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Advantages: A few scarface film samples Disadvantages: Nearly the whole thing
of drug references and average rhymes
10 Crack Commandments - Notorious BIG. A song taken from BIGs Life After Death, probably the worst song on that and this album. Its just a list relating to drug deals making reference to the line, never get high on your own supply. Poor production that im sure has been used since
Mr Scarface - Scarface. Ok i take it back this is the worst one. Originally released in 91 so its dated beats dont mix well with the up to date rap
Streets Is Watching - Jay Z. Taken from Jay Z's In My Lifetime album. Good intelligent raps, street warfare and feuds discussed here. Not his best track but not bad
Dopeman - NWA.A 1989 release added here and classic beats along with the old rap supergroup. Not really a lot going on but its NWA so you pay attention
Criminology - Ghostface Killah & Raekwon. A Rza produced ...
Advantages: Fast paced, energetic Disadvantages: Some tracks boring, repetitive
I bought this compilation after my boyfriend downloaded some of its tracks from the internet. I enjoyed the tracks that I had listened to very much and at £5 it was a bargain! Especially as there are 56 tracks, which works out at about 11p per track.
The compliation has three discs; CD1 mixedby Stu Allan; CD2 mixedby DJ Seduction and CD3 is a mix of bootlegs. Some of the artists included are: Sy & Unknown, Darren Styles and DJ Stormtrooper.
The CD design is typical of its genre; a scantily clad raver girl. I certainly wouldn't buy the CD based on its cover design as I do not particularly enjoy looking at it!
The track list is as follows:
1. With Every Heartbeat - Visa
2. Weekend (Never Never) - Al Storm
3. Tonight - Darwin & Alison Wade
4. Holding On 4 U - Visa
5. Don't Go - Long, Robbie & Stormtrooper/Kristy
6 ...
Advantages: Good selection of skream tracks Disadvantages: the frequencies tend to stay in the same conceptual space too often
This mix is quite a hefty run through of all the big tracks of 2007 in the world of Dub-step (which is a relatively new but ever-increasingly popular music genre). The sound is from London and the UK (which is where most of the producers on the mix come from. The tracks are based upon what DJ Skream likes personally and what he plays at DJ sets (or was in the 2007-2008 period).
Kulture kicks off the mix with a reggae infuse synth bassline rizing track which gets the energy levels pumping straight from the outset (interesting way to start a mix!) Next is a track from Skream himself which was popular one on pirate radio and in D clubs 'wobble that gut' with minimal progressive beats and bass-lines. Next is another skream track of a remix of a garage track by dj zinc. Its got bass technical-wobbles and a sick vocal (cool). Then its Skream ...
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