Black Beauty, recorded at California's Fillmore West in 1970, represents the power of a Davis concert at a time when he was revolutionising jazz-fusion with recordings like Bitches Brew and In A Silent Way. A stellar lineup joins the trumpeter for this gig, including Chick Corea and Steve Grossman. ... Read review
Advantages: Polished performances and good music Disadvantages: Double CD not necessary, liner notes below par
Black Beauty, recorded at California's Fillmore West in 1970, represents the power of a Davis concert at a time when he was revolutionising jazz-fusion with recordings like Bitches Brew and In A Silent Way. A stellar lineup joins the trumpeter for this gig, including Chick Corea and Steve Grossman. My favourite tracks on the album are both non-Davis. Joe Zawinul, a regular Miles sideman, is represented by "Directions", the opening track. ... ...mostly fast and frantic album. Wayne Shorter's Masqualero is also a highlight, with great solos by Davis and Grossman. My biggest criticism of the album is that Columbia have released it as a double CD, when the whole album, being under 80 minutes, could have been put on one disc. This creates frustrating disc-swapping and a higher price. Also, Chick Corea's liner notes are sparse and fail to stimulate. However, this album is great to hear, and although ... more
Black Beauty, recorded at California's Fillmore West in 1970, represents the power of a Davis concert at a time when he was revolutionising jazz-fusion with recordings like Bitches Brew and In A Silent Way. A stellar lineup joins the trumpeter for this gig, including Chick Corea and Steve Grossman. My favourite tracks on the album are both non-Davis. Joe Zawinul, a regular Miles sideman, is represented by "Directions", the opening track. It sets a lively standard which is upheld throughout the mostly fast and frantic album. Wayne Shorter's Masqualero is also a highlight, with great solos by Davis and Grossman. My biggest criticism of the album is that Columbia have released it as a double CD, when the whole album, being under 80 minutes, could have been put on one disc. This creates frustrating disc-swapping and a higher price. Also, Chick Corea's liner notes are sparse and fail to stimulate. However, this album is great to hear, and although it will not fall easily on everyone's ear, it is worth hearing.
Product Information for "Black Beauty (Live At Filmore West) - Miles Davis" »
Product details
Title
Black Beauty (Live At Filmore West)
Performer
Miles Davis
Genre
Jazz Instrument
Sub Genre
Trumpet
Release Date
08/1997
Original Release Year
1971
Label / Distributor
Sony Jazz / Sony Music/Arvato Services
Producer
Teo Macero
Pieces in Set
2
Studio / Live
Live
Stereo
Stereo
Format
Performer
EAN
5099706513827
Additional notes
Album Notes
Personnel: Miles Davis (trumpet); Steve Grossman (soprano saxophone); Chick Corea (electric piano); Dave Holland (electric bass); Jack DeJohnette (drums); Airto Moreira (percussion). Recorded live at the Fillmore West, San Francisco, California on April 10, 1970. Includes liner notes by Chick Corea. BLACK BEAUTY is the initial live document of Miles Davis' electric music built out of blues, free jazz, and post-modern musical thought. The mood is one of controlled chaos, with each soloist in top form, and group interplay at a near-ESP level. The tracks morph naturally into one another; with well-placed phrases from Miles cueing the players' transitions. The mercurial groove of "Directions," with Steve Grossman's wailing soprano, disintegrates into Stockhausenesque electronic static waves before unloading into the thick blues throttle of "Miles Runs The Voodoo Down." A trumpet solo on "I Fall in Love Too Easily" briefly slows the pace, but the rest is all forward motion. Dave Holland's rumbling bass and Jack DeJohnette's rolling backbeat power the group, while Airto Moreira furnishes exotic percussive colors. By the time Miles begins blasting trumpet runs at Chick Corea's electric piano on "Spanish Key," the worlds of jazz and improvisational rock have been united, undoubtedly leaving the audience feeling that they'd been struck by musical lightning.
Album Reviews
Down Beat (7/97, p.65) - 3 1/2 stars (out of 5) - "A gritty recording.... Steve Grossman's soprano is featured throughout, and the fascinating rhythm section of Jack DeJohnette on drums and Dave Holland...keeps the grooves honest and open..." Spin (8/97, p.117) - "...features fine handoffs between Steve Grossman's squonking sax, Chick Corea's nastily distorted keyboards and Miles' milky, yearning, sometimes angry trumpet..." Musician (8/97, p.87) - "...The ears-open interactivity of Davis' ensembles--that ability to engage in serious musical conversation while flying in the upper atmosphere--is enough to shame any current bebop-babbling jazz automaton..." JazzTimes (10/97, p.87) - "...a volatile state of molten flux, expanding, shredding and spinning off...in an acrobatic display of without-a-net aplomb..." Entertainment Weekly (8/01/97, p.75) - "...With his inimitable trumpeting--by turns melancholy, pungent, and lyrical--at the music's center, his electrified cohorts stretch the limits of jazz, rock, and funk..." - Rating: A-
Titles on disc 1
1.
Directions
2.
Miles Runs The Voodoo Down
3.
Willie Nelson
4.
I Fall In Love To Easily
5.
Sanctuary
6.
It's About That Time
Titles on disc 2
1.
Bitches Brew
2.
Masqualero
3.
Spanish Key
Ciao
Listed on Ciao since
05/06/2001
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