Arguably the best recording of Carmen in the past 30 years. Teresa Berganza has a smooth and warm voice here, rather darker than Victoria de los Angeles (Thomas Beecham conducts, EMI) but smoother and lighter than Maria Callas (Georges Pretre conducts, EMI) and Regine Resnik (Schippers conducts, ... Read review
This review already contains more than 120 words. As a Ciao member you could earn up to £5 with this review.
recorded, Claudio Abbado was a great opera conductor, filled with sharp insights and a nice sense of the architecture of whole operas. He always seemed to know where...
Bizet: Carmen -
This is a super performance, slightly outside the common mould. In 1977, when this was
... more
recorded, Claudio Abbado was a great opera conductor, filled with sharp insights and a nice sense of the architecture of whole operas. He always seemed to know where...
Advantages: Smooth voiced protagonists, nice sound Disadvantages: Slightly tame Escamillo, maybe lacking in some french style
Arguably the best recording of Carmen in the past 30 years. Teresa Berganza has a smooth and warm voice here, rather darker than Victoria de los Angeles (Thomas Beecham conducts, EMI) but smoother and lighter than Maria Callas (Georges Pretre conducts, EMI) and Regine Resnik (Schippers conducts, Decca). Her performance is similarly balanced - dramatic without being too vampish and with that sultry latin quality (a little bit lacking in Victoria de ... ...in the runs and leaps than Resnik and her voice seems like balm after the altogether different instrument of Maria Callas (even at the later's best she growls rather more than Berganaza which you either love or hate). Placido Domingo is a king amongst recent Don Joses on record. Jose Carreras with Karajan may bring more passion to the role but his voice is not in as fine form as Domingo's was in the late 70s and Domingo has a more powerful and arguably ...
Read review
Ciao members have rated this review on average helpful
Advantages: The best album yet, fanastic choice of songs Disadvantages: Alubum cover picture does not do Katherine any justice.
...To date this is my favourite Katherine Jenkins album. It has a great mx of both classical and modern songs on it. My favourite being (Quello Che Faro) Sara Per Te (Everything I Do) I Do It For You. This is the Bryan Adams song from the film Robin Hood Prince of Thieves. It has rewritten in Italian and sound fab. Bryan Adams plays the guitar during the song. I also believe that he took the pictures for the album cover. Hopefully this album will win her, a third classical Brit Award in 2007.
The track list is as follows:-
1. (Quello Che Faro) Sara Per Te (Everything I Do) I Do It For You
2. Nella Fantasia
3. Chanson Boheme (from Bizet's Carmen)
4. Green Green Grass Of Home
5. O Mio Babbino Caro
6. Be My Love
7. The Flower Duet (featuring Kiri Te Kanawa)
8. Pachelbel's Canon
9. Granada
10. Lisa Lan
11. The Prayer
12. Dear Lord...
Read review
Ciao members have rated this review on average somewhat helpful
Advantages: Callas in one of her best studio performances, Great Sound Disadvantages: Some fans might not like Callas' voice
...This was Callas' first complete studio recording for years and it was a big step- some would say that it proves she should have sung mezzo roles all along. The voice is dark and powerful, without the flappy high notes she had singing higher soprano roles by this late stage in her career. She has lots of character and, despite her reputation as a 'tigress', lots of subtlety as well. She had sung french arias in the studio for about four or five years before recording this carmen and she has very good diction and a good awareness of style. She is most effective in her duets with Gedda, that most stylish of tenors. His smooth voice lacks the virility of say Domingo but Gedda is very french sounding and can be exciting. The conducting is very effective with Pretre being more successful here than in some of his other opera recordings...
Read review
Ciao members have rated this review on average somewhat helpful
Advantages: easy to find the piece of music you want Disadvantages: maybe too familiar for the expert listener
...from and the point in the story when it is sung. This can be invaluable to show you know a little bit of the subject around opera afficiandos!
As I am a relative newcomer to opera, I thought this cd was excellent, as it gave such variety, but also only gives you the best bits (no offence, but sometimes the stories can lag a little or become confusing!). This would be a great gift to anyone with a curiosity for opera, as well as for regular listeners who can't be bothered sifting through their entire collections to find one aria!
