Looking back I've missed a number of seminal albums, as they passed me by. I remember being at Glastonbury in 1998 but don't remember seeing the wonderful Nick Cave and the Bad Seeds, as I only knew him from his duet with Kylie Minouge “Where the Wild Roses Grow”. Fast forward eleven years ... Read review
After a career spent tearing down the world with horror and disgust, Nick Cave finally ... more
sounds ready to start rebuilding from scratch. He has begun to find a quiet grace, and perhaps even beauty, past all the darkness that's long consumed him. Amid t...
Postage & Packaging: £1.21 Availability: Usually dispatched within 1-2 business days...
After a career spent tearing down the world with horror and disgust, Nick Cave finally ... more
sounds ready to start rebuilding from scratch. He has begun to find a quiet grace, and perhaps even beauty, past all the darkness that's long consumed him. Amid t...
Postage & Packaging: Free! Availability: Usually dispatched within 24 hours...
After a career spent tearing down the world with horror and disgust, Nick Cave finally ... more
sounds ready to start rebuilding from scratch. He has begun to find a quiet grace, and perhaps even beauty, past all the darkness that's long consumed him. Amid the ashes of a world unable to exorcise its demons, Nick actually finds love; a strange, twisted, doomed love, perhaps--but love nevertheless. On The Boatman's Call, the singer-songwriter finds room for the personal, the spiritual and even the hopeful in his grey psyche. With only the sparest accompaniment--often just a piano or organ, light percussion and violin (courtesy of Dirty Three's Warren Ellis)- -Cave employs traditional folk song structure and simplicity to weave tales saddened less through tragedy than through emptiness. Songs like "Into My Arms" and "(Are You) The One That I've Been Waiting For?" are among Cave's most self-assured and soulful to date. Stripped down and grown up--though still ghoulish and grave--Cave the storyteller has turned into something of a vampire Bruce Springsteen. Ultimately, The Boatman's Call sounds like Cave's attempt to poison his cake and eat it too. For a record so resolute in its denial of divinity, its obsession with religious themes and imagery might seem contradictory if they hadn't come from someone like Cave, who fancies himself a fallen angel searching for a ladder back to heaven. Where Gothic meets cathedral, there resides, for better or worse, our dark saint Nick. -- Roni Sarig
Postage & Packaging:Free! Availability:Usually dispatched within 24 hours...
After a career spent tearing down the world with horror and disgust, Nick Cave finally ... more
sounds ready to start rebuilding from scratch. He has begun to find a quiet grace, and perhaps even beauty, past all the darkness that's long consumed him. Amid the ashes of a world unable to exorcise its demons, Nick actually finds love; a strange, twisted, doomed love, perhaps--but love nevertheless. OnThe Boatman's Call, the singer-songwriter finds room for the personal, the spiritual and even the hopeful in his grey psyche. With only the sparest accompaniment--often just a piano or organ, light percussion and violin (courtesy of Dirty Three's Warren Ellis)- -Cave employs traditional folk song structure and simplicity to weave tales saddened less through tragedy than through emptiness. Songs like "Into My Arms" and "(Are You) The One That I've Been Waiting For?" are among Cave's most self-assured and soulful to date. Stripped down and grown up--though still ghoulish and grave--Cave the storyteller has turned into something of a vampire Bruce Springsteen. Ultimately,The Boatman's Callsounds like Cave's attempt to poison his cake and eat it too. For a record so resolute in its denial of divinity, its obsession with religious themes and imagery might seem contradictory if they hadn't come from someone like Cave, who fancies himself a fallen angel searching for a ladder back to heaven. Where Gothic meets cathedral, there resides, for better or worse, our dark saint Nick. --Roni Sarig
Postage & Packaging:refer to website Availability:refer to website
Advantages: stunning lyrics, and melodies Disadvantages: a couple of slightly weak tracks
Looking back I've missed a number of seminal albums, as they passed me by. I remember being at Glastonbury in 1998 but don't remember seeing the wonderful Nick Cave and the Bad Seeds, as I only knew him from his duet with Kylie Minouge “Where the Wild Roses Grow”. Fast forward eleven years and his beautifully sublime album “The Boatman Calls” is one of my most played albums. Released in 1997 The Boatmen Calls” is Cave's 10th studio ... ...before such as the “Murder Ballads” Gone are the tales of violence, instead we have Cave in a very mellow, reflective mood pondering on love, redemption, spirituality and his previous, often failed relationships. From laments and odes to P J Harvey (Black Hair, West Country Girl and Green Eyes) to the unravellings of his marriage (People Ain't no Good” and “Where Do We Go Now but Nowhere” the subject matter of the songs are often very personal and ... more
Looking back I've missed a number of seminal albums, as they passed me by. I remember being at Glastonbury in 1998 but don't remember seeing the wonderful Nick Cave and the Bad Seeds, as I only knew him from his duet with Kylie Minouge “Where the Wild Roses Grow”. Fast forward eleven years and his beautifully sublime album “The Boatman Calls” is one of my most played albums. Released in 1997 The Boatmen Calls” is Cave's 10th studio album and very different from the ones that have come before such as the “Murder Ballads” Gone are the tales of violence, instead we have Cave in a very mellow, reflective mood pondering on love, redemption, spirituality and his previous, often failed relationships. From laments and odes to P J Harvey (Black Hair, West Country Girl and Green Eyes) to the unravellings of his marriage (People Ain't no Good” and “Where Do We Go Now but Nowhere” the subject matter of the songs are often very personal and often I feel honoured to intrude on the glimpses of Cave's thoughts and encounters. It's an album of grown up love songs often with quite a sensual, even slightly erotic subtext which I could never fully appreciate when I was 20 as I've experienced the highs, lows and complexities of love and other relationships.
