Black Sabbath Vol.4 - Black Sabbath

Black Sabbath Vol.4 - Black Sabbath

1 CD(s) - Heavy Metal - Label: Sanctuary - Distributor: Universal Music - Released: 24/05/2004 - 5050749203427 more

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... This includes great classics like Tomorrow's Dream, Changes, Supernaut, Snowblind, and Laguna Sunrise Black Sabbath VOL. 4 is a must have addition to any Black Sabbath collection released: early september 1972 the album features some of Sabbaths most memorble tracks and sees Sabbath beginning ... Read review





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Vol 4 both consolidated Black Sabbath's massive transatlantic success and marked the ... more
beginning of the end. Thematically, the band
continued to move away from cod-Satanism towards
an apocalyptic Science Fiction based on the
abandonment of a world turned...
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Volume 4 - Black Sabbath Volume 4 - Black Sabbath
Vol 4both consolidated Black Sabbath's massive transatlantic success and marked the ... more
beginning of the end. Thematically, the band
continued to move away from cod-Satanism towards
an apocalyptic Science Fiction based on the
abandonment of a world turned ...
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Black Sabbath Vol.4 [VINYL] - Black Sabbath Black Sabbath Vol.4 [VINYL] - Black Sabbath
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Release Date: 2009-09-25, Vinyl, Sanctuary
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Black Sabbath, Vol. 4 - Black Sabbath Black Sabbath, Vol. 4 - Black Sabbath
Vol 4both consolidated Black Sabbath's massive transatlantic success and marked the ... more
beginning of the end. Thematically, the band
continued to move away from cod-Satanism towards
an apocalyptic Science Fiction based on the
abandonment of a world turned irrevocably bad.
Relationships were now explored, in "St. Vitus
Dance" and the maudlin, piano-led "Changes", and
drugs, which the band were now consuming with
dangerous enthusiasm, remained a concern,
"Snowblind" being a celebration to match 1971's
"Sweet Leaf". But the increasingly complex and
varied music--the sweet instrumental "Laguna
Sunrise", the pure ambient percussion of "FX", and
additional keyboards--caused vicious arguments
that would eventually culminate in break-up. Hard
to believe, as much of it was as crushingly heavy
as ever, an obvious precursor of both industrial
metal and grunge. In fact, Ministry's Al
Jourgensen would later cover "Supernaut", and
Seattle's Screaming Trees would cover "Tomorrow's
Dream". --Dominic Wills
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Black Sabbath Vol.4 [VINYL] - Black Sabbath
Release Date: 2009-09-25, Vinyl, Sanctuary
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Black Sabbath Vol.4 [VINYL] - Black Sabbath Black Sabbath Vol.4 [VINYL] - Black Sabbath
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VOL.4 MUST HAVE BLACK SABBATH ALBUM
A review by leedsleeds on Black Sabbath Vol.4 - Black Sabbath
April 24th, 2008


Author's product rating:   

Originality Definitely a cut above the rest 
Lyrics Standard 
Quality and consistency of tracks Mixed 
How does it compare to the artist's other releases Good 
Value for Money Good 

Advantages: sees Sabbath beginning to experiment successfully with new textures
Disadvantages: lots of instrumental

Recommend to potential buyers: yes 

Full review

BLACK SABBATH VOL.4

1: Wheels of Confusion/The Straightener (8:14)
2: Tomorrow's Dream (3:12)
3: Changes (4:46)
4: FX (1:43)
5: Supernaut (4:45)
6: Snowblind (5:31)
7: Cornucopia (3:54)
8: Laguna Sunrise (2:52)
9: St. Vitus Dance (2:29)
10: Under the Sun/Every Day Comes and Goes (5:50)

Yet another groundbreaking powerhouse recording featuring some excellent guitar work. This includes great classics like Tomorrow's Dream, Changes, Supernaut, Snowblind, and Laguna Sunrise Black Sabbath VOL. 4 is a must have addition to any Black Sabbath collection released: early september 1972 the album features some of Sabbaths most memorble tracks and sees Sabbath beginning to experiment successfully with new textures such as strings, piano, orchestration and multi-part songs.. Yet the classic Sabbath sound is still very much in evidence While not being Sabbaths best work its jam packed with memorable riffs which made Black Sabbath one of the greatest heavy metal bands of all time. 


