Bringing It All Back Home is one of the genuine, no question Must Own Bob Dylan records. It is his first "electric" album (although the final four tracks - Mr Tambourine Man, Gates Of Eden, It's Alright Ma I'm Only Bleeding and It's All Over Now Baby Blue - are all acoustic), it's stacked from ... Read review
"You sound like you're having a good old time," a purist Dylan fan is spotted telling the ... more
artist in the documentaryDon't Look Backjust after the release of this, his first (half-) electric album. He certainly does. Updating Chicago blues forms with ...
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"You sound like you're having a good old time," a purist Dylan fan is spotted telling the ... more
artist in the documentary Don't Look Back just after the release of this, his first (half-) electric album. He certainly does. Updating Chicago blues forms wit...
Postage & Packaging: Free! Availability: Usually dispatched within 24 hours...
When you hear a certain song where does it take you? What is the secret that connects ... more
music to our lives? Heart warming moving and laugh out loud funny "Bringing It All Back Home" is the truest book you will ever read about music and the things that really matter.Author Ian Clayton listens to music as a kid to escape and as an adult to connect. His quest to find what music does to us has taken him on mystical journeys to India on an odyssey to the Mississippi Delta and through the landscapes of his own memory. In "Bringing It All Back Home" he has created a book about love friendship family and loss - about life and living it. While searching for a soundtrack to his own life story he has discovered the heart that beats inside us all.
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Subterranean Homesick Blues She Belongs to Me Maggie's Farm Love Minus Zero/No Limit ... more
Outlaw Blues On the Road Again Bob Dylan's 115th Dream Mr. Tambourine Man Gates of Eden It's Alright Ma (I'm Only Bleeding) It's All over Now Baby Blue
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On their ninth CD, the Brian Jonestown Massacre does what they're best at. That is, they ... more
conjure up visions of Beggars Banquet-era Rolling Stones and other artists from the swinging '60s. Emphasizing acoustic slide guitars, harmonica, handclaps, and tambourine, Anton Newcombe sings passionately in Jaggeresque style. While decidedly retro, the band is always entertaining as they evoke their musical heroes. On the song "Mansion in the Sky" Newcombe recalls the mood of early Dylan with evocative results. Folksy, bluesy, and particularly understated, this disc contains only six songs and leaves you hungry for more. With Miranda Lee Richards's haunting vocal on "Reign On" and an eerie update of Charles Manson's composition "Arkansas," Brian Jonestown Massacre turns six into nine one more time. It's brief, but bright, and their most satisfying work to date. --Mitch Myers
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Bringing It All Back Home is one of the genuine, no question Must Own Bob Dylan records. It is his first "electric" album (although the final four tracks - Mr Tambourine Man, Gates Of Eden, It's Alright Ma I'm Only Bleeding and It's All Over Now Baby Blue - are all acoustic), it's stacked from one end to the other with some of the most recognisable, memorable and exhilarating of Dylan's compositions (no album that starts with Subterranean ... .../>
That's not to say Bringing It All Back Home is without laughs - far from it. For every heady, disturbing moment there's a jocular, absurd counter - the famous false-start of Bob Dylan's 115th Dream being a prime example, both artist and engineers erupting in a fit of giggles at the end of the first line. On The Road Again, too, is as playful as anything he's ever done, feeling more like something off the preceding Another Side Of Bob Dylan, the ... more
Bringing It All Back Home is one of the genuine, no question Must Own Bob Dylan records. It is his first "electric" album (although the final four tracks - Mr Tambourine Man, Gates Of Eden, It's Alright Ma I'm Only Bleeding and It's All Over Now Baby Blue - are all acoustic), it's stacked from one end to the other with some of the most recognisable, memorable and exhilarating of Dylan's compositions (no album that starts with Subterranean Homesick Blues and ends with It's All Over Now Baby Blue can be anything BUT a Must Own, surely), it's ridiculously exciting (if Maggie's Farm doesn't get you fired up of a morning or evening or afternoon, little will) and, lyrically, is never for a moment anything less than awe-inspiring.
Of the electric tracks, most hover around the filthy blues of the aforementioned Subterranean Homesick Blues and Maggie's Farm, save for the gorgeous ballads Love Minus Zero / No Limit and She Belongs To Me, both of which are amongst the most astounding love songs in Dylan's discography, and both of which are rich with evocative, hypnotic poetic imagery. "My love, she speaks like silence" he announces in the former. "She knows there's no success like failure / and that failure's no success at all."
The acoustic tracks are each stunning, transfixing pieces of work - the seven-and-a-half-minute It's Alright Ma I'm Only Bleeding serves almost as an acoustic reprise of Subterranean Homesick Blues' rapid-fire stream-of-conscious proto-rap, swapping the life-affirming wordplay of the former for a relentless, pitch-black series of images - "Pointed threats they bluff with scorn / suicide remarks are torn / from the fool's gold mouthpiece / the hollow-horn / plays wasted words, proves to warn / that he not busy being born is busy dying."
That's not to say Bringing It All Back Home is without laughs - far from it. For every heady, disturbing moment there's a jocular, absurd counter - the famous false-start of Bob Dylan's 115th Dream being a prime example, both artist and engineers erupting in a fit of giggles at the end of the first line. On The Road Again, too, is as playful as anything he's ever done, feeling more like something off the preceding Another Side Of Bob Dylan, the last of the purely acoustic records, than the proceeding Highway 61 Revisited.
