Brahms: Double Concerto; Schumann: Cello Concerto

Advantages: Mutter's eloquence and sensitivity in older recording are enhanced here.
Disadvantages: None at all!

.... ********************* NOTE: To commenter #3, posted comment today, 27-8: the message I left in your gb, sir, should sufficiently clarify the situation. ---------------------------------- CD Notes: JOHANNES BRAHMS (1833 - 1897) Konzert für Violine und Orchester D-dur op. 77 Concerto for Violin and Orchestra in D major 1 1. Allegro non troppo (22' 55) Cadenza: Joseph Joachim, rev. Ossip Schnirlin 2 2. Adagio (9' 20) 3 3. Allegro giocoso, ma non troppo vivace - Poco più presto (7' 55) ROBERT SCHUMANN (1810 - 1856) Fantasie für Violine und Orchester C-dur op. 131 Fantasy for Violin and Orchestra in C major Transcription: Fritz Kreisler 4 Moderato semplice ma espressivo - Allegro marcato - Molto tranquillo - Tempo primo - Cadenza - Molto tranquillo (13' 12) ANNE-SOPHIE MUTTER, Violine New York Philharmonic KURT MASUR Recorded Live at Lincoln Center... Read review

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Advantages: Excellent recordings on one CD
Disadvantages: Competing with so many other recordings

...These recordings of the Brahms and Sibelius Vioin Concertos are performed by Tasmin Little and the Royal Liverpool Philharmonic Orchestra. As you would expect, the quality is excellent. Tasmin has no difficulties with the technical side of the music, giving a first rate performance. There is little I can say about the CD. There are a few recordings of these concertos competing for top place, and this one is certainly in the running. However, it might be worth comparing this to the recordings by Kennedy and Maxime Vengerov before parting with your money, but it is really down to a matter of personal preference.... Read review

Ciao members have rated this review on average helpful

Advantages: Two outstanding peices of chamber music for an unusual combination of instruments
Disadvantages: On the surface quite contrasting works, listener must be openminded

...procedures, deriving new and original ideas influenced by the chamber music of old masters such as Mozart, Beethoven, Brahms and Schumann. Ligeti was influenced by the music of fellow Hungarian composer Béla Bartók, who once stated that "Every art has the right to strike its roots in the art of a previous age; it not only has the right to but it must stem from it". This makes the pairing of one of Ligeti's finest works with the Brahms Op.40 Trio a very appropriate one. Both outstanding chamber works in their own rights and certainly the two best pieces composed for this unusual combination invented by Brahms, a good recording is essential, but hard to find. There are not that many recordings in existence of these works due to the technical complexity for performers and even acclaimed recordings such as the CD by Perlman, Ashkenazy... Read review

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