Advantages: Mutter's eloquence and sensitivity in older recording are enhanced here. Disadvantages: None at all!
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NOTE: To commenter #3, posted comment today, 27-8: the message I left in your gb, sir, should sufficiently clarify the situation.
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CD Notes:
JOHANNES BRAHMS (1833 - 1897)
Konzert für Violine und Orchester D-dur op. 77
Concerto for Violin and Orchestra in D major
1 1. Allegro non troppo (22' 55)
Cadenza: Joseph Joachim, rev. Ossip Schnirlin
22. Adagio (9' 20)
3 3. Allegro giocoso, ma non troppo vivace - Poco più presto (7' 55)
ROBERT SCHUMANN (1810 - 1856)
Fantasie für Violine und Orchester C-dur op. 131
Fantasy for Violin and Orchestra in C major
Transcription: Fritz Kreisler
4 Moderato semplice ma espressivo - Allegro marcato - Molto tranquillo - Tempo primo - Cadenza - Molto tranquillo (13' 12)
ANNE-SOPHIE MUTTER, Violine
New York Philharmonic
KURT MASUR
Recorded Live at Lincoln Center...
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Ciao members have rated this review on average helpful
Advantages: The Romances; concerto's third movement. Disadvantages: Tempo, pitch and volume quirks in Concerto.
..., too, slow as that might be, so I’d say go get that disc before this one.
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* See review of Brahms violin concerto recording at:
http://www.ciao.co.uk/BrahmsViolinConcertoinDmajorSchumannFantasieop131Review5354121
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CD Notes:
(There's a nice touch in the CD booklet: all the members of the New York Philharmonic are actually listed on two pages, and this isn't even a concert program! Now we realize that individual performers make up that faceless mass of musicians called the orchestra.
The foldout cardboard CD case is navy blue, and the cover curiously has Mutter peering through a car window (what does it mean?). Photos of the violinist in her trademark strapless gown decorate the inner pages. A CD booklet is inserted into a slit in the center, and has photos of Masur and Mutter...
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Ciao members have rated this review on average helpful
Advantages: Two outstanding peices of chamber music for an unusual combination of instruments Disadvantages: On the surface quite contrasting works, listener must be openminded
...The work of Ligeti has been at the forefront of Western avant-garde since his escape from the oppressive communist regime of Hungary in 1956, and he is widely appreciated as one of the most outstanding contemporary composers. The Trio for Violin, Horn and Piano because it was born out of a three-year period of illness and writer's block after the completion of Le Grand Macabre in which time he laboured over a pianoconcerto but completed only two short harpsichord pieces (Continuum and Hungarian Rock), yet the result in 1982 was the Trio, one of the finest and most complex pieces written so far. His career up to this point had included such sucesses as his Requiem, Atmosphères and the soundtrack for Stanley Kubrick's film 2001. Tiring of his own cluster-textural techniques and the avant-garde, Ligeti refreshed his compositional...
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Ciao members have rated this review on average helpful
helpful 29.08.2007
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