Musically I find it difficult to fault “Boatman Calls”. Its an album full of deceptively simple songs with sparse instrumentation, pretty melodies and clean production. I love this style of instrumentation, as it creates a fantastic backdrop for Cave's vocals which are deep, nature and very stately.
I have came late to downloading and “Boatman Calls” is one of the first albums I have downloaded. This is ironic as its an album where I would appreciate owning the inlay booklet to read the lyrics. Other have said it but I'm going to say it again but Cave is a genius and a poet when it comes to songwriting. His lyrics are full of insight into the fragility of humans relationships and the quest for something more, spirituality or maybe the prefect relationship sung about in (Are you) The one I've been Waiting for” The imagery at times is stunning such as the “Valentine of blood” and wedding dress net curtains in “People Ain't No Good“ and his repeated use of black hair in the track of the same name. These really are lyrics that English and media teachers can analyse to their hearts content.
The opening track Into My Arms has the accolade of being the most played song on my computer in the last couple of months. You know it is going to be special right from the the first line “I don't believe in an interventionist god” It it is one of the most beautifully sublime songs I have ever heard. I'm not sure if some people would find it too schmaltzy (by his standards) but I love it. It's quite a simple, almost fragile slow song with just an understated piano accompanying Nick's stately, deep vocals singing lyrics of pure love tinged with themes of devotion, spirituality and Christianity. I could listen to it over and over and never get sick of it. This surely is a ten out of ten song and would probably make it in my top ten songs of all time.
“Into My Arms“ is followed by the equally gorgeous “Lime Tree Arbour”. It's another simple, touching love song with brushed drums shuffling away in the background and an understated organ. Its got a nice relaxed late night feeling. I love it because amongst Cave's eloquent pragmatic over life “There will always be suffering It flows through life like water” there is also hope in the lyric, as Cave tenderly declares “There is hand that protects me And I do love her so “
After the hopeful tone of the first two tracks we are treated to the first of two eulogies to failed relationships. “People Ain't No Good” is another mellow slow song starting with a simple piano and slight drum beat. Its a song that charts the demise of a marriage and Caver's total disillusionment with relationships. I find the imagery especially striking on People Aint No good alongside Cave's voice which is particularly mature and throaty.
Brompton Oratory written about a visit Cave made to the catholic church in South Kensington is in my opinion one of the weaker tracks on the album that lacks the impact of those that have gone before. I find the melody driven by a church organ not so simple, stark or pure as “Into My Arms” and the tempo seems a bit lackluster. I also find the imagery linking his love making to communion and transfiguration slightly too forced compared to some of the other religious imagery on the album.
“There is a Kingdom” always reminds me of “Perfect Day” in tune and melody. It's another laid back mellow song. Its another of the weaker tracks which is perfectly pleasant but has made less of an impression on me than some of the other tracks. The lyrics seem less profound and there is less wonderful imagery. Its one that floats by until the standard is raised
We don't have to wait long as (Are you) the one I've been Waiting For” is another song I adore. Its also one of the first song I heard. It's just a really beautiful song about the nature of love. Everyone's looking for this idealistic perfect love that just does not exist even though we want it. Again the imagery is sublime. I love the idea of this perfect love appearing “wrapped in a coat with tears in your eyes” . I like the guitar which is gentle and moody whilst Cave's voice has an intimate but weary edge to it. Its another song that I can listen to repeatedly without tiring of it.