Depending on the time of day, Bringing It All Back Home is either my favourite or second-favourite Bob Dylan album - it swaps position regularly with the mid-70s break-up masterpiece Blood On The Tracks. As aware as I am of every lick, every word, every movement, having heard the record innumerable times in the past ten years, still I find something new with every listen.
It's a record high on its own genius, is what it is - confident, bold, defiant - and yet never appears smug or self-important.
So yes - a Must-Own, and perhaps the best place to start, even, for Dylan newcomers faced with the daunting sprawl of that career.
Advantages: Appeals to folk and rock fans, and is simply a great set of songs Disadvantages: Not as focused as other Dylan albums
'BringingItAllBackHome' is simply great. This album harnesses both the developed acoustic skill of BobDylan, and the beginning of his rock and roll legacy.
Released at a time when many people longed for the acoustic folk of the BobDylan of the mid 60's, the ever dynamic and stubborn BobDylan expressed his frustration and displayed his genius through the medium of rock and roll. 'Subterranean Homesick Blues' is a perfect example on this album of the fantastic songs Dylan produced with his blues rock sound while he maintained his complicated and unique lyrical ability.
However, the album harbors songs like 'It's All Over Now, Baby Blue' and 'Mr Tambourine Man', which can be more closely likened to earlier acoustic Dylan work. Amongst Dylan's versatile amalgamation of acoustic folk and rock one constant remains - the sheer lyrical ...
Advantages: Great Music, see text Disadvantages: See Text, none really
If rock music were a new baby, what would it look like? The answer my friend is blowing in the.. well, BobDylan album BringingItAllBackhome actually!
~~~~Introduction~~~~
BringingItAllBackHome is the fifth BobDylan album and marks one of the greatest turning points in the history of music. This is the first time on a studio album BobDylan plugs himself in and sends surges of electricity down the spines of the listener. The Folk purists got an electric shock, but he knew what he was doing and drove himself to a brand new world. The album before this was the ill-titled Another Side Of BobDylan, ill-titled because it was so obviously another side of the man. He had started to move away from his position of chief prophet of the protest movement and this album is an even bigger step away.
Complete with rock band half ...
Advantages: The First (Album) Showing Of Dylan's Electric Material, With Some Of His Best Acoustic Songs Disadvantages: A Couple Of The Electric Songs Are Not Quite As Fully Developed As Those From Highway 61 Revisited
BringingItAllBackHome is often seen as the transitional album for Dylan in the sixties, marking the change from simply acoustic guitar and voice to Dylanbacked by an electric group. This in all truth is quite a profound change of direction at the time, but the previous album Another Side showed that Dylan was moving in a new direction and was turning his back on the folk purists and turning on to a style of music that had been his original childhood passion. But this is purely transitional as it contains a side of electric songs and a side of electric tracks. Apparently there were electric versions of all the songs, but I am a yet to hear either an electric Gates Of Eden or It's Alright Ma, but then they are perfect just as they are. The main influence for the electric side is the blues, as would be for his next two outings ...
Product Information for "Bringing It All Back Home - Bob Dylan" »
Product details
Title
Bringing It All Back Home
Performer
Bob Dylan
Genre
Rock & Pop
Sub Genre
Singer/Songwriter
Release Date
06/1989
Recomended Retail Price
10.99 GBP
Original Release Year
1965
Label / Distributor
CBS / Sony Music/Arvato Services
Engineer
Roy Hallee; Peter Dauria
Producer
Tom Wilson
Pieces in Set
1
Studio / Live
Studio
Stereo
Stereo
Format
Performer
EAN
5099703234428
Catalogue Number
CD 32344
SPAR code
AAD
Additional notes
Album Notes
Personnel: Bob Dylan (vocals, acoustic guitar, harmonica); Al Gorgone, John Hammond, Jr., Bruce Langhorne, Kenneth Rankin (guitar); Paul Griffin, Frank Owens (piano); William E. Lee, Joseph Macho, Jr., John Sebastian (bass); Bobby Gregg (drums). Recorded at Columbia Recording Studios, New York, New York in January 1965. Howls of rage greeted Dylan as he presented the world with folk rock--he was roundly booed at both the Newport Folk Festival and the Royal Albert Hall. Yet here is one of those moments of cross-influence that changed the course of popular music. BRINGING IT ALL BACK HOME gave His Bobness an audience on a plate; it was a massive breakthrough. An album of two different sides, acoustic (his past) and electric (his future), it contains milestones in the blues-rockers "Maggie's Farm" and "Subterranean Home Sick Blues," the future Byrds hit "Mr. Tambourine Man," and the transcendently poetic "It's Alright, Ma." You can debate the "is it folk or is it rock" argument forever. It's merely Dylan at one of his many peaks.
Album Reviews
NME (10/2/93, p.29) - Ranked #48 in NME's list of the "Greatest Albums Of All Time." Rolling Stone (12/11/03, p.106) - Ranked #31 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Dylan amplifies his cryptic, confrontational songwriting with guitar lighting and galloping drums..."
Titles on disc 1
1.
Subterranean Homesick Blues
2.
She Belongs To Me
3.
Maggie's Farm
4.
Love Minus Zero (No Limit)
5.
Outlaw Blues
6.
On The Road Again
7.
Bob Dylan's 115th Dream
8.
Mr Tambourine Man
9.
Gates Of Eden
10.
It's Alright Ma (I'm Only Bleeding)
11.
It's All Over Now Baby Blue
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11/04/2005
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