Reviews which might be of interest for Black Sabbath Vol.4 - Black Sabbath    
Rifftastically heavy!
Review of Black Sabbath Vol.4 - Black Sabbath by  snowblind_supernaut

Advantages: 8/10 hardcore thumping tracks
Disadvantages: Hmmm, tracks 3 and 4!

...So, the interestingly entitled Vol. 4 by Black Sabbath, supposedly called so because the initial title, Snowblind, is the name of track 6 of the album which is all about cocaine and thus had to be changed! A common thing for Sabbath after album 2, due to be called War Pigs was changed to Paranoid (hence non-sensical album cover) due to sensitivites over the on-going Vietnam war. Anyway, Vol. 4 is a collection of great tracks bar the usual Iommi fiddling (see track 4) and track 3... 1 - Wheels of confusion (also referred to as The Straightener) - a slow and heavy riff with lyrics casting a dreamily confused look on life. The last 3 minutes are dedicated to a slowly building guitar solo which rockets along near the end....a random quiet 20 seconds and then a very brief reprise! 2 -Tomorrow's Dream - short and sweet, the live... Read review

Ciao members have rated this review on average helpful

helpful
20.06.2005
Ozzy - No More Tears ~ 8/10
Review of No More Tears [Remastered] - Ozzy Osbourne by  GerlofL

Advantages: It rocks, overdosis of great guitarplay.
Disadvantages: 3/11 tracks are not that good, which leaves 8 songs.

...responsible for the actions of his listeners. In 1988 he spoke his famous words: "sobriety fucking sucks." Stopping with touring in 1995, but soon ( also in 1995 ) he decided to go on, with a tour called 'Retirement sucks' Under influence of alchohol and drugs way to much, he could not control himself anymore. "My wife found me under the piano in a white suit, a shotgun in one hand and a knife in the other" He had then shot all 17 cats. in 1989 he got to the top of his trouble, when he became violently drunk and tried to strangle his wife Sharon. ----Artists Discography---- -- With Black Sabbath 1970 Black Sabbath 1970 Paranoid 1971 Master of Reality 1972 Black Sabbath, Vol. 4 1973 Sabbath Bloody Sabbath 1975 Sabotage 1976 Technical Ecstasy 1978 Never Say Die! 1998 Reunion 2002 Past Lives -- Solo 1980 Blizzard of Ozz... Read review

Ciao members have rated this review on average very helpful

very helpful
16.05.2008


No More Tears [Remastered] - Ozzy Osbourne

Product details

Title: Black Sabbath Vol.4

Performer: Black Sabbath

Genre: Heavy Metal

Release Date: 24/05/2004

Recomended Retail Price: 8.99 GBP

Original Release Year: 1972

Label / Distributor: Sanctuary / Universal Music

Pieces in Set: 1

Studio / Live: Studio

Stereo: Stereo

Format: Performer

EAN: 5050749203427

Catalogue Number: SMRCD 034

Additional notes

Album Notes: While Black Sabbath's 1972 release VOL. 4 didn't contain a renowned heavy metal anthem as PARANOID's title track, "Iron Man," or MASTER OF REALITY's "Sweet Leaf" and "Children of the Grave," for example, it was far from a lackluster effort. VOL. 4 is a consistent, complete album that contains many of Sabbath's most underrated and often-overlooked compositions. Based on the inspired performances throughout the album, you'd never know that the band has considered the writing/recording of VOL. 4 to be its most out-of-control and drug-heavy period.
A pair of long and winding epics open and close VOL. 4.: "Wheels of Confusion/The Straightener" and "Under the Sun/Everything Comes and Goes," each consisting of two separate sections. The reflective, love-lost ballad "Changes" remains one of Sabbath's best, while Tony Iommi's gorgeous acoustic instrumental "Laguna Sunrise" is another low-key standout. But plodding, mega-decibel heavy metal is what Sabbath is known for, and VOL. 4 delivers with such dark rockers as "Tomorrow's Dream," "Supernaut," and "Snowblind," a track warning against the dangers of cocaine. VOL. 4 is one of Black Sabbath's most underrated albums, despite its exceptional quality.

Album Reviews: Rolling Stone (12/7/72, p.63) - "...Storms of liquid metal...the Sabs pour it on...The Sabs are genius..."
Q (6/00, p.69) - Ranked #60 in Q's "100 Greatest British Albums" - "...The sound of drug-taking, beer-guzzling hooligans from Britain's oft-pilloried cultural armpit let loose in LA..."

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