One of the high points of the album for me is also one of the low points. “Where do we go now but Nowhere” is the second eulogy to a collapsed relationship and its a remarkable one. I could write a whole review on it and still have more things to write due to the lyrics and imagery. Its one of the most depressing and despairing songs I've ever heard but its compulsive listening. Set in some sort of hospital or institution you can hear the weariness in Cave's voice as he struggles to cope with the death of the relationship and the total strangers the couple have become whilst remembering the better days. Its a song I can relate to so much especially the lyrics ”f I could relive one day of my life,If I could relive just a single one”when looking back to happier events.
The tone of the music matches the tone of th lyrics. There's the piano and light drums backed with a mournful mournful, violin and a gloomy bass line great effect. Its just beautiful. The lyrics are misery upon misery but the imagery is vivid and stunning from “The kitten that padded and purred on my lap now swipes at my face with the paw of a bear “ to “Ravaged avenger with a clip in your hair”/ I also love the tender refrain “wake up my lover wake up” which shows there is just that flicker of hope for this doomed relationship.
On the album the “Murder Ballads” Cave duetted and became involved with P J Harvey. The next two tracks on the album “West Country girl and “Black Hair” are Cave's odes to Harvey. I like the drama of West country Girl as it has a different feel to most of the songs on the album. It ts more up tempo with a rollicking rustic folky feel to it due to the twang of gypsy like guitars and violins. Ithe lyrics are performed in a passionate half chant. I find th lyric “her unborn baby crying mummy aginst the rubble of her body” quite disturbing. “Black Hair” is a strange kettle of fish. Cave sings repeatedly about Harvey's distinctive raven locks backed by an accordion accompaniment. I do find th emotion in Cave's voice in the final verse especially touching.
Idiot's Prayer” is a real grower on me. Its not particularly memorable musically with piano, drums n violin but lyrically it is fantastic. Here we have Cave at his most cynical and twisted as he scorns a former lover's belief in love, heaven end religion. “They're gunna pass me to that house above Is Heaven just for victims, dear? Where only those in pain go”. His mocking use of the word hallelujah is especially effective.
The album ends with Green Eyes and its another cautious song. A layered effect is used with Cave both singing and speaking the lyrics backed with a Spanish guitar and an harmonica. I'm never sure what to make of it but rounds the album off to a memorable end.
“Boatman Calls may not be for anyone omened by a little swearing as the F word and the Cword are used but for those who love their love songs less schmaltzy and more true to life this is n essential purchase. I would recommend Boatman Calls to anyone who has been heartbroken. It can be beautiful and depressing, cynical and sublime. The lyrics are perhaps some of the best I've hear as Cave is a song writing genius.
duskmaiden 03.03.2009 (03.03.2009)
Ciao members have rated this review on average:
very helpful
Review of Boatman's Call, The - Nick Cave/Bad Seeds (The)
Advantages: its nick cave! you cant go wrong. I Disadvantages: nothing
this is a beautiful album. After nick caves previous album, murder ballads it is very melachonic, it has little of the humor and madness that was shown in the earlier album and none of the uplifting adventures and stories.
this album is often dark, and sometimes very oppresive and can leave the listener wanting something a lot more uplifting. Yet the songs capture you and take you into nick caves world. His relantionship with his wife had broken ... ...Who he had dueted with on murder ballads, during the writing of this album and this is all shown throughout the album
The serious nick cave fans out there will love the album with hits such as into my arms, the opening track, and lime tree arbour..but i still think new comers to cave will appericiate this album for its meaningful lyrics and the passion shown throughtout! ...
pandaspot 24.10.2006
· Read full review
Ciao members have rated this review on average: helpful Review of Boatman's Call, The - Nick Cave/Bad Seeds (The)
Nick Caves the Boatmans Call is possably the best album that I ever bought. The best track is "people just aint no good". I listen to that song all the time, when I am sad or blue it just seems to bring me back. It might not be everyones cup of tea but give it a try and see what you think?
There are only two bad tracks on the album "Green eyes" and "Black hair". They might be to someones taste, but try as I might I can't seem to get into them. As ...
