Advantages: Two outstanding peices of chamber music for an unusual combination of instruments Disadvantages: On the surface quite contrasting works, listener must be openminded
procedures, deriving new and original ideas influenced by the chamber music of old masters such as Mozart, Beethoven, Brahms and Schumann. Ligeti was influenced by the music of fellow Hungarian composer Béla Bartók, who once stated that "Every art has the right to strike its roots in the art of a previous age; it not only has the right to but it must stem from it". This makes the pairing of one of Ligeti's finest works with the Brahms Op.40 Trio a very appropriate one. Both outstanding chamber works in their own rights and certainly the two best pieces composed for this unusual combination invented by Brahms, a good recording is essential, but hard to find. There are not that many recordings in existence of these works due to the technical complexity for performers and even acclaimed recordings such as the CD by Perlman, Ashkenazy ...
Advantages: Fantastically realised world, focused plot Disadvantages: Minimalist detail, not a cohesive collection
The Earthsea Quartet compiles Ursula Le Guin's first four novels set in the Iron Age styled world of Earthsea. The first three books of the original trilogy were published over four years, from 1968 to 1972. A fourth book was released in 1990, erroneously subtitled the last tale of Earthsea but it ended up being the springboard for further tales.
The four books are set in the known lands of Earthsea; made up of a central archipelago encircled by four polar reaches and the Kargad Lands. Areas outside the provided map are unknown; however a land of the dragons is speculated to exist in the far west.
Earthsea is mostly populated by a dark-browned skinned people. The white Kargs are given a slightly more barbaric presentation than other races, shown to be less literate and superstitious of the practise of magic. Different characters from ...
Advantages: Mutter's eloquence and sensitivity in older recording are enhanced here. Disadvantages: None at all!
As a fantastically talented eighteen-year-old, Anne-Sophie Mutter already awed me with her sensitive and thoughtful eloquence in her 1981 recording of the Brahms violin concerto (with Herbert von Karajan directing the Berlin Philharmonic). However, there?s an even deeper understanding in Mutter?s reading of the Brahms piece on this newer disc.
This performance was taped live at the Lincoln Center?s Alice Tully Hall, New York City, in 1997. Kurt Masur conducts the New York Philharmonic in particularly inspired fashion. A difference of fifteen years separates the two recordings. In the time between, she married, had children, and then was widowed at a very young age.
When Mutter returned to her instrument, she would bring a greater strength, emotional depth and insight to her playing, lending a maturity and assuredness to her ...
Product Information for "Brahms: Liebeslieder - Vocal Quartets" »
Product details
Title
Brahms: Liebeslieder - Vocal Quartets
Composer
Johannes Brahms (1833 - 1897)
Date of Release
26/06/2006
Recomended Retail Price
5.99 GBP
Label / Distributor
Brilliant Classics / RSK Entertainment Ltd
Pieces in Set
2
Genre(s)
Vocal and choral
Stereo
Stereo
EAN
5028421930558
Catalogue Number
93055
Work 1
Work Title
(18) Liebeslieder, Op. 52
Excerpt(s)
1. Rede, Mädchen, allzu liebes 2. Am Gesteine rauschet die Flut 3. O die Frauen 4. Wie des Abends schöne Rote 5. Die grüne Hopfenranke 6. Ein kleiner, hübscher Vogel 7. Wohl schön bewandt war es 8. Wenn so lind dein Auge mir 9. Am Donaustrande 10. O wie sanfr die Quelle 11. Nein, es ist nicht Auszukommen 12. Schlosser auf 13. Vögelein durchrauscht die Luft 14. Sieh, wie ist die Welle klar 15. Nachtigall, sie singt so schön 16. Ein duneler Schacht ist Liebe 17. Nicht wandle, ein Licht 18. Es bebt das Gesträuche
Composer
Johannes Brahms (1833 - 1897)
Genre
Vocal & Choral
Date Written
1868-69
Conductor
Nicol Matt
Ciao
Listed on Ciao since
11/11/2006
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