Advantages: A new way to hear Beethoven Disadvantages: Surpassed by some later period cycles
...INTRODUCTION
Beethoven's nine symphonies cover one of the major cornerstones of symphonic literature along with the likes of Haydn, Brahms and Sibelius. Beethoven was born in turbulent times when the common people's dissatisfaction toward the ruling monarchs in Europe was reaching new heights which finally culminated in the French Revolution in 1789. Against this came Beethoven, who was born into a family of musicians in Bonn in 1770. His father wanted to coin in on the child prodigy market created by Mozart whose father had exploited his genius in a similar way. But Beethoven was no Mozart. He wasn't born a child progidy and his performing skills were nowhere near as natural as they were with Mozart. Still he made rapid progress as a piano virtuoso and an amateur composer. He was even supposed to take some lessons with Mozart in Wien...
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Advantages: Varied movements, esp. 1st and 4th. One of Mahler's most popular works. Disadvantages: 2nd movement a little weak.
...to complete it.
--- MUSIC ---
Mahler himself thought of this work as transparent, relatively brief, and non-aggressive. Comprising of 4 movements, it is fairly short compared to his other symphony's and certainly more upbeat, using only a small section of the orchestra compared to his other works. The first movement would almost look like a pyramid if drawn. The start and end are very gradually built up/down (the same melody used at the start and finish) with the climax of the piece about 10mins in with bells and horns making an appearance.
The second movement relies far too much on strings for my liking and lacks the distinctiveness of the 1st movement. The 3rd draws a more subtle manner which makes you believe it is the same as the 2nd at first, but then provides differences to illustrate its superiority; it also leads...
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Advantages: Mutter's eloquence and sensitivity in older recording are enhanced here. Disadvantages: None at all!
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NOTE: To commenter #3, posted comment today, 27-8: the message I left in your gb, sir, should sufficiently clarify the situation.
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CD Notes:
JOHANNES BRAHMS (1833 - 1897)
Konzert für Violine und Orchester D-dur op. 77
Concerto for Violin and Orchestra in D major
1 1. Allegro non troppo (22' 55)
Cadenza: Joseph Joachim, rev. Ossip Schnirlin
22. Adagio (9' 20)
3 3. Allegro giocoso, ma non troppo vivace - Poco più presto (7' 55)
ROBERT SCHUMANN (1810 - 1856)
Fantasie für Violine und Orchester C-dur op. 131
Fantasy for Violin and Orchestra in C major
Transcription: Fritz Kreisler
4 Moderato semplice ma espressivo - Allegro marcato - Molto tranquillo - Tempo primo - Cadenza - Molto tranquillo (13' 12)
ANNE-SOPHIE MUTTER, Violine
New York Philharmonic
KURT MASUR...
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helpful 27.08.2003
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