantages: The idee fixe. Unique and contrasting. Disadvantages: None whatsoever.
...Composed by Hector Belioz
Performed by Royal Philharmonic Orchestra)
Conducted by Sir Charles Mackerras
Label Royal Philharmonic
Price £12.99
Available in most good music stores
Berlioz was born in Lyons in 1803 and spent most of his working life in Paris. Belioz used his musical idol Beethoven as his role model when composing his Symphony Fantastique. He was obsessed by the Irish actress Harriet Smithson. He wrote her dozens of letters to which she never replied. Years later, she they did meet and they eventually married though not successfully.
Berlioz decided to express his experiences through music. Using Beethoven's handling of the symphony, Berlioz set about to construct a a symphony that retained many of the traditional elements yet pushed it towards a new direction.
Symphonie Fantastique has five movements each...
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Ciao members have rated this review on average helpful
Advantages: Good sound quality, strong and compelling interpretation Disadvantages: really not applicable
...Now, we all hear of Berlioz for his wonderful and original Symphonie fantastique of 1830 and yet how many classical music fans can say they know this work as well as that? However, I would encourage you to get to know it. Berlioz originally wrote it as a viola concerto for the great virtuoso Paganini, who claimed it was not virtuosic enough. What a great joy to hear more from the viola! At times taking a solo, at others, shimmering in the background of the scenes. Pictorial and romantic, exciting and dynamic are just some words I would use to describe this CD.
The LSO must be praised for their sensitive playing. Davis takes the reins to create a most compelling and vivid interpretation of Harold's journey. The balance of the solo viola line especially in the third movement here is well judged. The tempi are flexible and the pace...
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Ciao members have rated this review on average somewhat helpful
somewhat helpful 09.08.2006
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