Brahms: Symphony No 1

Brahms: Symphony No 1

1CD(s) - Label:Naxos - Distributor:Select - DDD - Released:31/01/2005 - 747313242825 more

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Brahms - Symphony No 1 - London Philharmonic Orchestra Brahms - Symphony No 1 - London Philharmonic Orchestra
Release Date: 2005-01-31, Audio CD, Naxos
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SYMPHONY NO 1 SYMPHONY NO 1
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Brahms: Symphony No. 3; Serenade No. 1 - Brahms: Symphony No. 3; Serenade No. 1 -
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Brahms - Symphony No 1; Kalinnikov - Symphony No 1 - Brahms - Symphony No 1; Kalinnikov - Symphony No 1 -
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Schumann - Symphony No 1; Brahms - Symphony No 2 - Schumann - Symphony No 1; Brahms - Symphony No 2 -
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Brahms: Symphony No 1

Main specs

Title: Brahms: Symphony No 1

Composer: Johannes Brahms (1833 - 1897)

Orchestra / Ensemble(s): London Philharmonic Orchestra

Date of Release: 31/01/2005

Recomended Retail Price: 5.99 GBP

Label / Distributor: Naxos / Select

Pieces in Set: 1

Genre(s): Orchestral

Stereo: Stereo

SPAR Code: DDD

EAN: 747313242825

Catalogue Number: 8

Work 1

Work Title: Symphony No. 1 in C minor, Op. 68

Excerpt(s): 1. Un poco sostenuto_Allegro
2. Andante sostenuto
3. Un poco allegretto e grazioso
4. Adagio_Allegro non troppo ma con brio
5. Alternate movt 2 (initial performing version of movt 2)

Composer: Johannes Brahms (1833 - 1897)

Genre: Orchestral

Date Written: 1855-76

Conductor: Marin Alsop

Orchestra / Ensemble: London Philharmonic Orchestra

Work 2

Work Title: Academic Festival Overture, Op. 80

Excerpt(s): 1. Academic Festival Overture, Op. 80

Composer: Johannes Brahms (1833 - 1897)

Genre: Orchestral

Date Written: 1880

Conductor: Marin Alsop

Orchestra / Ensemble: London Philharmonic Orchestra

Work 3

Work Title: Tragic Overture, Op. 81

Excerpt(s): 1. Tragic Overture, Op. 81

Composer: Johannes Brahms (1833 - 1897)

Genre: Orchestral

Date Written: 1880 Revised 1881

Conductor: Marin Alsop

Orchestra / Ensemble: London Philharmonic Orchestra

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Reviews which might be of interest for Brahms: Symphony No 1    
Beethoven's symphonies: the rediscovered frontier
Review of Beethoven Symphonies 1-9 (London Classical Players) - Sir Roger Norrington by  berlioz

Advantages: A new way to hear Beethoven
Disadvantages: Surpassed by some later period cycles

...INTRODUCTION Beethoven's nine symphonies cover one of the major cornerstones of symphonic literature along with the likes of Haydn, Brahms and Sibelius. Beethoven was born in turbulent times when the common people's dissatisfaction toward the ruling monarchs in Europe was reaching new heights which finally culminated in the French Revolution in 1789. Against this came Beethoven, who was born into a family of musicians in Bonn in 1770. His father wanted to coin in on the child prodigy market created by Mozart whose father had exploited his genius in a similar way. But Beethoven was no Mozart. He wasn't born a child progidy and his performing skills were nowhere near as natural as they were with Mozart. Still he made rapid progress as a piano virtuoso and an amateur composer. He was even supposed to take some lessons with Mozart in Wien... Read review

Ciao members have rated this review on average very helpful

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Mutter’s Magnificent Brahms Violin Concerto
Review of Brahms: Violin Concerto; Schumann: Fantasie,Op 131 by  zerbine28

Advantages: Mutter's eloquence and sensitivity in older recording are enhanced here.
Disadvantages: None at all!

...-Hungarian violin prodigy to modify the piece as necessary. (Brahms himself did not play the violin). Joaquim did so, and the piece finally premiered on January 1, 1879--to a confused and rather hostile reception (not unlike what would later greet the Tchaikovsky violin concerto). Pianist Hans von Bulow described it as a concerto not ‘for the violin’, but ‘against it’! Brahms tweaked it further until the piece finally saw publication months after its premiere. With such shaky beginnings, it might have been hard to imagine the work becoming one of the most beloved in the violin repertoire today. To be quite frank, the concerto did almost nothing for me at first. None of the musical themes appealed to me, buried as they were in the work’s complexity. It was hard to follow the melodic line, which was obscured by frequent shifts in rhythm and tempo... Read review

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27.08.2003
Three Hammer Blows of Fate Shall Smithe Thee Down!
Review of Mahler: Symphony No 6 'Tragic' by  berlioz

Advantages: A most powerful and unique work in the annals of music
Disadvantages: Will not appeal to the cutesy-cutesy people

...symphonies, the Sixth is also the most classical in terms of form. All the other symphonies (of past and future) contained much more unconventionalities than the Sixth. The First was originally a tone poem turned symphony; no.2 was also more like a very large orchestral and choral symphonic poem; no.3 extended to seven whole movements with a massive choir and soloists to perform roughly five minutes of its 1½-hour length; no.4 featured a solo soprano; no.5 had five movements with progressive tonalities as did no.7 with its two slow movements; no.8 featured unpresedented orchestrations with two full orchestras, three choirs, two children's choirs, soloists, thus earning the name "Symphony of a Thousand"; and no.9 again employed progressive tonalities Mahler so liked to use. No.6 on the other hand features all the traits of the accepted form... Read review

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04.09.2004
(14.12.2006)

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