which the major parts in it were written. It is the achievement of Robert Tear and Alan Opie, in this magisterial performance by Graeme Jenkins with the Glyndebourne touring company, to produce telling performances that are entirely separate from our memories. Tear's Aschenbach is more bull-like than Peter Pears' moralist dreamer; his drift into sentimental eroticisation of the boy Tadzio upsets him as much for the weakness it reveals as for the collapse of his virtue. Alan Opie is as much of a virtuoso as John Shirley-Quirk in the multiple roles that culminate in the corrupting voice of Dionysus--the hotelier who persuades Aschenbach to stay, the barber who gives him a toupee and paints his face, the street entertainer, the rake who flirts with sailors; the otherworldly counter-tenor of Michael Chance is spookily right as Apollo. The scenes for dancers manage to be at once dreams of the erotic and plausible adolescent sea-side wrestling; the direction by Stephen Lawless and Martha Clarke manages to capture the mistiness of the piece from which fate and strangeness suddenly emerge.On the DVD: The DVD has subtitles in German, French and Spanish, as well as an acoustic which brings out the subtleties of Britten's string, brass and percussion in this difficult work. --Roz Kaveney
Composer: (Edward) Benjamin (Lord Britten of Aldeburgh) Britten (1913 - 1976)
Main Performer: Alan Opie (Baritone); Michael Chance (Alto); Philip Langridge (Tenor)
Orchestra / Ensemble(s): BBC Singers Choir; City of London Sinfonia Orchestra
Date of Release: 07/02/2005
Recomended Retail Price: 31.99 GBP
Label / Distributor: Chandos / Select
Pieces in Set: 2
Running Time: 3 hours 32 minutes
Genre(s): Stage works
Stereo: Stereo
SPAR Code: DDD
EAN: 95115128022
Work 1
Work Title: Death in Venice, Op. 88
Composer: (Edward) Benjamin (Lord Britten of Aldeburgh) Britten (1913 - 1976)
Genre: Stage works
Date Written: 1973
Conductor: Richard Hickox
Orchestra / Ensemble: BBC Singers Choir
Orchestra / Ensemble: City of London Sinfonia Orchestra
Main Performer: Alan Opie (Baritone), Michael Chance (Alto), Philip Langridge (Tenor)
Opera Part(s): Alan Opie (Hotel Manager; Hotel Barber), Alan Opie (Leader of the Players; Voice of Dionysus), Alan Opie (Traveller; Elderly Fop; Old Gondolier), Michael Chance (Voice of Apollo), Philip Langridge (Gustav von Aschenbach)
Advantages: The Original and Best Disadvantages: None
...“Albert’s Mum took a stick, whacked him on the thingummyjig.
Albert hopped round the shop, squeaking like a tilly pig!”
Emmie, Cis, Harry, Act I Scene II
“Are Loxford girls all whores?”
Lady Billows
UPDATE 8.15pm - I am reliably informed that Collins Classics have gone off the market, and the release mentioned in the competitor versions below has been released at £9.99 by Naxos. Even so, the Britten/Pears version STILL represents better value in every way!
I’m making a passionate case here for this 1947 Benjamin Britten masterpiece as the greatest comedy opera written in the English language. If your experience of Britten extends little beyond “Young Person’s Guide” in your schooldays, and you want to try something new, you won’t be disappointed. Don’t be put off by the idiom of Britten’s music – although it was written...
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Ciao members have rated this review on average very helpful
Advantages: Great music is always an advantage... Disadvantages: Great music don't have it
...the world fame, despite his complete devotion to the debatable one "cultural politics" of the then U.R.S.S., it is Shostakovic which, for his same admission, owes a lot to Mahler.
The Fourth Symphony of the Russian would not be thinkable before without the Fourth or the Bohemian's Fifth, with that sense "panic" and at the same time "magic" of the nature that permeates and it unites so the three Symphonies.
In the title I told from Vienna to Venice (implicitly remembering "You death in Venice " in the cinema version, in which the Adagietto of the Fifth Symphony of Mahler is used), but I could also have been telling for the century of the romanticism that of the more disenchanted and, together, deperate vision of the life that has been the whole century that we have been having for little time greeted .
But enough, to the others the space...
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Ciao members have rated this review on average helpful
...Death Row was the greatest hip-hop label throughout the 1900s before the abrupt takeover of Bad Boy Entertainment after the death of lead rapper Tupac Shakur and the imprisonment of CEO Suge Knight. Over the past 6 month’s Death Row has started to re-emerge as a powerful label and the release of the greatest hits album shows their desire to retain their dominance of the hip hop mainstream scene. Death Row Greatest Hits is an album intended to remind once Death Row fans of their greatness and possibly tear them away from now dominating record labels such as So So Def and Bad Boy Entertainment. Anyone that is serious about West Coast gangster rap, I would not recommend this album to because they will probably have most if not all the songs present on it anyway.
The album is basically a greatest hits of the greatest hits. The majority...
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Ciao members have rated this review on average helpful
helpful 19.01.2002
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