Gerry 11.11.2000
· Read full review
Ciao members have rated this review on average: helpful Review of Boatman's Call, The - Nick Cave/Bad Seeds (The)
Product Information for "Boatman's Call, The - Nick Cave/Bad Seeds (The)" »
Product details
Title
Boatman's Call, The, Boatmans Call
Performer
Nick Cave/Bad Seeds (The), Nick Cave and the Bad Seeds
Genre
Rock & Pop
Sub Genre
Alternative
Release Date
03/1997
Recomended Retail Price
8.99 GBP
Original Release Year
1997
Label / Distributor
Mute / EMI Operations/CEVA Logistics
Guest Artist(s)
Cave, Nick & The Bad Seeds
Engineer
Paul Corkett
Pieces in Set
1
Studio / Live
Studio
Stereo
Stereo
Format
Performer
EAN
5016025611423
Catalogue Number
CDSTUMM 142
Additional notes
Album Notes
Nick Cave & The Bad Seeds: Nick Cave (vocals, piano, Hammond organ, keyboards, vibraphone); Mick Harvey (acoustic & electric guitars, Hammond organ, vibraphone); Blixa Bargeld (guitar); Warren Ellis (violin, accordion, piano); Jim Scalvunos (melodica, drums, percussion); Conway Savage (piano, keyboards); Martyn P. Casey (bass); Thomas Wydler (drums, maracas). Producers: Nick Cave & The Bad Seeds, Flood. Recorded at Abbey Road and Sarm West, London, England. Following up the almost pornographically violent MURDER BALLADS, Nick Cave and the Bad Seeds switch gears and come up with an album of...you guessed it, love songs. Though known to many as the Stephen King of rock and roll, Cave has a way with lush, heartfelt ballads, and on THE BOATMAN'S CALL he gets to flex his romantic muscles. Still, with Australia's maven of morbidity at the reigns, you can bet you're not exactly venturing into Elton John territory here. Cave's romanticism tends more toward Jacques Brel than Air Supply. THE BOATMAN'S CALL is full of sparsely-arranged, piano-based ruminations on love gone up in flames. In "Brompton Oratory" Cave observes that "No God up in the sky/No devil beneath the sea/Could do the job that you did/Of bringing me to my knees." Even in the midst of an idyllic situation, as in "People Ain't No Good," Cave can't help but bring his misanthropic tendencies to the fore. The Bad Seeds take a more subdued role this time around, providing subtle accompaniment to Cave's Dating Game From Hell.
Album Reviews
Q (12/99, p.92) - Included in Q Magazine's "90 Best Albums Of The 1990s." Q (1/98, p.111) - Included in Q Magazine's "50 Best Albums of 1997." Melody Maker (12/20-27/97, pp.66-67) - Ranked #26 on Melody Maker's list of 1997's "Albums Of The Year." NME (12/20-27/97, pp.78-79) - Ranked #23 in NME's 1997 Critics' Poll. Entertainment Weekly (3/14/97, p.80) - "With this set of sparse piano-based crooners, Cave has created, wittingly or not, a kindler, gentler companion to last year's gloomy, dyspeptic, brilliant MURDER BALLADS..." - Rating: B+ Mojo (5/01, p.46) - "Muted, often desperately unoptimistic collection about Cave's recent relationships..." Option (5-6/97, p.96) - "...a quiet, piano-laden disc filled with ballads, and dirges, where Cave's voice throughout is stately and measured, never aggressive....a somberly mature record..." Uncut (3/03, p.96) - 5 stars out of 5 - "...A tortured break-up album to rival Dylan's BLOOD ON THE TRACKS, and every bit as affecting..."
Titles on disc 1
1.
Into My Arms
2.
Time Tree Arbour
3.
People Ain't No Good
4.
Brompton Oratory
5.
There Is A Kingdom
6.
Are You The One I've Been Waiting For
7.
Where Do We Go Now But Nowhere
8.
West Country Girl
9.
Black Hair
10.
Idiot Prayer
11.
Far From Me
12.
Green Eyes
Ciao
Listed on Ciao since
09/10/2002
Compare Boatman's Call, The - Nick Cave/Bad Seeds (The) to other similar Rock & Pop »
Similar products and search queries by other users »
Boatmans Seeds, Boatmans Call Seeds, Boatmans The Seeds, Boatmans Nick Seeds, Boatmans CaveBad Seeds, Boatmans Call The Seeds, Boatmans Call Nick Seeds, Boatmans Call CaveBad Seeds, Boatmans The Nick Seeds, Boatmans The CaveBad Seeds, Boatmans Nick CaveBad Seeds, Boatmans Call The Nick Seeds, Boatmans Call The CaveBad Seeds, Boatmans Call Nick CaveBad Seeds, Boatmans The Nick CaveBad Seeds
Are you the manufacturer / provider of Boatman's Call, The - Nick Cave/Bad Seeds (The)? Click here