Track Listing
CD1
Verdi - Brindisi (La Traviata)
Puccini - Un Bel Di (Madam Butterfly)
Handel - Ombra a Mai Fu (Serse)
Bizet - Toreador Song (Carmen)
Catalini - Ebben? Ne Andro Lontano (La Wally)
Gershwin - Summertime (Porgy and Bess)
Puccini - O Soave Fanciulla ( La Boheme)
Dvorak - Song to the Moon (Rusalka...
Read review
Ciao members have rated this review on average somewhat helpful
Composer: Georges (Alexandre César Léopold) Bizet (1838 - 1875)
Main Performer: Alicia Nafé (Mezzo soprano); Geoffrey Pogson (Tenor); Gordon Sandison (Baritone); Ileana Cotrubas (Soprano); Plácido Domingo (Tenor)
Orchestra / Ensemble(s): (George) Watson College Boys' Chorus; Ambrosian Singers Choir; London Symphony Orchestra
Recomended Retail Price: 20.99 GBP
Label / Distributor: The Originals / Universal Manufacturing and Logistics
Pieces in Set: 2
Running Time: 3 hours 38 minutes
Genre(s): Stage works
Stereo: Stereo
SPAR Code: ADD
EAN: 28947753421
Catalogue Number: 477
Work 1
Work Title: Carmen
Excerpt(s): 1. Prelude 2. ACT 1 - Sur la place, chacun place 3. Avec la garde montante 4. La cloche a sonné; La voilà! 5. L'amour est un oiseau rebelle (Habanera) 6. Carmen! sur tes pas 7. Parle-moi de ma mère! 8. Ma mère, je la vois 9. Au secours! 10. Voyons, brigadier 11. Près des remparts de Séville (Seguédille); Voici l'ordre 12. ACT 2 - Entr'acte; Les tringles des sistres (Gypsy Song); Danse bohemienne; Vous avez quelque chose 13. Vivat, vivat le torero!; Votre toast (Toreador's Song) 14. Nous avons en tête une affaire! 15. Halte-là! Qui va là? 16. Je vais danser en votre honneur; Au quartier!; La fleur que tu m'avais jetée; Non! tu ne m'aimes pas! 17. Holà! Carmen! 18. ACT 3 - Entr'acte; Écoute compagnon; Notre métier est bon 19. Mêlons! Coupons! (Card Scene); Voyons, que j'essaie à mon tour; En vain, pour éviter 20. Quant au douanier 21. Je dis que rien ne m'épouvante (Micaëla's aria) 22. Je suis Escamillo 23. Micaëla! José! 24. Unknown 25. Unknown; A deux cuartos!; Unknown; Entr'acte 26. Unknown; Voyons, que j'essaie à mon tour; Carreau, pique...la mort! 27. Les voici! 28. Si tu m'aimes, Carmen 29. C'est toi! (Finale). 30. ARRANGEMENTS - Fantasie 31. Potpourri 32. (The) Car Man arr Davies, T
Composer: Georges (Alexandre César Léopold) Bizet (1838 - 1875)
Genre: Stage works
Date Written: 1875
Conductor: Claudio Abbado
Orchestra / Ensemble: London Symphony Orchestra
Orchestra / Ensemble: Ambrosian Singers Choir
Orchestra / Ensemble: (George) Watson College Boys' Chorus
Main Performer: Alicia Nafé (Mezzo soprano), Geoffrey Pogson (Tenor), Gordon Sandison (Baritone), Ileana Cotrubas (Soprano), Plácido Domingo (Tenor), Robert Lloyd (Bass), Sherrill Milnes (Baritone), Stuart Harling (Baritone), Teresa Berganza (Mezzo soprano), Yvonne Kenny (Soprano)
Opera Part(s): Alicia Nafé (Mercédès), Geoffrey Pogson (Remendado), Gordon Sandison (Dancaïre), Ileana Cotrubas (Micaëla), Plácido Domingo (Don José), Robert Lloyd (Zuniga), Sherrill Milnes (Escamillo), Stuart Harling (Moralès), Teresa Berganza (Carmen), Yvonne Kenny (Frasquita)