Bizet: L'Arlésienne & Carmen Suites

Advantages: Smooth voiced protagonists, nice sound
Disadvantages: Slightly tame Escamillo, maybe lacking in some french style

...Arguably the best recording of Carmen in the past 30 years. Teresa Berganza has a smooth and warm voice here, rather darker than Victoria de los Angeles (Thomas Beecham conducts, EMI) but smoother and lighter than Maria Callas (Georges Pretre conducts, EMI) and Regine Resnik (Schippers conducts, Decca). Her performance is similarly balanced - dramatic without being too vampish and with that sultry latin quality (a little bit lacking in Victoria de los Angeles in my opinion). She sings with greater precision in the runs and leaps than Resnik and her voice seems like balm after the altogether different instrument of Maria Callas (even at the later's best she growls rather more than Berganaza which you either love or hate). Placido Domingo is a king amongst recent Don Joses on record. Jose Carreras with Karajan may bring more passion... Read review

Ciao members have rated this review on average helpful

Advantages: Callas in one of her best studio performances, Great Sound
Disadvantages: Some fans might not like Callas' voice

...This was Callas' first complete studio recording for years and it was a big step- some would say that it proves she should have sung mezzo roles all along. The voice is dark and powerful, without the flappy high notes she had singing higher soprano roles by this late stage in her career. She has lots of character and, despite her reputation as a 'tigress', lots of subtlety as well. She had sung french arias in the studio for about four or five years before recording this carmen and she has very good diction and a good awareness of style. She is most effective in her duets with Gedda, that most stylish of tenors. His smooth voice lacks the virility of say Domingo but Gedda is very french sounding and can be exciting. The conducting is very effective with Pretre being more successful here than in some of his other opera recordings... Read review

Ciao members have rated this review on average somewhat helpful

Advantages: All good strong performances with some absolutely glorious
Disadvantages: Some of the arias do not show the singers at their best

.... Carmen, opéra-comique in 4 acts Habanera: La voila... L'amour est oiseau rebelle Composed by Georges Bizet Performed by London Philharmonia Orchestra with Yelena Obraztsova Conducted by Giuseppe Patane >Yelena Obraztsova has a fine strong voice and is quite subtle in places. Her voice is not smooth - very different from say the Carmen of Leontyne Price or Grace Bumbry - rather she is powerful and vivid - a performance that you either love (for all the passion and excitement) or hate (quite a hard voice and manner). Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 Che faro senza Euridice Composed by Christoph Willibald Gluck Performed by London Philharmonia Orchestra with Agnes Baltsa Conducted by Riccardo Muti > Baltsa gives a full force performance here, very different from the famous performance by Kathleen... Read review

Ciao members have rated this review on average helpful